>>Mhm. Hey, welcome to the cubes coverage of HP discover 2021. I'm lisa martin. I have two guests with me here today. We're gonna be talking to the walt. Disney company. Jason Abrahamson is here. The Director of infrastructure engineering. Jason. Welcome to the program. >>Hi, how you doing >>doing well. And James Irvine is here as well. Account chief technologist at H P. D. James. Welcome to the program. >>Yeah, I like to thank you. >>Okay, so we're gonna be talking about all things the HP supporting Disney relationship. But you know, things have been changing so much in technology, things have been very different for technologists in the last few years, Jason talked to us about how Disney has adapted as business needs have evolved. >>Uh you know, I think not just Disney but in general, as we've we've had to evolve, evolve as technologists. Right. And one of the ways we've done that is to focus a lot on automation and self service, enabling developers to move faster to meet the shift in business demand, business moves at the speed of light. Uh anybody that's been this business long enough knows. Uh There were years ago you could have email servers down for three hours and nobody would notice. Now if email went down for more than, you know, 35 seconds, everybody notices. Right? So in order to meet the change in demand, we've had to focus heavily on automation and self service, which has been a key strategy, is keep a key driver for as as part of private cloud. >>So Jason with infrastructure as such, a large part of your responsibilities and your job title, how has Disney been thinking about private cloud in the last few years? >>So I would say that we were probably one of the uh I don't wanna see bleeding edge, but certainly out in front when it came to private cloud, we had embarked on a cloud first strategy overall across the enterprise, uh, the goal there was to figure out how we could do more with less and be more agile and be able to flex for application developers and meet our shifts in demand. However, there are, you know, systems that for whatever reasons, business purpose or otherwise need to either span hybrid cloud or multi cloud or stay on premise. So in order to uh get a cloud like environment for application developers and whatnot, we decided to build out a robust, private cloud environment that allowed all of our application developers to be able to just bring their code or get a server and try to get as much of the public cloud functionality on premise as we possibly could >>James. Let's bring you into the conversation, talk to us about the H P E WAlt Disney company relationship and how HP is supporting walt. Disney. >>Yeah, HP and Disney have had a long standing relationship dating all the way back to HP and Disney as far as the audio oscillators concerned. So we've had an extraordinarily long history, the technology and co innovation partnership that we've worked on together through the years. And as Jason mentioned, you know, the journey around private cloud and working together in that technology relationship is just has been fantastic. And we've supported them with all the innovation and technology is needed for them to meet their bulls. >>Excellent. All right, Jason, let's go back to you. I want to dig into this private cloud strategy a little bit more. You mentioned this a minute ago, but as we look at and here so many discussions and strategies revolving around public, multi cloud, Why is private cloud so important to Disney? >>Well, we have a tremendous amount of applications. We are application portfolio as massive as you can imagine. And we find ourselves in unique situations because of all of the different uh, business challenges that we have that are unique to Disney, that we have to develop applications from the ground up far more often than we probably like to admit. So, uh, private cloud allows us to uh take advantage of the public cloud, like services and technology scalability and flexibility and agility, right? And bring those on premise and be close to the business where it's absolutely critical to our business. I don't want to comment on what specific, because their services that we have to run close to the business. But you can imagine with the uh, expansive footprint of our business and how we have to interact with guests, um whether it's from a movie or at a theme park, we do have to have some services that are close to our business. And so by having private cloud, we complement our public cloud strategy uh, and and allow us to keep those most critical services very close to the business. >>Got it. You just mentioned a number of the elements of Disney. There's been a lot going on, so much going on. It's actually kind of easy to forget how new Disney Plus is, but sitting in the center of a company that's doing so much digitally, how does the shared services play a part in the overall digital transformation of the business? >>Uh, that's a great question. So obviously technology is key to our business. If you look at all the different lines of business we have and you look at all the different technology that we have. It's absolutely critical in order for us to continue to invest in technology to meet all of our business demands. Were shared services comes in is we enable the business to focus on what is critical to their business. Right? We allow resorts and even the immediate media partners to just focus solely on the technology that is critical to driving those businesses to enabling the guest experience and keeping it great. We are focused on uh everything else that is not critical for their business. The underlying infrastructure, the underpinning infrastructure right? Such as the global network, global servers, emails and so on and so forth. So it's a great compliment where it freezes the business up to focus on what's really critical for them and we can get economies of scale and synergy across our entire enterprise by delivering core services at a much more efficient costs throughout the company >>and James. I want to ask you a question. You've been working as a with the walt Disney company for a long time. We've we've seen the evolution of h p e and we've seen the evolution of Disney. Can we ask you anything about kind of, give us your perspectives on how both companies have evolved in this relationship together? >>I would say that it's been it's been a great relationship. I would say that the uh, we have continued to lean on HP from an investment perspective for our servers in certain areas storage, but mostly servers, what are the big investments we've made recently was hB synergy which is composed all infrastructure, which has allowed us to continue to uh invest in our automation strategy and allows us deliver physical servers much, much faster James. Did you want to add anything there? >>Yeah, of course, Jason. Uh it's been great to partner with with Jason and the team walt. Disney company in particular and and through this experience of them trying to achieve their private cloud goals, we've been able to bring the right technology, the right set of services to achieve these technology outcomes that they've been after and the use of automation to improve life cycle management day to operations, all the goals and aspirations that they need to really automate infrastructure and make it intelligent and started achieving the goal of the intelligent data center. So it's it's been a great technology partners of relationship we've had there, >>Jason back to you. Let's, we've talked about Disney's private cloud strategy. I'm gonna talk a little bit more about how that integrates with the rest of Disney's cloud strategy. What can you share with us? >>Well, uh >>like, like anything you want the right tool for the right job And uh, certainly the multi cloud strategy in the public cloud strategy is a huge part of our overall strategic roadmap. Where again, we use the private cloud is to complement that for applications that need to either span or stay on premise. You know, one of the things that we're just getting into now is hybrid cloud while you have application teams that are like, hey, we really just need to focus on premises where we need to be close to the business, but we have workloads that need to burst to the public cloud or need to scale out to the public cloud, uh, and you really take advantage of that. So again, we don't look at it as it used to be, not just within Disney, but in general, and most cloud strategies, it was, it's kind of like an either or now we look at it as the right tool for the right job. What's the right fit for your application? And as we continue to look at how the application stack modernizes, right used to be. How do you get servers faster? Well, now I don't want to serve. I want a container. Now. It's, I just want to bring my coat and I don't even know if I need a container. Right. The application developers really want sort of this, They really want to just focus on application development and they want to focus more on what makes their applications great. Right. We want to focus more on commoditization and blurring the lines between public and private. Really, where does the workload run best? Where is it most efficient? And where is the best for the business? And so when we look at how we build out our private cloud environment, it was really to complement our existing public cloud strategy. >>Let's talk about people now, Jason for a second. I know, I love that. Disney calls there folks, Cast members, I see the pin on your lapel there. How are the cast members at the center of this technology strategy and how does the private cloud strategy play into that? >>Well, it's one of those things where our cast members are the most important aspect of our, of our brand. If you, if you were to look at what is r one of the most valuable asset, it would certainly be our cast members right there. The front line, whether it's helping a guest, whether it's working on a movie and our overall technology strategy is all about enabling cast members to do their job as most efficiently and effectively as possible. Um, uh, when it comes to how private cloud fits into that, it's again creating an environment where the application developers and our business partners can accelerate their application growth and the delivery of their services to support our back of house operations for our cast members. So that way it doesn't impact the guest experience. There's nothing more frustrating for a cast member is when they're impeded or have issues trying to get to a resource or unable to efficiently do their job. And so by having the private cloud, by having access to resources on premise. At times it gives them the ability to deliver those and consume those applications even faster, >>which I'm sure the guests love. One of the things that you mentioned, Jason and I want to James at your opinion on this too. It's a, it's a statement that we hear very often you need to do more with less in that situation. How does Disney navigate that? And a strategy that is cost effective while you're growing your public, your private cloud strategy? >>Uh huh automation, Right? Automate automation and self service. It really it's always comes back to, I know it's a buzzword, I know people go automate this, automate that you know, what are you automating if you look at just the investments we're making right now in the HP synergy line and having proposal infrastructure combined with pockets of three tier architecture as well as hyper converge. You are we're bringing a delivery model to application teams and business teams that they haven't that is just like public cloud, Right? But that they haven't seen before. So in order to manage massive scale, uh you you need to automate more and you need to automate more in order to make sure that you have self healing, right? So you can see you can look at things and understand things and see where you're having problems and try to predict them before they happen and increase your uptime and availability. I mean it all comes back to again, automation automation, automation uh >>James. Do you have the similar opinion when you talk with customers similar to the walt Disney company that are told we've got to do more but we've got less to work with is automation one of your key go to recommendations. >>Automation is at the center of everything that we're trying to achieve today, both on premise and in the public cloud. And hyper automation is really kind of where everybody is driving to the ability to be incredibly they are incredibly efficient um using infrastructure as code api driven and using all the tools to really automate that and make the seamless delivery of new products and services just that much quicker. And, and we've been focused on that, both not only from a technology and infrastructure standpoint, but also from a consulting and delivery standpoint. So we're able to really kind of meat all the different needs as it relates to automation, both in a private cloud, hybrid cloud or multi cloud scenario with all of the partnerships that we have across all the hyper scale hours. >>James sticking with you with that. Looking through that consultant lens, I want to get some thought leadership from you. What are some of the principles that you'd recommend for businesses that really are working hard to make their private cloud investment work as efficiently as possible for them? >>A lot of that comes down >>to >>consulting and understanding. So really kind of driving to what we referred to as the right mix, what is that right mix of hybrid cloud, private cloud um applications that have gravity that need to remain on premise and there's just no reason to move them. So, working with somebody and partnering with somebody that has the ability to be able to advise and consult in that capacity across the continuum of private public as well as Edge um is vitally important for people to consider as a part of their strategy. >>Jason Edge is absolutely in critical we're hearing about it more and more, especially as so much more data and machine data is generated there. I want to get your advice for the audience the same question that I asked James, what principles would you recommend for making the private cloud investment work as hard as possible? As efficiently as possible. >>I would say that, you know, it's gonna be a unique journey for every single company, but the number one advice is remember, right tool for the right job. Right, What is your application stack? What are the types of in that? What is the type of needs of the application owners? And when you start thinking about it, you start dissecting, Are you going to be investing more microservices? Can you go with more of a serverless, container based type of environment? Are you using shrink wrap software? You're gonna need more. I as right. It all comes down to the right tool for the right job. My father was an auto mechanic and I remember as a kid, he had 8000 tools and they say no, dad, why do you have five screwdrivers? To me? They all look the same right in the heart of mechanic because no, no, no, Jason you don't understand. It's the right tool for the right job. That was always his mantra. That would be my advice. >>I like that. I think my dad would have said the same thing, right tool for the right job. Absolutely critically important. So when we think about Disney, we know, generate a ton of data, how does the growth of the private cloud, Jason support that massive data growth? >>Well, as you can imagine, we have ebbs and flows in our data. There's times where we're taking a tremendous amount of data in and there's times where we're purging a tremendous amount of data for various different reasons. Right? So one of the beauties of private cloud and how it complements the public cloud is when you go to you think about data ingestion, right? And then storage and being able to efficiently can get it on premise and what not having the private cloud there to do those types of things to use more of those B I type of work clothes there, you're just Truncheon a bunch of data. Uh it's really nice to have the private cloud. So that way the application, he can add nodes at collectors of, you know, other other log aggregation type tools, right? Whatever the tool is, you know, being able to have the flexibility to add notes very quickly, just like they can in public cloud, public cloud but have it on premise so that you can do cost control and get the data in a more timely, more efficient manner. Again though, it comes down to the type of workload and what was best for that business. I would I would be remiss if I tried to sit here and tell you that all of our big data stuff were to only reside or only use on premise technology is of course it spans like I said, we've got hybrid cloud and multi cloud, so >>it kind of goes with the right tool for the right job. One more question for both of you and I want to go back to that thought leadership angle Jason when you are talking with peers of yours, what do you recommend that technology leaders look for when they're going to be partnering with a company on any type of cloud, initiative management or implementation project? >>I was a understand you understand the problem, trying to solve, understand the technology that you want to use and understand again, your application portfolio and perhaps because I'm insured services, a large company, I have a unique perspective of having to deal with very different problems at any given day on any given week. And you know, sometimes we forget about those, especially as technologists, we tend to forget that the decisions we make have wide and far reaching impact within our application stacks and within the individual businesses. And I think if if you uh look at what is my application stack, what are the types of technologies? How how is it going to be if you are doing just shrink wrap, then you probably shouldn't be investing in cloud technologies that are heavily focused on container ization. Right. If your custom developing applications, then your entire strategy should probably be focused on how do you build container farms? And if you're doing big data, you probably should bring deep use into the conversation with something nobody's talking about really yet. So, you know, Mhm >>Sounds like collaboration is really key. James the same question. Last question of our conversation. I'd love to get your perspective on what technology leaders should look for when you're talking with prospective customers when they're looking to partner for cloud implementation, growth management. What are some of those things that you say the technology leaders look for this? >>You really need to be working with people who understand your business that are passionate about your success and really having access to not only the advisory capabilities but the technology portfolio to help you realize all of your business and technology outcomes. And I think those are super important attributes that we HP can provide, you know, across the entire portfolio of technologies and services that most customers need to do. And I think that the business outcome, the business transformation is really key to what what the future holds for us. And having the visionary perspective of not only the customer but US in joint partnership allows for these great goals to be achieved. >>Its great goals in this business outcomes. Well, gentlemen, thank you for joining me on the program today. Talking to me about what Disney is doing with technology. How HP is supporting the Disney relationship. Jason and James. I appreciate your time. Thank >>you. Thank you lisa >>For Jason, Abrahamson and James Irvine. I'm Lisa Martin. You're watching the cubes coverage of HP Discover 2021. Uh huh. >>Yeah.

>>from around the globe. It's the Cube covering HP. Discover Virtual Experience Brought to you by HP >>Hello and welcome back to the Cube's coverage of HP Discover Virtual experience. This is the Cube. I'm John Furrier, your host. We're here in the Palo Alto studio with remote interviews. We have a great innovation story here with Disney and HBO. ET Al is tailor vice president of content innovation with studio lab Disney. And so men do suck. Sarkar, distinguished technologist, director of AI at HP. Thanks for coming on, Alice. Someone do. Thank you for taking the time. >>It's great to be here. Hi, >>I love this story. I think it's the innovation story, and I think it's going to be one that will experience in our life going forward. That is media, video and experiences and this innovation in AI. It's a lot to do with the collaboration between Disney Studio Labs Alice that you're running and it's super super important and fun as well. Very relevant. Cool. So first, before we get started, Alice, >>take a minute >>to explain a little about yourself and how Studio Lab came about. Yeah, >>McGuinness Studio lab is just over in its second year of operation. It was an idea that was had by our CTO. I'm going to say, three years ago and at the time, just previously before that I had a start up company that came through the Disney accelerators. So I was already inside the building and, um, the team there said Felicity on the said, You know, we need to start up an innovation lab that will investigate storytelling through emerging technology, and that's basically being the majority of my background. So I said Yes on then. Since then, we'll be going a team. We opened the lab in May of 2018 and here we are in the middle of Pandemic. But it has grown like crazy. Its just a wonderful place to be and to operate. And we've been doing some amazing projects with some amazing partners, >>and it's not unusual that an entrepreneur has this kind of role to think outside the box. We'll get some of that talk about your experiences, and I wonder how you got into this position because you came in as an entrepreneur. You're doing some creative things. Tell us that story real quick. >>Yeah, Okay, well, so as you could sell on British. My actual background started. My whole career started in technology in the mid nineties. A Xai started as a training video editor but then switched very quickly and 95 building websites. And from there on, it was Internet all the way. But I've always focused on storytelling. And, you know, much of my background is working for broadcasters and media and content creators. So those five years of the BBC in there already department and, um actually out here is VP of digital media for them and then Channel four as well. And throughout the whole process, I was always interested in how to tell stories with new technology and the new mediums as they emerged. So yep, flights side story and doing a startup which was actually in toys and video games, but again, big digital storytelling environments for Children. And then I came round. Robin, if you like into Disney and here we are still looking at how to you make films and episodic content. Even Mawr. You name it faster, better, more exciting. Using the best and greatest in emerging tech as we find it, >>and the lab that you're doing is it's an accelerant, almost four new technologies. Your job is to what? Look out over the horizon next 10 years or so to figure out what's next. It's >>not a structure. I think you have >>some rain to be creative and experiment >>Well, yeah, I mean, in fact. So it's a studio live at the studios. We'll Disney has eight studios at the moment, and what we do is we look at actually the whole breath of storytelling. So right from the moment when a creative has an idea through to how our guests and fans might be receiving the end product out in the world and we segregate those that that whole breadth from into three categories i d. Eight. When you know the process of generating the idea and building it, make how we make it where we make it, what we make it with on that experience, how we experience it out in the world. So we have a whole SNU of projects. The studio level so works with some of the best technology companies in the world, and we call those are innovation partners on. We sign these partnerships really to bring what we like to call superpowers to the system we like to think. But the combination of those companies and what comes out of these projects is going to give our filmmakers superpowers, but also that combinatorial effect of Disney. You know, in this case, for instance, working with HP like produces something that Disney couldn't necessarily do on its own or the HP. He couldn't necessarily do it on his own, either. So, yeah, it's a huge remit, and we tend to look, we don't look quite so far out. Generally speaking as 10 years, it's more like three to now. We don't do day to day operational work, but we try to pick something up a couple of years before it's going to be operationally ready and really investigated then and get a bit of a head start. >>Well, it's great. Have HBs partner and And having that bench of technology software people is just a nice power source for you as well. Someone to talk about the relation HP relationship with Disney because, um, you got a lot of deep technical from the lab standpoint to resilient technology. How are you involved? What's your role? You guys sitting around you riff and put a white board together and say, Hey, we're gonna solve these big problems. Here is the future of consumption. That is the future of video. What goes on? Tell us your the relationship between you guys. >>Yeah, it's a good question at HP. We don't really make the service, but what we also do is we work quite a lot on optimizing some of the artificial intelligence solutions and algorithms on the DP use and scale it across servers. So So you don't have this opportunity came up from Disney, where this thing came up with a very innovative solution where they were solving the video quality problem. As as, you know, there are a lot of blemishes and in the video that can come up and didn't want to fix all of them. And they have great algorithm. But what happens is, but with better guards comes a huge amount of computational complexity, which needs a little bit of heterogeneous compute input in parallel processing and in sequential processing. So we thought that it's a perfect on, and it's a combination off the skill sets to make this video quality software execute at speed switch needed for production. Disney. >>So it's good to have a data center whenever you need it to. You guys have a great technology. We hear a lot more from the execs at HB on our reporting else. Want to get your thoughts? We're covering some of this new edge technologies. We're talking about new experiences. I gave a talk at Sundance a few years ago, called The New Creative Class, and it's really about this next wave of art and filmmakers who are using the tools of the trade, which is a cell phone and and really set of Asti studios and use the technology. Can you give us some examples of how Studio Lab collaborates with filmmakers and execs to push the push, the art and technology of storytelling to be fresh? Because the sign of the times, our instagram, tic tac, this is just very elementary. The quality and the storytelling is pretty basic dopamine in, but you can almost imagine the range of quality that's going to come so access to more people, certainly more equipment, cameras, etcetera. What's next? How do you guys see? What's some examples can you share? >>It's an amazing question. I mean, we're working on films and episodic. It's rather than very short form content, obviously, but you're absolutely right. There's a lot of consumer grade technology that is entering the production pipeline in many ways and in many areas, whether it's phones or iPads first using certain bits of software. One of the things that we're building at the moment is the ability Teoh generate vertical metric models, capturing with consumer drones or even iPhones, and then use it getting that data into a three D model as soon as possible. There's a really big theme. What we want to do is like make the process more efficient so that our creatives and the folks working on productions aren't having to slog through something that's slow and tedious. They want to get to the story, telling the art in the act of storytelling as much as possible. And so waiting for a model to render or waiting for their QC process toe finished is what we want to kind of get rid of so they can really get to the meat of the problem much, much faster and just going back to what Mandy was saying about the AI project here I mean, it was about finding the dead pixels on screen when we do our finished prints, which would you believe we do with humans? Humans at their best historically have been the best of finding dead pixels. But what a job I have to do at the end of the process to go through quality control and then have to go and manually find the little dead pixels in each frame of our print. Right? Nobody actually wants to be doing that job. So the algorithm goes and looks follows automatically. And then HP came in and spread that whole process up by nine X. So now it actually runs fast enough to be used on our final prince. >>You know, it's interesting in the tech trend for the past 10 15 years that I've been covering cloud technology. Even in the early days, it was kind of on the fringe them because mainstream. But all the trends were more agility, faster taking with ah, heavy lifting so that the focus on the job at hand when it's creative writing software. This is kind of a success formula, and you're kind of applying it to film and creation, which is still like software is kind of same thing, almost so you know, when you see these new technologies that love to get both your reactions of this. One of the big misses that people kind of miss is the best stuff is often misunderstood until it's understood. And we're kind of seeing that now. A covert our ones. From a way, I could have seen this. No, no one predicted. So what's >>an >>example of something that people might be misunderstanding that super relevant, that that might become super important very quickly? Any thoughts? >>That's great. Well, I can give an example of something that has come and gone and then coming, potentially gone. Except it hasn't it's VR. So it came, you know, whenever it was 20 years ago, and then 10 years ago, and everybody was saying VR is going to change the world And then it reappeared again six years ago again, everybody said it's going to change the world, and in terms of film production, it really has. But that's slightly gone unnoticed, I think, because out in the market everyone is expecting VR to have being a huge consumer success, and I suspect it still will be one day a huge consumer success. But meanwhile, in the background, we're using VR on a daily basis in film production. Virtual production is one of the biggest, um, emerging processes that is happening If you've seen anything to do with, um Jungle Book Line King Man DeLorean. Anything the industrial like magic work on. You're really looking at a lot of virtual production techniques that have ended up on screen, and it is now a technology that we can't do without. I'm gonna have to think two seconds for something that's emerging. Ai and Ml is a huge area, obviously were scratching it. I don't think anyone is going to say that it's going to come and go in this one. This is huge, but we're only just beginning to see where and how we can apply Ai and Ml and you did you wanna jump in on that one? So >>let me take it from the technology standpoint, I think it was also very cool trends. Now what happens is that your ML spaces people have come up with creative ideas. But one of the biggest challenge is how do you take those ideas for commercial, use it on and make and make it work at the speed, as Alice was mentioning, It makes it feasible in production. So accelerating your ML on making it in a form which is visible is super important. And the other aspect of it is just the first video quality that it was mentioning. That picture is one types, and I know the business is working on certain other video qualities to fix the blemishes. But there's a whole variety of these vanishes on with human operators. It's kind of impossible to scale up the production on to find all these different artifacts like, you know, especially now. As you can see, the video is disseminated in your forms in your ipads from like, you know, in that streaming. So this is a problem of scale on do stuff. This is also like, you know, a lot of compute on a very like I said, a lot of collaboration with complimentary skill sets that make it real. >>I was talking with a friend who was an early Apple employees, now retired good friend, and we're talking about all the Dev ops agile go fast scale up, and he made a comment I want to get your reaction to, he said. You know what we're missing is craft and software. You speak crafts game. So when you have speed, you lose craft, and we see that certainly with cloud and agility and then iterating. Then you get to a good product over time. But I think one of the things that's interesting and you guys are kind of teasing out is you can kind of get craft with the help from some of these technologies where you can kind of build crafting into it. Alice, what's your reaction to that? >>One of our favorite anecdotes from The Lion King is so Jon Favreau, the director, built out the virtual production system himself, Teoh with his team to make the film, and it allowed for a smaller production team acting on a smaller footprint. What they didn't do was shortened the time to make the film. What the whole system enabled was more content created within that same amount of time, so effectively John had more takes and more material to make his final film with, and that that's what we want people to have. We want them to have to know ever to have to say I missed my perfect shot because of I don't know what you know. We run out of time so we couldn't get the perfect shot. That's it. That's a terrible thing. We never want that to happen. So where technology can help gather as much material is possible in the most efficient way. Basically, at the end of the day, for our for our creatives, that means more ability to tell a story. >>So someone do. This is an example of the pixel innovation. The Video QC. It's really a burden if you have to go get it and chase it. You can automate that respect from the tech trends. Will automation action in there? >>Yeah, absolutely. And as Chris was mentioning, If you can bridge the gap between imagination and realization, then you have solved the problem that the people who are creative can think on implement something in a very short time, gone back for like, you know, some of these I'm just coming. >>Well, it's a very impressed that I'm looking forward to coming down and visiting studio labs when the world gets back to work. You guys are in the heart of Burbank and all the action and the Euro little incubates really kind of R and D meets commercial commercially. Really cool. But I have to ask you, with covert 19 going on, how are you guys handling? The situation certainly impacted people coming to work. How is your team? Have been impacted. And how are you guys continuing the mission? >>Well, yeah, The lab itself is obviously a physical place on the lot. It's in the old animation building, but it's also this program of innovation that we have with our partners. To be honest, we didn't slow down at all. The team carried on the next day from home, and in fact, we have expanded even because new projects came rolling in as folks who were stuck at home suddenly had needs. So we had editors needing to work work remotely. You know, you name it folks with that home connections, wondering if we had some five G phones hanging around that kind of thing. And so everything really expanded a bit. We are hoping to get back into physical co location as soon as possible, not least to be able to shoot movies again. But I think that there will be an element of this remote working that's baked in forever from here on in not least, cause it was just around. This kind of what this has done has accelerated things like the beginning of cloud adoption properly in the beginning of remote teller work and remote telepresence and then also ideas coming out of that. So ah, you know, again, the other day I heard holograms coming up. Like, Can we have holograms yet? So we don't do it That's going to cover out again. Yeah, but you know what? The team have all been amazing, would. But we'll miss each other. You know, there's something about real life that can't be replaced by technology >>has been a great leader in in accumulating. All HP employees work from removed and in the process. But we're also discovered is we have also, you know, maybe so. We discovered innovative ways where we can still work together. Like so we increase the volume of our virtual collaborations on. I worked with Erica from Disney is a tremendous facilitator and the technologists of mining one. You have this close collaboration going. Andi almost missed nothing, but yes, if you would like to, you know, on the field each other on to be in close proximity. Look at each app in each other's eyes are probably that's only missing thing, but rest off it, You know, we created an environment perfect, clever and work pretty well. And actually, at this point in the process, we also discovered a lot of things which can be done in remote, considering the community of Silicon Valley. >>You know, the final question I want to get your thoughts on is your favorite technology that you're excited about. But someone doing you know, we're talking amongst us nerds and geeks here in Silicon Valley around you know what virtualization server virtualization has done? An HP knows a lot about server virtualization. You're in the server business that created cloud because with virtualization, you could create one server and great many servers. But I think this covert 19 and future beyond it virtualization of life, Immersion of digital is going to bring and change a lot of things. You guys highlight a few of them. Um, this virtualization of life society experiences playing work. It's not just work. It's experiences so Internet of things devices how I'm consuming how I'm producing. It's really going to have an impact. I'd love to get your both of your thoughts on this kind of virtualization of life because certainly impact studio lab, because you think about these things. Alice and HP has to invent that the tech to get scaling up. So final question. What do think about virtualization of life and what technologies do you see that you're excited about to help make our lives better? >>Well, goodness, may, I think we're only beginning to understand the impact that things like video conferencing has on folks. You know, I don't know whether you've seen all of the articles flying around about how it's a lot more work to do video conferencing that you don't have the same subtle cues as you have in real life. And again, you know, virtual technologies like we are on day similar and not going to solve that immediately. So what we'll have to happen is that humans themselves will adapt to the systems. I think, though fundamentally we're about to enter a radical period. We basically have already a radical period of innovation because as folks understand what's at their fingertips. And then what's missing? We're going to see all sorts of startups and new ideas come rushing out as people understand this new paradigm and what they could do to solve for the new pains that come out of it. I mean, just from my perspective, I have back to back nine hours of BTC a day. And by the end of the day, I could barely walk Way gonna do about that. I think we're gonna see holograms like that. We're gonna see home exercise equipment combined. You know, really good ones. Like you've seen politicians shares going crazy. There's tons of that. So I'm just really excited at the kind of three years or so. I think that we're going to see of radical innovation, the likes of which we have always usually being held back by, um other reasons, maybe not enough money or not enough permission. Whereas now people are like we have to fix this problem. >>Well, you've got a great job. I want to come to quit. My job income joined studio left. Sounds like it's a playground of fun. There great stuff. Someone do close us out here. What? Are you excited about as we virtualized you're in the in the labs, creating new technology. You're distinct, technologist and director of AI. When you're on the cutting edge, you're riding the wave two. What's your take on this? >>Virtually? Yeah, you know the experience. What it has done is it has pushed the age to the home. So now if you really see home is one of the principal connectivity to the outside world restaurants. Professional goes on and on with that, What I also offers is like a better experience. Right now. We're all gather about Zoom being able to do a video conferencing. But as this was pointing out there is that here in that we are now consider combining the augmented reality and and the way that we do your conference and all the other innovations that we could begin in the East so that the interactions becomes much more really. And that is like, you know, I'd say that the world is moving to >>l Cool. Thank you very much for that comment and insight really enjoyed. Congratulations on studio lab. You've got a great mission and very cool and very relevant. And someone do. Thank you very much for sharing the insights on HP's role in that. Appreciate it. Thank you very much. Okay, this is the Cube. Virtual covering HP Discover virtual experience. I'm John Furrow, your host of the Cube. Stay tuned for more coverage from HP Discover experience after this break. >>Yeah, yeah, yeah, yeah, yeah.

From around the globe. It's theCUBE covering HPE's Discover Virtual Experience. Brought to you by HPE. >> Hello and welcome back to the CUBE's coverage of HPE discover Virtual Experience. This is theCUBE, I'm John Furrier, your host, we're here in the Palo Alto Studio for the remote interviews. We have a great innovation story here with Disney and HPE, Alice Taylor, Vice President of Content Innovation with studioLAB at Disney. And Soumyendu Sarkar, distinguished technologist director of AI at HPE. Thanks for coming on Alice. Samandiyu thank you for taking the time. >> No worries. Great to be here. Hi. >> Hi >> I love this story. I think it's an innovation story and I think it's going to be one that we'll experience in our life going forward, and that is media, video, and its experiences and these innovation about AI, It's a lot to do with the collaboration between Disney studioLAB, Alice, that you're running, and it's super, super important and fun as well and very relevant and Cool. So first before we get started, Alice, take a minute to explain a little about yourself and how StudioLAB came about. >> Oh my goodness. StudioLAB is just in its second year of operation. It was an idea that was had by our CTO. I'm going to say three years ago, And at the time, just previously before that, I had a startup company that came through the Disney accelerator. So I was already inside the building and the team there said well, the CTO there, and the boss said, you know, we need to start up an innovation lab that will investigate storytelling through emerging technology. And that's basically being the majority of my background. So I said, yes. And then since then we've been growing a team. We opened the lab in may of 2018 and here we are, in the middle of a pandemic, but it has grown like crazy. It's just a wonderful place to be and to operate. And we've been doing some amazing projects with some amazing partners, >> And it's not unusual that an entrepreneur has this kind of role to think outside the box. We'll get at some of that. Talk about your experience as an entrepreneur, how you got into this position, because you came in as an entrepreneur, you're doing some creative things. Tell us that story real quick. >> Yeah. Okay. Well, so as you can tell, I'm British. My actual background started, my whole career started in technology in the mid 90s. As I started as a trainee video editor, but then switched very quickly in 95 to building websites and from there on, and it was internet all the way. But I've always focused on storytelling and I, you know, much of my background is working for broadcasters and media and content creators. So I was five years at the BBC in their R and D department. And I'm actually out here as VP of digital media for them, and then Channel 4 as well. And throughout the whole process, I was always interested in how to tell stories with new technology and the new mediums as they emerged. So yeah, slight side story and doing a startup, which was actually in toys and video games, but again, big digital storytelling environments for children. And then I came round Robin, if you like into Disney and here we are still looking at how to make films and episodic content, even more, you name it faster, better, more exciting, using the best and greatest in emerging tech as we find it. >> The lab that you're doing, it's an accelerant almost for new technologies. Your job is to what? look out over the horizon next 10 years or so to figure out? >> Yeah >> what's next. It's not a structured thing. You have some reign to be creative and experiment? >> Well, yeah, I mean, the studioLAB, at the studios, well, Disney has eight studios at the moment, And what we do is we look at actually the whole breadth of storytelling. So right from the moment when a creative has an idea through to how our guests and fans might be receiving the end product out in the world, and we segregate that whole breadth into three categories; Ideate, when, you know, the process of generating the idea and building it, Make, how we make it, where we make it, what we make it with and then Experience. How we experience it out in the world. So we have a whole slew of projects, the studio level works with some of the best technology companies in the world. And we call those our innovation partners and we sign these partnerships really to bring what we like to call Superpowers to the system. We like to think that the combination of those companies and what comes out of these projects is going to give our filmmakers superpowers, but also that combinatorial effect of Disney, you know, in this case, for instance, working with HPE, like producing something that Disney couldn't necessarily do on its own or the HBE couldn't necessarily do on his own either. So yeah, it's a huge remit and we don't look quite so far out, generally speaking as 10 years, it's more like three to now. We don't do day to day operational work, but we try to pick something up a couple of years before it's going to be operationally ready and really investigate it then and get a bit of a headstart. >> Well, it's great to have HPE as partner and having that bench of technology, software, and people, and it's just a nice power source for you as well. >> Exactly So Soumyendu talk about HPE relationship with Disney, because you got a lot of deep technical from the lab standpoint to resilient technology. How are you involved? What's your role, you guys sitting around you riffing and put a whiteboard together and say, Hey, we're going to solve these big problems? ... Here's the future of consumption, here's the future of video... What goes on? Tell us the relationship between you guys. >> Yeah, it's a good question. At HPE We can not only make the servers, but what we also do is we work quite a lot on optimizing some of the Artificial Intelligence solutions and algorithms on the GPUs and scale it across Servers. So this opportunity came up from Disney where Disney came up with a very innovative solution where they were solving the video quality problem. As you know, there are a lot of blemishes in the Video that can come up and Disney wanted to fix all of them. And they came up with great algorithm, but what happens is, like with great algorithm comes a huge amount of computational complexity which needs quite a bit of heterogeneous input in both in Parallel Processing and in Sequential Processing. So we thought that it's a perfect, I'd say combination of two skillsets to make this video quality software execute at speeds which are needed for production in Disney. >> So it's good to have a data center whenever you need it to, you guys have some great technology. We'll hear a lot more from the Execs at HPE. On our reporting Alice, we want to to get your thoughts. We're covering some of those new edge technologies, we're talking about new experiences. I gave a talk at Sundance a few years ago called the new creative class, and it's really about this next wave of art and filmmakers who are using the tools of the trade, which is a cellphone, you know, really easy to set up a studios and use the technology. Can you give us some examples of how the studioLAB collaborates with filmmakers and the Execs to push the art and technology of storytelling to be fresh, Because the sign of the times, are Instagram and Tik Tok, this is just very elementary, the quality and the storytelling is pretty basic dopamine driven, but you can almost imagine that the range of quality that's going to come, so access to more people, certainly more equipment and cameras, et cetera. What's next? How do you guys see And what some examples can you share? >> Oh, that's an amazing question. I mean, where working on Films and Episodics rather than very short form content , Obviously. But you're absolutely right. There's a lot of consumer grade technology that is entering the production pipeline in many ways and in many areas, whether it's phones or iPads, using certain bits of software. One of the things that we're building at the moment is the ability to generate photometrical models, capturing with consumer drones or even iPhones, and then getting that data into a 3-D model as soon as possible. There's a really big theme of what we want to do. It's like make the process more efficient so that our creatives and the folks working on productions, aren't having to slog through something that's and tedious. They want to get to the storytelling and the art and the act of storytelling as much as possible. And so waiting for a model to render or waiting for the QC process to finish is what we want to kind of get rid of. So they can really get to the meat of the problem much, much faster. And just going back to what Soumyendu was saying about the AI project here, I mean, it was about finding the dead pixels on the screen when we do all finished prints, which would you believe we do with humans? Humans are the best, or historically have been the best at finding dead pixels, but what a job to have to do at the end of the process. To go through quality control and then have to go and manually find the little dead pixels in each frame of our print, right? Nobody actually wants to be doing that job. So the algorithm goes and looks for those automatically. And then HPE came in and sped that whole process up by 9X. So now it actually runs fast enough to be used on our final prints. >> You know, it's interesting in the tech trend for the past 10, 15 years that I've been covering cloud technology even in the early days, it was kind of on the fringe and then become mainstream. But all the trends were more agility, faster, take away that heavy lifting so that the focus on the job at hand, whether its creative or writing software. This is kind of a a success formula, and you're kind of applying it to film and creation, which is still, like software, it's kind of the same thing almost. >> Yeah >> So you know, when you see these new technologies, I'd love to get both of your reactions to this. One of the big misses, that people kind of miss is the best stuff is often misunderstood until it's understood. >> Yes >> And we're kind of seeing that now with Covid and everyone's like no way I could've seen this. No, no one predicted it. So what's an example of something that people might be misunderstanding. That's super relevant, that might become super important very quickly. Any thoughts? >> Gosh, that's a great one. Well, I can give an example of something that has come and gone and then come and potentially gone, except it hasn't. You'll see. It's VR. So it came whenever it was, 20 years ago and then 10 years ago, and everybody was saying VR is going to change the world. And then it reappeared again, six years ago. And again, everybody said it was going to change the world. And in terms of film production, it really has. But that's slightly gone unnoticed. I think, because out in the market, everyone is expecting VR to have been a huge consumer success. And I suspect it still will be one day a huge consumer success. But meanwhile, in the background, We are using VR on a daily basis in film production, Virtual production is one of the biggest emerging processes that is happening. If you've seen anything to do with Jungle Book, Lion King , the Mandalorian, anything that industrial light and magic work on, you're really looking at a lot of virtual production techniques that have ended up on the screen. And it is now a technology that we can't do without. I'm going to have to think two seconds for something that's emerging. AI and ML is a huge area. Obviously, we're scratching it. I don't think anyone is going to to say that it's going to come and go this one. This is huge, but we're already just beginning to see where and how we can apply AI and ML. >> Yeah. >> So Soumyendu, did you want to jump in on that one? >> Yeah, Let me take it from the technology standpoint. I think Alice sort of puts out some very cool trends. Now what happens in tHE AI and ML spaces, people can come up with creative ideas, but one of the biggest challenges is how do you take those ideas for commercial usage and make it work at a speed, as Alice was mentioning, makes it feasible in production. So accelerating AI/ML and making it in a form, which is usable is super important. And the other aspect of it is, just see, for instance, video quality, that Alice was mentioning. Dead pixel is one type, And I know that Disney is working on certain other video qualities to fix the blemishes, but there is a whole variety of these blemishes and with human operators, Its kind of impossible to scale up the production and to find all these different artifacts, and especially now, as you can see, the video is disseminated in your phones, in your iPads. Like, you know, in just streaming. So this is a problem of scale and to solve this is also like, you know, a lot of computers, and I'd say a lot of collaboration with complementary skillsets that make AI real. >> I was talking with a friend who was an early Apple employee. He's now retired, good friend. And we were talking about, you know, all the dev apps, agile, go fast, scale up. And he made a comment. I want to get your reaction to it. He said, "you know, what we're missing is craft." And software used to be a craft game. So when you have speed, you lose craft. And we see that certainly with cloud and agility and then iterate, and then you get to a good product over time. But I think one of the things that's interesting and you guys are kind of teasing out is you can kind of get craft with the help from some of these technologies, where, you can kind of build crafting into it. >> Yap Alice, what's your reaction to that? >> One of our favorite anecdotes from the lion King is, so Jon Favreau the director, built out the virtual production system with his team to make the film. And it allowed for a smaller production team acting on a smaller footprint. What they didn't do was shorten the time to make the film, what the whole system enabled was more content created within that same amount of time. So effectively Jon had more tapes and more material to make his final film with. And that's what we want people to have. We want them to not ever to have to say, Oh, I missed my perfect shot because of, I don't know what, you know, we ran out of time, so we couldn't get the perfect shot. That's it, that's a terrible thing. We never want that to happen. So where technology can help gather as much material as possible in the most efficient way, basically at the end of the day for our our creatives, that means more ability to tell a story. >> So Soumyendu, this is an example of the pixel innovation, the video QC, it's really a burden if you have to go get it and chase it, you can automate that. That's back to some of the tech trends. A lot of automation action in there. >> Yeah, absolutely. And as Alice was mentioning, if you can bridge the gap between imagination and realization then you have solved the problem. That way, the people who are creative can think and implement something in a very short time. And that's fair, like, you know, some of these scientists come in >> Well, I also very impressed and I'm looking forward to coming down and visiting studio labs when the world gets back to work, >> Alright. >> You guys are in the part of Burbank and all the action. I know you're a little sort of incubate. It's really kind of R and D meet commercially. Commercial is really cool. But I have to ask you what the COVID-19 going on, how are you guys handling the situation? Certainly impacted people coming to work. >> Yeah >> How has your team in been impacted and how are you guys continuing the mission? >> Well, the lab itself is obviously a physical place on the lot. It's in the old animation building. But there's also this program of innovation that we have with our partners. To be honest, we didn't slow down at all the team carried on the next day from home. And in fact, we have expanded even, because new projects came rolling in as folks who were stuck at home suddenly had needs. So we had editors needing to work remotely, you name it, folks with bad home connections, wondering if we had some 5G phones hanging around, that kind of thing. And so everything really expanded a bit. We are hoping to get back into physical co-location as soon as possible, not least to be able to shoot movies again. But I think that there will be an element of this remote working that's baked in forever from here on then. Not least, coz it was just a round, this kind of, what this has done is accelerated things like the beginning of cloud adoption properly, in the beginning of remote teleworking and remote telepresence, and then also ideas coming out of that. So you know, again, the other day I heard Holograms coming up, like, can we have holograms yet? >> Yeah, we can do that, we've done that, Lets do it. Bring that back. >> And so it's that kind of thing. Exactly, that's going to come around again. Yeah. But you know what? The team have all been amazing. But we'll miss each other, you know, there's something about real life that can't be replaced by technology. >> Well, You know, we were talking earlier on theCUBE last week about, the future got pulled to the present, not the present accelerated the future. Which exposes some of these things that are really important and you mentioned it. So I have to ask you Alice, as you guys got more work, obviously it makes sense. What have you learnt as adapting and leading your team through this change? Any learnings you can share with folks? >> Well, yes, that's a good one. But mainly resilience. It's been a nonstop and quite relentless and the news out there is extraordinary. So we're also trying to balance a very full pipeline of work with understanding that people are struggling to balance their lives as well at home, You know, kids, pets, BLM, like you name it, everything is affecting everybody. So resilience and empathy is really top of my mind at the moment as we try to continue to succeed, but making sure that everybody stays healthy and sane. >> Yeah. And in great news, you got a partner here with HPE, the innovation doesn't stop there. You still have to partner. How do you keep up with these technologies and the importance of partners, comments, and Soumyendu your comment as well. >> Yeah. So HPE has been a great leader in accommodating all HPE employees to work from remote and in the process, what we also discovered is, we humans are innovative. So we discover the innovative ways where we can still work together. So we increased the volume of our virtual collaborations, and I have worked with Erica from Disney, who is a tremendous facilitator and a technologist of mine, to have this close collaboration going, and we almost missed nothing. But yes, we would like to, you know the feel each other to be in close proximity, look at each other's eyes. Probably that's the only missing thing, a crest of it, You know, we created an environment where we can collaborate and work pretty well. And to Alice's point in the process, we also discovered a lot of things which can be done in remote considering the community of Silicon Valley. >> You know, I'd love. The final question I want to get your thoughts on is your favorite technologies that you're excited about. But some Soumyendu, you know, we were talking amongst us nerds and geeks here in Silicon Valley around, you know, what Virtualization... Server Virtualization has done. And HPE knows a lot about server virtualization. You're in the server business, that created cloud, because with virtualization, you could create one server and great many servers, but I think this COVID-19 and the future beyond it, virtualization of life, an immersion of digital is going to bring and change a lot of things. You guys highlighted a few of them. This virtualization of life, society, experiences, play, work. It's not just work it's experiences. So Internet of Things, devices, how I'm consuming, how I'm producing, it's really going to have an impact. I'd love to get your, both of your thoughts on this kind of "virtualization of life" because it certainly impacts studioLAB, because you think about these things, Alice, and HP has to invent the tech to get scaling up. So final question. What do you think about virtualization of life and what technologies do you see that you're excited about to help make our lives better? >> Wow. Goodness, me. I think we're only beginning to understand the impact that things like video conferencing has on folks. You know, I don't know whether you've seen all of the articles flying around about how it's a lot more work to do, video conferencing, that you don't have the same subtle cue as you have in real life. And again, you know, virtual technologies like VR and similar, are not going to solve that immediately. So what will have to happen is that humans themselves will adapt to the systems. I think though, fundamentally we're about to enter a radical period. We basically have already a radical period of innovation because as folks understand what's at their fingertips and then what's missing, we're going to see all sorts of startups and new ideas come rushing out. As people understand this new paradigm and what they can do to solve, for the new pains that come out of it. I mean, just from my perspective, I have back-to-back nine hours of etc a day. And by the end of the day, I can barely walk. What are we going to do about that? I think we're going to see, >> Holograms, I like that Idea. >> right, we're going to see home exercise equipment combined with like, you know, really good ones. Like you've seen pellets on the shares going crazy. There's going to be tons of that. So I'm just really excited at the kind of three years or so. I think that we're going to see of radical innovation, the likes of which we have always usually been held back by other reasons, maybe not enough money or not enough permission. Whereas now people are like, we have to fix this problem. >> Well, you got a great job. I want to come, just quit my job and come join studio lab, sounds like that's a playground of fun. They have great stuff. >> Ton of fun. >> Soumyendu, close this out here. What are you excited about as we virtualize. You're in the labs, creating new technology, you're a distinguished technologist and director of AI. I Wean, you're on the cutting edge. You're riding the wave too. What's your take on this virtual center? >> I think, you know the COVID experience, what it has done is it has pushed the edge to the home. So now, if you really see a home is one of the principle connectivity to the outside world, as far as professionalism goes. And with that, what AI also offers is like a better experience. Right now we are all Gaga about zoom being able to do a video conferencing, but as Alice was pointing out, there is that ER, and the VR. Now consider combining the augmented reality. And the way that we do review a conference and all the other AI innovations that we can bring in so that the interactions becomes much more real. And that is like, you know, I'd say, where the world is moving. >> I can't let this go. I have to go one more step in because you guys brought that up. Alice, you mentioned the fatigue and all these things. And if you think about just the younger generations, we have to invest in our communities and our young people. I mean, think about all the kids who have to go back to school in September, in the fall, what their world's like. And you talk about, you know, we can handle video, but learners? So the transformation that's going to come down the path really fast is how do you create an experience for education and for learning and connecting. This is huge. Thoughts and reactions to that. So it's something that I've been thinking a lot about, but I'm sure a lot of other parents have as well. >> My take on that, kids, I've worked a lot with kids and kids media. And over the years, you often find that when a new media does come in, there's a lot of fear around it, but kids are plastic and incredibly good at adapting to new media and new technology and new ways of working. The other thing is, I think this generation of kids have really had to live through something, you know, and it's going to have, with luck, taught them some resilience. I think, if there's one thing that teachers can be focusing on, it is things like resilience and how to cope under very unusual and very unpredictable circumstances, which is never good for things like anxiety. But it's also the reality of the world, you know, be adaptive and learn, keep learning. These are great messages to give to kids. I think if anything, they are the ones who'll figure out how to socialize online successfully and healthily. So we're going to have to learn from them. >> Yeah. They're going to want to make it to be fun too. I mean, you have to make it entertaining. I mean, I find my personal experience, if it's boring, it ain't going to work. Thank you so much, Alice. Well, thank you very much for that comment and insight really enjoy. Congratulations on studioLAB, you got a great mission and very cool and very relevant. Soumyendu thank you very much for sharing the insights on HPE's role in that. I appreciate it. Thank you very much. >> Thanks. It's nice. >> Okay. >> Thanks John. >> This is theCUBE virtual covering HPE Discover Virtual Experience. I'm John Furrier, your host of theCUBE. Stay tuned for more coverage from HPE Discover Virtual Experience after this break.

>> Female Voice: From San Francisco, it's theCUBE, covering VMware RADIO 2019, brought to you by VMware. >> Welcome to theCUBE's exclusive coverage of VMware RADIO 2019, Lisa Martin with John Furrier in San Francisco, talking all sorts of innovation in this innovation long history culture at VMware, welcoming back to theCUBE, Mornay Van Der Walt, VP of R&D in the Explorer Group. Mornay, thank you for joining John and me on theCUBE today. >> Thank you for having me. >> So, I got to start with Explorer Group. Super cool name. >> Yeah. >> What is that within R&D? >> So the origins of the Explorer Group. I've had many roles at VMware, and I've been fortunate enough to do a little bit of everything. Technical marketing; product development; business development; one of the big things I did before the Explorer group was created was actually EVO:RAIL. I was the founder of that, pitched that idea. Raghu and Ray and Pat were very supportive. We took that to market, took it to (inaudible), handed that off to Dell EMC, the rest is history, right? And then was, "what's next?" So Ray and me look at some special projects, go and look at IoT, go and look at Telemetry, and did some orders for them, and then said "Alright, why don't you look at all our innovation programs." Because beyond RADIO, we actually have four other programs. And everyone, was -- RADIO gets a lot of airtime and press, but it's really the collective. It's the power of those other four programs that support RADIO that allow us to take an idea from inception to an impactful outcome. So hence the name, the Explorer Group. We're going out there, we're exploring for new ideas, new technologies, what's happening in the market. >> Talk about the R&D management style. You've actually got all these-- RADIO's one-- kind of a celebration, it's kind of the best of the best come together, with papers and submissions. Kind of a symposium meets kind of a, you know, successive end for all the top engineers. There's more, as you've mentioned. How does all of it work? Because, in this modern era of distributed teams, decentralization, decisions around business, decisions on allocating to the portfolio, what gets invested, money, spend, how do you organize? Give a quick minute to explain how R&D is structured. >> So, obviously, we have the BUs structured-- well there's PCS, Raghu and Rajeev head that up. And then we've got the OCTO organization, which Ray O'Farrell heads up. And the business, you know, it's innovating every day to get products out the door, right, and that's something that we've got to be mindful of because, I mean, that's ultimately what's allowing us to get products into the hands of our customers, solving tough problems. But then in addition to that, we want to give our engineers an avenue to go and explore, and, you know, tinker on something that's maybe related to their day job, or completely off, unrelated to their day job. The other thing that's important is, we also want to give, because we're such a global R&D, you know, our setup globally, we want to give teams the opportunity to work together, collaborate together, get that diversity of thought going, and so a lot of times, if we do a Hackathon, which we call a Borathon, we actually give bonus points if teams pull from outside of their business units. So you've got an idea, well, let's make it a diverse idea in terms of thought and perspective. If you're from the storage business unit, bring in folks from the network business unit. Bring in folks from the cloud business unit. Maybe you've partnered with some folks that are in IT. It's very, you know, sometimes engineers will go, "Ah, it's just R&D that's innovating." But in reality, there's great innovation coming out of our IT department. There's great innovation coming out of our global support organization. Our SEs that are on the front lines, sometimes are seeing the customers' pain points firsthand, and then they bring that back, and some of that makes it into the product. >> How much of R&D is applied R&D, which is kind of business unit aligned, or somewhat aligned, versus the wacky, crazy ideas: "Go solve a big, hairy problem", that's out there, that's not, kind of, related to the current product sets? >> Ah, that's tough to put an actual number on it, >> John: Well ballpark, I mean. >> But if I just say, like, if I had to just think about budgets and that, it's probably ten to fifteen percent is the wacky stuff, that's, you know, not tied to a roadmap, that's why we call it "off-road innovation", and the five programs that my Explorer Group ultimately leads is all about driving that off-road innovation. And eventually you want to find an on-ramp, >> Yeah. >> to a roadmap, you know, that's aligned to a business unit, or a new emerging, you know, technology. >> How does someone come up with an idea and say, "Hey, you know, I want to do this"? Do they submit, like, a form? Is there a proposal? Who approves it? I mean, do you get involved? How does that process work? >> So that's a good question. It really depends on the engineer, right? You take someone who's just a new college grad, straight out of, you know, college. That's why we have these five programs. Because some of these folks, they've got a good idea, but they don't really know how to frame it, pitch it. And so if you've got a good idea, and let's say, this is your first rodeo, so to speak, We have a program called TechTalks where it allows you to actually go and pitch your idea; get some feedback. And that's sometimes where you get the best feedback, because you go and, you know, present your idea, and somebody will come back and say, "Well, you know, have you met, you know, Johnny and Sue over there, in this group? They're actually working on something similar. You should go and talk to them, maybe you guys can bring your ideas together." Folks that are, you know, more seasoned, you know, longer tenure, sometimes they just come up, and-- "I'm going to pitch an idea to xLabs," and for xLabs, for example --that's an internal incubator-- there is, like, a submissions process. We want to obviously make sure, that, you know, your idea's timing in the market's correct, we've got limited funding there so we're going to make sure we're really investing on the right, you know, type of ideas. But if you don't want to go and pitch your idea and get feedback, go and do a Borathon. Turn an idea into a little prototype. And we see a lot of that happening, and some of the greatest ideas are coming from our Borathons, you know? And it's also about tracking the journey. So, we have RADIO here today, we have mentioned xLabs, TechTalks, we have another program called Flings. Some of our engineers are shipping product, and they've got an idea to augment the product. They put it out as a Fling, and our customers and the ecosystem download these, and it augments the product. And then we get great feedback. And then that makes it back into the product roadmap. So there's a lot of different ways to do it, and RADIO, the process for RADIO, there's a lot of rigor in it. It's, like, it's run as a research program. >> Lisa: It's a call for papers, right? >> Call for papers, you know, there's a strict format, it's got to be, you know, this many pages; if you go over about one line, you're sort of, disqualified, so to speak. And then once you've got those papers, like this year we had 560 papers be submitted, out of those 560, 31 made it onto mainstage, and another 61 made it as posters, as you can see in the room we're sitting in. >> I have an idea. Machine learning should get all those papers. (laughs) I mean, that's-- >> Funny you say that. We actually have, one of our engineers, Josh Simons, is actually using machine learning to go back in time and look at all the submissions. So idea harvesting is something we're paying a lot of attention to, because you submit an idea, >> Interesting. >> the market may not be right for it, or reality is, I just don't have a budget to fund it if it's an xLab. >> John: So it's like a Google search for your, kind of, the indexing all those workers. >> Internally, yeah, and sometimes it's-- there's a great idea here, you merge that with another idea from another group or another geo, and then you can actually go and fund something. >> Well, that's important because timing is critical, in these early-- most stuff can be early in just incubation, gestation period for that tech or concept, could be in play because the computer-- all the new things, right? >> Correct. And, do you actually have the time? You're an engineer working on a release, the priority is getting that release out the door, right? >> (laughs) >> So, put the idea on the back burner, come off the release, and then, you know, get a couple of colleagues together and maybe there's a Borathon being held and you go and move that idea forward that way. Or, it's time for RADIO submissions, get a couple of colleagues together and submit a RADIO paper. So we want to have different platforms for our engineers to submit ideas outside of their day job. >> And it sounds like, the different programs that you're talking about: Flings, xLab, Borathon, RADIO, what it sounds like is, there isn't necessarily a hierarchy that ideas have to go through. It really depends on the teams that have the ideas, that are collaborating, and they can put them forward to any of these programs, >> Correct, yeah. >> and one might get, say, rejected for RADIO, but might be great for a Borathon or a Fling? >> Correct. >> So they've got options there, and there's multiple committees, I imagine? Is that spearheaded out of Ray's OCTO group, >> Yep. >> that's helping to make the selections? Tell us a little bit about that process. >> Sure, so. That's a great point, right? To get an idea out the door, you don't always have to take the same pathway. And so one thing we started tracking was these innovation journeys that all take different pathways. We just published an impact report on innovation for FY19, and we've got the vSAN story in there, right? It was an idea. A group of engineers had an idea, like, in 2009, and they worked on their idea a little bit-- it first made it to RADIO in 2011. And then they came back in 2013, and, sort of, the rest is history, you know. vSAN launched in 2014. We had a press release this week for Carbon Avoidance Meter. It was an idea that actually started as a calculator many years ago. Was used, and then sort of died on the vine, so to speak? One of our SEs said, "You know, this is a good idea. I want to evolve this a little bit further." Came and pitched an xLabs idea, and we said, "Alright, we're going to fund this as an xLabs Lite. Three to six months project, limited funding, work on one objective --you're still doing your day job-- move the project forward a little bit." Then Nicola Acutt, our Sustainability VP, got involved, wanted to move the idea a little bit further along, came back for another round of funding through an xLabs Lite, and then GSS, with their Skyline platform, picked it up, and that's going to be integrated in the coming months into Skyline, and we're going to be able to give our customers a carbon, sort of, readout of their data center. And then they'll be able to, you know, map that, and get a bigger picture, because obviously, it's not just the servers that are virtualized, there's cooling in the data center plants, and all these other factors that you've got to, you know, take into account when you want to look at your carbon footprint for your facility. So, we have lots of examples of how these innovation pathways take different turns, and sometimes it's Team A starting with an idea, Team B joins in, and then there's this convergence at a particular point, and then it goes nowhere for a couple of months, and then, a business unit picks it up. >> One of the things that's come out-- Pat Gelsinger mentioned that a theme outside of the normal product stuff is how people do work. There's been some actual R&D around it, because you guys have a lot of distributed, decentralized operations in R&D because of the global nature. >> Yeah. >> How should companies and R&D be run when the reality is that developers could be anywhere? They could be at a coffee shop, they could be overseas, they could be in any geography, how do you create an environment where you have that kind of innovation? Can you just share some of the best practices that you guys have found? >> I'm not sure if there's 'best practices', per se, but to make sure that the programs are open and inclusive to everybody on the planet. So, I'll give you some stats. For example, when RADIO started in the early days, we were founded in Palo Alto. It was a very Palo Alto-centric company. And for the first few years, if you looked at the percentage of attendees, it was probably over 75% were coming from Palo Alto. We've now over the years shifted that, to where Palo Alto probably represents about 44%, 16% is the rest of North America, and then the balance is from across the globe. And so that shift has been deliberate, obviously that impacts the budget a little bit, but in our programs, like a Borathon, you can hack from anywhere. We've got a lot of folks that are remote office workers, using, you know, collaborative tools, they can be part of a team. If the Borathon's happening in China, it doesn't stop somebody in Palo Alto or in Israel or in Bulgaria, participating. And, you know, that's the beautiful nature of being global, right? If you think about how products get out of the door, sometimes you've got teams and you are literally following the sun, and you're doing handoff, you know, from Team A to B to C, but at the end of the day you're delivering one product. And so that's just part of our culture, I mean, everybody's open to that, we don't say, "Oh, we can't work with those guys because they're in that geo-location." It's pretty open. >> This is also, really, an essential driver, and I think I saw last year's RADIO, there were participants from 25+ countries. But this is an essential-- not only is VMware a global company, but many of your customers are as well, and they have very similar operating models. So that thought diversity, to be able to build that into the R&D process is critical. >> Absolutely. And also, think about, you know, when you're going to Europe. Smaller borders, countries, you deploy technology differently. And so, you want to have that diversity in thought as well, because you don't just want to be thinking, "Alright, we're going to deploy a disaster recovery product in North America where they can fail over from, you know, East Coast to West Coast. You go to Europe, and typically you're failing over from, you know, site A to site B, and they're literally three or four miles apart. And so, just having that perspective as well, is very important. And we see that, you know, when we release certain products, you'll get, you know, better uptick in a certain geo, and then, "Why is it stalling over here?" well it's, sometimes it's cultural, right? How do you deploy that technology? Just because it works in the US, doesn't mean it's going to work in Europe or in APJ. >> How was your team involved in the commercialization? You mentioned vSAN and the history of that, but I'm just wondering, looking at it from an investment standpoint of deciding which projects to invest in, and then there's also the-- if they're ready to go to market, the balance of "How much do we need to invest in sales and marketing to be able to get this great idea-- because if we can't market it and sell it, you know, then there's obviously no point." So what's that balance like, within your organization, about, "how do we commercialize this effectively, at scale"? >> So that is ultimately not the responsibility of my group. We'll incubate ideas, like, for example, through an xLabs project. And, you know, sometimes we'll get to a point and we'll work, collaborate with a business unit, and we'll say, "Alright, we feel this project's probably a 24 months project", if it's an xLabs Full. So these folks are truly giving up their day job. But at the end of the day, you want to have an exit and when we say exit, what does that exit mean? Is that an exit into a business unit? Are you exiting the xLabs project because we're now out of funding? You know, think about a VC, I'm going to fund you to, you know, to a particular point; if there is no market traction, >> Right. >> we may, you know, sunset the project. And, you know, so our goal is to get these ideas, select which ones we want to invest in, and then find a sort of off-ramp into a business unit. And sometimes there'll be an off-ramp into a business unit, and the project goes on for a couple of months, and then we make a decision, right? And it's not a personal decision, it's like, "Well we funded that as an xLabs; we're now going to shut it down because, you know, we're going to go and make an acquisition in this space. And with the talent that's going to come onboard, the talent that was working on this xLab project, we can push the agenda forward." >> John: You have a lot of action going on so you move people around. >> Exactly. >> Kind of like the cloud, elastic resource, yeah? (laughs) >> So, then, some of these things, because xLabs is only a two-year-old, you know, we haven't had things exit yet that are, you know, running within a business unit that we're seeing this material impact. You know, from a revenue point of view. So that's why tracking the journeys is very important. And, you know, stay tuned, maybe in about three or four years we'll have this, similar, you know, interview, and I'll be able to say, "Yeah, you know, that started as an xLab, and now it's three years into the market, and look at the run rate. >> So there's 31-- last question for you-- there's 31 projects that were presented on mainstage. Are there any that you could kind of see, early on, "ooh", you know, those top five? Anything that really kind of sticks out-- you don't have to explain it in detail, but I'm just curious, can you see some of that opportunity in advance? >> Absolutely. There's been some great papers up on mainstage. And covering, you know, things on the networking side, there's a lot of innovation going in on the storage side. If you think about data, right, the explosion of data because of edge computing, how are you going to manage that data? How are you going to take, you know, make informed decisions on that data? How can you manipulate that data? What are you going to have to do from a dedupe point of view, or a replication point of view, because you want to get that to many locations, quickly? So, I saw some really good papers on data orchestration, manipulation, get it out to many places, it can take an informed decision. I saw great-- there was a great paper on, you know, you want to go and put something in AWS. There's a bull that you get at the end of the month, right? Sometimes those bulls can be a little bit frightening, right? You know, what can you do to make sure that you manage those bulls correctly? And sometimes, the innovation has got nothing to do with the product per se, but it has to do with how we're going to develop. So we have some innovation on the floor here where an engineer has looked at a different way of, basically, creating an application. And so, there's a ton of these ideas, so after RADIO, it doesn't stop there. Now the idea harvesting starts, right? So yes, there were 31 papers that made it onto mainstage, 61 that are posters here. During that review process, and you asked that question earlier and I apologize, I didn't answer it-- you know, when we look at the papers, there's a team of over 100 folks from across the globe that are reviewing these papers. During that review process, they'll flag things like "This is not going to make it onto mainstage, but the idea here is very novel; we should send this off to our IP team," you know. So this year at RADIO, there were 250 papers that were flagged for further followup with our IP team, so, do we go and then file an IDF, Invention Disclosure Form, do those then become patents, you know? So if we look at the data last year, it was 210. Out of those 210, 74 patents were filed. So there's a lot of work that now will happen post-RADIO. Some of these papers come in, they don't make it onto mainstage; they might become a poster. But at the same time they're getting flagged for a business unit. So from last year, there were 39 ideas that were submitted that are now being mapped to roadmap across the BUs. Some of these papers are great for academic research programs, so David Tennenhouse's research group will take these papers and then, you know, evolve them a little bit more, and then go and present them at academic conferences around the world. So there's a lot of, like, the "what's next?" aspect of RADIO has become a really big deal for us. >> The potential is massive. Well, Mornay, thank you so much for joining John and me, >> Thank you. >> and I've got to follow xLabs, there's just a lot of >> (laughs) >> really, really, innovative things that are so collaborative, coming forward. We thank you for your time. >> Thank you. >> For John Furrier, I'm Lisa Martin; you're watching theCUBE, exclusive coverage of VMware RADIO 2019, from San Francisco. Thanks for watching.

(energetic music) >> [Narrator] From San Francisco, it's theCUBE, covering Radio 2018. Brought to you by VMware. >> Hello everyone. Welcome to the special CUBE coverage here in San Francisco, California for VMware's Radio 2018 event. This is their R&D big event kickoff. It's like a sales kickoff for engineers, as Steve Herrod said on stage. Out next guest is Mornay Van Der Walt, VP of the Explore Group, Office of the CTO. Also, program chair of the Event Today Conference, working for the collective of people within VMware on a rigorous selection committee for a high bar here at your event. Welcome to theCUBE. Thanks for joining me. >> Thank you. >> Talk about the event, because I know a lot of work went into it. Congratulations, the talks were amazing. I see the schedule. We have Pat Gelsinger coming on later today. We just had Ray O'Farrell on. This is like the, I don't want to say, Burning Man of Vmware, but this is really a recognition, but also really important innovation. Take a minute to talk about the process that you go through to put this together. It's a fantastic event. The smartest minds, the cream rises to the top. It's hard, it's challenging, it's a team effort, but yet you gotta ride the right waves. >> Right. So, RADIO: R&D Innovation Offsite. And as you said, it is tough because we've got this huge R&D community and they've all got amazing ideas. So they get the opportunity to submit ideas. I think this this year we have over 1,700 ideas submitted, and at the end of the day we're only going to showcase 226 of those ideas across research programs, posters, breakout sessions, Just-In-Time BOFs, Birds Of a Feather. You know, so, the bar is high. we've got a finite amount of time, but what's amazing is we take these ideas, and we don't just showcase them at RADIO. We have four other programs that give us the ability to take those ideas to the next level. So when we think about the innovation programs that come out of OCTO, this is really to drive what we call "Off-Road Map Innovation." So Raghu and Rajiv, with our Product Cloud Services Division, are driving road map, zero to three years out the stuff that you can buy from sales, >> [Furrier] Customer centric? >> Customer centric, yeah. OCTO is providing an innovation program structure, these five programs: Tech Talks, Flings, Borathons, RADIO, and xLabs, and as a collective, they are focused on off-road map innovation. Maybe something that's-- >> Give me an example of what that means, Off-Road Map. >> Sure. So last year at RADIO we did a paper that was showcased on functions as a service. So you think of AWS Lambda, right. [Furrier] Yep, yep >> VM was uniquely positioned, with the substrate, to manage and orchestrate VM's containers and whynot functions. So this radio paper was submitted, I then, as the xLabs group, said we're going to fund this, but given where we are in this market, we said, "Alright, we'll fund this for 12 months." So, we're incubating functions as a service. In July/August time frame, that'll actually exit xLabs into the Cloud Native business. >> It's a real rapid innovation. >> Very rapid. >> Within a 12 month period, we're gonna get something into a BU that they can take it to market. >> Yeah, and also I would say that this also I've seen from the talks here, there's also off-road map hard problems that need to kind of get the concepts, building blocks, or architecture... >> [Van Der Walt] Correct. >> With the confluence of hitting, whatever, its IOT or whatever, blockchains, seeing things like that. >> [Van Der Walt] Yeah. Correct. >> Is that also accurate too? >> Very true. And, you know, Ray had a great slide in his keynote this morning, you know, we spoke about how we started in 2003, when he joined the company, it was all about computer virtualization. Fast-forward 15 years, and you look at our strategy today, it's any Cloud, any device, any app, right? Then, you gotta look to the future, beyond there, what we're doing today, what are the next twenty years going to look like? Obviously, there's things like, you know, blockchain, VR, edge computing, you know, AIML... >> [Furrier] Service meshes? >> Services meshes, adaptive security. And, you know, people say, "Oh, AIML, that's a hot topic right now, but if you look back at VM ware, we've been doing that since 2006. Distributed resource scheduler: a great example of something that, at the core of the product, was already using ML techniques, you know, to load-balance a data center. And now, you can load-balance across Clouds. >> It's interesting how buzzwords can become industry verticals. We saw that with Hadoop; it didn't really happen, although it became important in big data as it integrates in. I mean, I find that you guys, really from the ecosystem we look at, you guys have a really interesting challenge. You started out as "inside the box," if you will. I saw your old t-shirt there from the 14 year history you guys have been doing this event. Great collection of t-shirts behind me if you can't see it. It's really cool. But infrastructures, on premise, you buy, it's data center, growth, all that stuff happened. Cloud comes in. Big data comes in. Now you got blockchain. These are big markers now, but the intersection of all these are all kind of touching each other. >> [Van Der Walt] Correct. >> IOT...so it's really that integration. I also find that you guys do a great job of fostering innovation, and always amazed at the VM world with some great either bechmarks or labs that show the good stuff. How do you do it? Walk me through the steps because you have this Explorer program, which is working. >> [Van Der Walt] Yeah >> It's almost a ladder, or a reverse ladder. Start with tech talks, get it out to the marketplace... >> [Van Der Walt] Do a hackathon. >> Hackathon. Take us through the process. So there's four things: tech talks, borathons, which is the meaning behind the name, flings, and xLabs. >> Correct >> Take us through that progression. >> ... and RADIO, of course. >> And RADIO, of course, the big tent event. Bring it all together. >> So, I'm an engineer. I have a great idea. I wanna socialize it; I wanna get some feedback. So, at VMWare, we offer a tech talk platform. You come, you present your idea. It's live. There'll be engineers in the audience. We also record those, and then those get replayed, and engineers will say, "You know, have you thought about this?" or "Have you met up with Johnny and Mary?" They're actually working on something very similar. Why don't you go and, you know, compare ideas? I can actually make that very real. I was in India in November, and we were doing a shark tank for our xLabs incubator, and this one team presented an idea on an augmented reality desktop. We went over to another office, actually the air watch office, and we did another shark tank there. Another team pitched the exact same idea, so I looked at my host, and I said, "Do these two teams know each other?" and the guy goes, "Absolutely not," so what did we do? We made the connection point. Their ideas were virtually identical. They were 25 kilometers apart. Never met. >> [Furrier] Wow. >> You know, so when, that's one of the challenges when your company becomes so big, you've got this vast R&D organization that's truly global, in one country 25 kilometers apart, you had two teams with the same idea that had never met. So part of the challenge is also bringing these ideas together because, you know, the sum of the parts makes for a greater whole. >> And they can then collectively come together then present to RADIO one single paper or idea. >> [Van Der Walt] Absolutely, or go ahead and say, you know what, let's take this to the next step, which would be a borathon, so borathons are heckathons. >> Explain the name because borathon sounds like heckathon, so it is, but there's a meaning behind the name borathon. What is the meaning? >> Sure. So, our very first build repository was named after Bora Bora, and so we paid homage to that, and so, instead of saying a heckathon, we called it a borathon. And one of our senior engineers apparently came up with that name, and it stuck, and it's great. >> So it's got history, okay. So, borathons is like ... okay, so you do tech talks, you collaborate, you socialize the idea via verbal or presentation that gets the seeds of innovation kinda planted. Borathon is okay, lets attack it. >> Turn it into a prototype. >> Prototype. >> And it gets judged, so then you get even more feedback from your most senior engineers. In fact ... >> And there's a process for all this that you guys run? >> Yeah, so the Explorer groups run these five innovation programs. We just recently, in Palo Alto, did a theme borathon. Our fellows and PE's came together. Decided the theme should be sustainability, and we mixed it up a little bit. So, normally, at a borathon, teams come with ideas that they've already been developing. For this one, the teams had no idea what the theme was going to be, so we announced the theme. Then, they showed up on the day to learn what the five challenges were going to be, and some of those challenges, one of them was quite interesting. It was using distributed ledger to manage microgrids, and that's a ... >> A blockchain limitation >> Well, it's a project that's, you know, is near and dear to us at VMWare. We're actually going to be setting up a microgrid on campus, and if you think about microgrids, and Nicola Acutt can talk more to this, we're gonna be looking at, you know, how can we give power back to the city of Palo Alto? Well, imagine that becoming a mesh network. >> [Furrier] With token economics. >> How do you start tracking this, right? A blockchain would be a perfect way to do this, right? So, then, you take your ideas at a borathon, get them into a prototype, get some more feedback, and now you might have enough critical mass to say, "Alright, I'm going to present a RADIO paper next year." So, then, you work as a team; get that into the system. >> [Furrier] And, certainly, in India and these third-world countries now becoming large, growing middle-class, these are important technologies to build on top of, say, mobile... >> [Van Der Walt] Absolutely. >> And with solar and power coming in, it's a natural evolution, so that's good use case. Okay, so, now I do the borathon. I've got a product. Flings? >> It's a prototype, right, so now ... >> You can socialize it, you have a fling, you throw it out there, you fling it out there What happens? >> Yeah, so, I've done something at a borathon. It's like, I want to get some actual feedback from the ecosystem: our customers and partners. That example I used with vSAN. You know, vSAN launched. We wanted to get some health analytics. The release managers were doing their job. The products got a ship on the state. Senior engineers on the team got a health analytics tool out as a fling. It got incredible feedback from the community. Made it into the next release. We did the same with the HTML clients, right? And that's been in the press lately because, you know, we've got Rotoflex. Now, there's HTML, but that actually started - two teams started working on that. One team just did HTML >> a very small portion of the HTML client, presented a RADIO paper. Two years later, another team, started the work, and now we have a full-fledged HTML client that's embedded into the VIS via product. >> [Furrier] So, the fling brings in a community dynamic, it brings in new ideas, or diversity, if you will. All kinds of diverse ideas melting together. Now, xLabs, I'm assuming that's an incubator. That brings it together. What is xLabs? Is that an incubator? You fund it? What happens there? >> So with an xLabs, the real way to think about it, it's truly an incubator. I don't want to use the word "start-up" there because you've clearly got the protection of the larger VMware organization, so you're not being a scrappy start-up, but you've got a great idea, we see there's merit ... >> [Furrier] Go build a real product. >> We see it more being on the disruptive side, and so we offer two tracks in the xLabs. There's a light track, which typically runs three to six months, and you're still doing your day job. You know, so you're basically doing two jobs. You know, we fund you with a level of funding that allows you to bring on extra contracting, resources, developers, etc., and you're typically delivering one objective. The larger xLab is the full-track, so functions as a service. Full-track, we showcased it as a RADIO paper last year. We said, "Alright, we're going to fund this. We're going to give it 12 months worth of funding, and then it needs to exit into a business unit," and we got lucky with that one because we were already doing a lot of work with containers, the PKS, the pivotal. >> [Furrier] Do the people have to quit their day job, not quit their day job, but move their resource over? >> [Van Der Walt] Absolutely. >> The full-track is go for it, green light >> Yep >> Run as fast as you can, take it to this business unit. Is the business unit known as the end point in time? Is it kind of tracked there, or is it more flexible still. >> Not all the time. You know so sometimes, with functions it was easier, right? So, we know we've got pull for zone heading up Cloud native apps. The Cloud native business unit is doing all the partnerships with PKS. That one makes sense. >> [Furrier] Yeah. >> We're actually doing one right now, another xLabs full, called network slicing, and it's going to play into the Telco space. We've obviously got NFV being led by Shekar and team, but we don't know if network slicing, when it exits, and this one is probably going to have a longer time arise and probably 24-36 months. Does it go into the NFV business unit, or does it become its own business unit. >> [Furrier] That's awesome. So, you got great tracks, end to end, so you have a good process. I gotta ask you the question that's on my mind. I think everyone would look at this, and some people might look at Vmware as, and most people do, at least I do, as kind of a cutting-edge tier one company. You guys always are a great place to work. Voted as, get awards for that, but you take seriously innovation and organic growth in community and engineering. Engineering and community are two really important things. How do you bring the foster culture because engineers can be really pissed off. "Oh my god! They're idiots that make the selection!" because you don't want engineers to be pissed cuz they're proud, and they're inventing. >> Yep, yep. >> So, how to manage the team approach? What's the cultural secret in the DNA that makes this so successful over 14 years? >> So, before I answer that question, I think it's important to take a step back. So, when we think about innovation, we call this thing the Vmware "innovation engine." It's really three parts to it, right? If you think about innovation at its core: sustaining, disruptive, internal, external, And, so, we've got product Cloud Services group, Raghu and Rajiv, we've got OCTO, headed up by Ray, we've got corp dev headed up by Shekar. Think of it as it's a three-legged stool. You take one of those legs away, the stool falls over. So, it's a balancing act, right? And we need to be collaborating. >> [Furrier] And they're talking to each other all the time. >> We're talking to each other all the time, right? Build or buy? Are we gonna do something internal, or we gonna go external, right? You think something about acquisitions like Nicira, right? We didn't build that; we bought it. You think about Airwatch, right? Airwatch put us into the top right quadrant from Gartner, right? So, these are very strategic decision that get made. Petchist presented at Dell emc world, Dell Technologies world. He had a slide on there that showed, it was the Nicira acquisition, and then it sort of was this arc leading all the way up to VeloCloud, and when you saw it on one slide, it made perfect sense. As an outsider looking in, you might have thought, "Why were they doing all these things? Why was that acquisition made? But there's always a plan, and that plan involves us all talking across. >> [Furrier] Strategic plan around what to move faster on. >> Correct >> Because there's always the challenge on M&A, if they're not talking to each other, is the buy/build is, you kinda, may miss a core competency. They always ... what's the core competency of the company? And should you outsource a core competency, or should you build it internally? Sometimes, you might even accelerate that, so I think Airwatch and Nicira, I would say, was kinda on the edges of core competency, but together with the synergies ... >> [Van Der Walt] Helped us accelerate. >> And I think that's your message. >> [Van Der Walt] Yep. >> Okay, so that's the culture. How do you make, what's the secret sauce of making all this work? I mean, cuz you have to kinda create an open, collaborative, but it's competitive. >> [Van Der Walt] Absolutely. >> So how do you balance that? >> You know, so clearly, there's a ton of innovation going on within the prior Cloud services division. The stuff that's on the truck that our customers can buy today, alright? We also know we gotta look ahead, and we gotta start looking at solving problems that aren't on the truck today, alright? And, so, having these five programs and the collective is really what allows us to do that. But at the same time, we need to have open channels of communication back into corp dev as well. I can give you examples of, you know, Shekar and his team might be looking at Company X. We're doing some exploratory work, IOT, I did an ordered foray. IOT is gonna be massive; everybody knows that, but you know what's going to be even more massive is all the data at the edge, and what do you do with that data? How do you turn that data into something actionable, right? So, if you think about a jet engine on a big plane, right? When it's operating correctly, you know what all the good levels are, the metrics, the telemetry coming off it. Why do I need to collect that and throw it away? You're interested in the anomalies, right? As we start thinking about IOT, and we start thinking all this data at the edge, we're going to need a different type of analytics engine that can do real-time analytics but not looking at the norm, looking at the deviations, and report back on that, so you can take action on that, you know? So, we started identifying some companies like PubNub, Mulesoft, too, just got acquired, right? Shekar and his team were looking at the same companies, and was like, "These companies are interesting because they're starting to attack the problem in a different way. We do that at Vmware all the time. You think about Appdefense. We've taken a completely different approach to security. You know what the good state is, but if you have a deviation, attack that, you know? And then you can use things like ... >> It's re-imagining, almost flipping everything upside-down. >> Yeah, challenging the status quo. >> Yeah, great stuff, great program. I gotta ask you a final question since it's your show here. Great content program, by the way. Got the competition, got the papers, which is deep, technical coolness, but the show is great content, great event. Thanks for inviting us. What's trending? What's rising up? Have you heard or kind of point at something you see getting some buzz, that you thought might get buzz, or it didn't get buzz? What's rising of the topics of interest here? What's kind of popping out for you; what's trending if I had to a Twitter feed, not Twitter feed, but like top three trending items here. >> Well, I'll take it back to that last borathon that we did on sustainability. We set out the five challenges. The challenge that got the most attention was the blockchain microgrid. So, blockchain is definitely trending, and, you know, the challenge we have with blockchain today is it's not ready for the enterprise. So, David Tennenhouse and his research group is actually looking at how do you make blockchain enterprise ready? And that is a difficult problem to solve. So, there's a ton of interest in watching ... >> [Furrier] Well, we have an opinion. Don't use the public block chain. (both laugh) >> So, you know, that's one that's definitely trending. We have a great program called Propel, where we basically attract the brightest of the brightest, you know, new college grads coming into the company, and they actually come through OCTO first and do a sort of onboarding process. What are they interested in? They're not really interested in working for a particular BU, but, you know, when we share with them, "You're gonna have the ability to work on blockchain, AI, VR, augmented reality, distributed systems, new ways of doing analytics >> that's what attracts them. >> [Furrier] And they have the options to go test and put the toe in the water or jump in deep with xLabs. >> Absolutely >> So, I mean, this is like catnip for engineers. It draws a lot of people in. >> Absolutely, and, you know, we need to do that to be competitive in the valley. I mean, it's a very hard marketplace. >> Great place to work. >> You guys have a great engineering team. >> Congratulations for a great event, Mornay, and thanks for coming on theCUBE. We're here in San Francisco for theCUBE coverage of RADIO 2018. I'm John Furrier. Be back with more coverage after this break. Thanks for watching. (upbeat techno music)

>> Announcer: Live from Las Vegas, it's theCUBE covering NAB 2017, brought to you by HGST. >> Hey, welcome back everybody, Jeff Frick here with theCUBE, we are back at NAB 2017 with a hundred thousand of our favorite friends doing everything about broadcast media. It's media, it's entertainment, it's technology, it's the M.E.T. effect, which is all the rage here at the show, because you can't really separate the three, they're all tied together. Really excited to be joined by our next guest, who's in the weeds, keeping an eye on this, trying to keep up with all the crazy trends. He's Avi Swerdlow, he's a Manager, Research and Development at the Walt Disney Company. Avi, welcome. >> Thank you, thank you for having me. >> Absolutely, so first off, we talked a little bit before we went live, your first time at the show, kind of general impressions of NAB? >> Yeah, it's big, a lot of walking, is my first impression. Aside from the tired feet, it's really exciting to see all the new tech out here. From talking to other people who have been in years past, it seems like things move really fast here. So what you were seeing last year is completely different of what you're seeing this year. But loving all the different sections, everything from hardware to some of the more data-driven stuff. Noticing that a lot more things are moving digital, that a lot of demos are now on laptops instead of physical. >> Right. >> Which is exciting to see. I've been impressed by some of the bigger company, like Microsoft's and IBM's machine learning efforts. And equally impressed by some of the hardware plays at DGI and GoPro, so really, really exciting stuff. >> Yeah, it's really interesting, kind of bifurcation of the market. On one hand, you've got all this crazy high end stuff with 4K and 6K and 8K and ultra HD and all these things and 360 and all these crazy cameras. At the other hand, you've got democratization of distribution with YouTube and Vimeo and all these tools being brought down in a price point, Samsung, 360 camera, where you can be a relatively small content creator and have amazing tools at your disposal. So the opportunities from a creative point of view have probably never been richer. >> Absolutely. I think a lot of what we're trying to focus on is moving in that digital direction for some of our content. Trying to implement some of those lower end or more cost efficient tools and those distribution points to get our content to people faster while at the same time trying to keep up on the higher 4K end. Something that's interesting I've chatted with my colleagues is that things move so fast that it's hard year to year to come here and see all the new things that are completely different from what you saw last year. >> Right, right. >> Now you have to start implementing those things. So I think it's a balance between all of that. I think, given that we're a big media company, some of those lower end tools are really interesting to us. In a sense that, take news for example. It's equally exciting to go live on Facebook video as it is sometimes to do it on a traditional broadcast. So I think learning how we integrate those and integrate those well are some of what we're trying to explore. >> Right. One of the topics we talked about before the cameras turned on was this virtual reality and augmented reality, VR and AR. It is pretty interesting because you talked specifically about data infusion on top of tech. And I remember the first time I ever saw a sports broadcast where, I think it was Fox maybe, that put the score bug on the upper left hand corner. You're like what is that, you're taking valuable real estate. Now we're so accustomed to this multi-layers of data on top of the broadcast. Take like a Bloomberg channel, where some of those things, where now they have multiple feeds that are constantly going. It's a very different way to consume data but that's what people really want these days. >> Absolutely. I think that last year was kind of this year of AR, VR. Where people thought there was going to be this massive revolution all of the sudden where everybody would be, would have headsets and VR would become ubiquitous. I think that will happen eventually, it's probably going to be a slower burn, mostly because people don't have devices yet. I think there's not enough content out there, not enough devices out there. Regardless, I think that if you distill down what AR and VR is at its core, it's the augmentation of information over something else. >> Right. >> So I think a lot of people are now starting to explore, what are the baby steps you take to implement some of that technology into your workflow. Assuming that people don't have devices yet, so I think, when I look at some of the virtual sets that we're seeing around this show and the implementation of information over, let's say, news or sports broadcasts, that becomes really interesting. If you use, we were talking about photogrammetry or volume capture, if you can use some of that and do interesting stuff for instance, if you're looking at a sports game and you're able to create in something like Unity or Unreal, an asset that represents the sports game, it becomes a much easier way to understand what's going on in the game then just a set of numbers. Yes, when you saw that score in the top left hand corner that was exciting. Now imagine seeing a live 3D version of the game same information unfolding, just in a different way. I think those are the baby steps towards this AR, VR implementation and eventually you might get to a point where everybody has a headset but baby steps for the average consumer. >> Right, right. In a lot of conversations about machine learning, you said you're excited about some of the machine learning, you've got the metadata and better metadata around the assets themselves, but now actually getting into the assets at the frame level to do more exploration so that people can, it's the age old adage, find, consume and share-- >> Absolutely. >> The stuff that they're most interested in. There's a lot of new opportunities because of the horsepower of these machines here that we're surrounded by, in terms of the massive capacity, and speed of the storage systems, to do things that you really couldn't do inside the assets themselves. >> Absolutely. I think our problem at somewhere like Disney is unique. It's different than at Google or at Facebook. We're not looking at this huge well of content like YouTube. We're looking at a smaller amount of content and what's really important to us is accurate metadata about our content more so than just having metadata. A lot of what we focus on is definitely metadata extraction but to the extent that we're going to use these machine learning tools we want to have really good training sets and get back really accurate data. So a lot of what we focus on is being able to have a QA layer on top of the machine learning efforts. Being able to use machine learning efforts that can be honed towards one show for instance. >> Right. >> So only extracting a certain set of characters. We really enjoy using these tools and enjoy finding ways that we can apply them to a unique problem which seems to be different than the problem that some of them are trying to address. >> Right. >> But regardless, they're working really well for us. >> So what are some of the use cases, or can you share any of how you're using machine learning to get and score that kind of metadata. >> Yeah. For instance, we're starting to use metadata in some of the ways other people are. Some of the stuff that I can talk about for instance is facial capture, location capture. Things that other people are doing but again, they're unique to one show. For instance, a Quantico on ABC might be something where we have a set of characters that we're looking for. We're starting to use machine learning to look at things like that. >> Interesting. Now Disney obviously, great company, been around forever, huge legacy. I'm just curious to the conversations in the hallway there's just this crazy wave of technology butting up against, we still have to tell great stories. Disney has a long history of telling great stories whether it's through the original animation studios or all the vast properties in which you guys have grown up. Is there still a creative ying and yang there-- >> Absolutely. >> Is there a thread and a rebalancing about technology versus let's not forget what should be-- >> A hundred percent. >> Job one. >> Absolutely. I think that's why I really enjoy working at Disney. It's always story first. My background is actually in creative development in the film industry so I always come at it from a story first point of view. I enjoy that the rest of the company does as well. But if you look at Disney's history, it's always been technology complimenting story. Think about the multi-plane camera in Snow White. The reason Snow White was able to be made was because Disney democratized animation. He figured out the technology that made animation possible at a feature film scale. Without that machine, that would not have been possible. I think in our core history you have these certain technologies that are put to use in the service of story. I think that's pretty much how we approach everything. We're looking for stuff that's going to augment our storytelling efforts. Not replace it, not degrade it in any way but only to enhance it. That's in our legacy. >> Right, right. That's interesting, I've never heard it explained that way but that is so much the trend that we continue to be on today. It's democratization of the data, democratization of the access to the data, democratization of the analytics of the data. And then operating at scale. Which requires, in today's scale, I'm not talking about a two hour movie scale, actually be able to set animation, but massive amounts of data that are flowing through the system. So how do you-- >> Absolutely. We want to use that data to empower our storytellers. To empower anybody at the company to tell better stories. But data management it's tough. I think a lot of what we had to do is first of all put in place the plumbing to make that data easily accessible. To make it easily searchable. To make it correct. To make it authoritative. To get people out of their spreadsheets that you had stored away somewhere. And unify that data so that it starts to tell a story. We've been very successful in those efforts. But it's a massive undertaking because you have companies that have not necessarily thought from a data first point of view and are now realizing that the actual value of this data. So part of what we're doing is extracting that metadata. Doing it in a way that's extremely accurate and authoritative. But also going as far upstream as possible to try to find are there other people that are already collecting this metadata and can we have them put it into a central database as opposed to everybody having their own little corner of data? >> Right, right. Is there an effort to reassess the value of the data? Where before just raw data in and of itself was a liability. Was expensive to store, expensive to keep and there was always trade off decisions about what you keep what you throw away. Now there really is the opportunity to keep it all and there's significant data outside, maybe beyond the box office gate of the feature film with all the various distribution channels and ancillary things. Obviously Disney is way ahead of the curve in terms of licensing and realizing value beyond just the core asset. But are there new ways now that those models are being worked in so that you can justify the additional expense of all this extra metadata and storage and infrastructure which, at the end of the day, you got to pay the bill-- >> Certainly. >> To the data center. >> Absolutely. I think to the extent that we can use our data to tell our stories to gain new insights it is extremely valuable. I think there are efforts around the company to, not necessarily store as much data as possible but to find what data is valuable and where it is. We're finding more and more data that is valuable. Because when you are able to unify it with other data it starts to tell a story. That's both data about our content, about our content performance, about our consumers, that what types of stories we should and shouldn't be telling. I think it's not just taking everything but it's figuring out what data is actually valuable and then trying to derive as much insight as possible from that. >> Right. Alright so, 2017, what are your top priorities for this year? Can't believe we're a third of the way through 2017- >> I know. >> It used to be like a stereo question, I guess it's not an end of the year question anymore. >> I would say one of our main goals is really to advance our automation efforts. I think also to the extent possible to advance our metadata tagging efforts as much as possible. I'd say that's top of mind at the moment. In addition to some other things but that's some of the stuff we're thinking about. >> Alright, great. Well Avi, thanks for-- >> Thank you for having me. >> For taking a few minutes and enjoy your first ever >> Thank you, yeah I will. >> NAB 2017. Alright Avi Swerdlow from Disney. I'm Jeff Frick from theCUBE, you're watching us like from NAB 2017 at the Las Vegas convention center. We'll be back after this short break. Thanks for watching. (upbeat music)

(upbeat music) >> Hey, welcome to the Cube's coverage of HPE Discover 2021. I'm Lisa Martin. I have two guests with me here today. We're going to be talking to the Walt Disney company. Jason Abraham sent us here, the director of infrastructure engineering. Jason, welcome to the program. >> Hi, how are you doing? >> Doing well and James Irvine is here as well. Account chief technologist at HPE. James, welcome to the program. >> Yeah hi Lisa, thank you. >> Good, so we're going to be talking about all things the HPE supporting Disney relationship, but you know things have been changing so much in technology. Things have been very different for technologists in the last few years. Jason talk to us about how Disney has adapted as business needs have evolved. >> You know, I think not just Disney, but in general, as we've, we've had to evolve, evolve as technologists, right? And one of the ways we've done that is to focus a lot on automation and self-service, enabling developers to move faster to meet the shift in business demand. Business moves at the speed of light. Anybody that's been in this business long enough knows there were years ago, you could have email servers down for three hours and nobody would notice. Now if email went down for more than, you know, 35 seconds, everybody notices, right? So in order to meet the change in demand we've had to focus heavily on automation and self-service which has been a key strategy, a key driver for us as part of private cloud. >> So Jason, with infrastructure as such a large part of your responsibilities and your job title, how has Disney been thinking about private cloud in the last few years? >> So I would say that we were probably one of the, I don't want to say bleeding edge, but certainly out in front when it came to private cloud. We had embarked on a cloud first strategy overall across the enterprise. The goal there was to figure out how we could do more with less and be more agile and be able to flex for our application developers and meet our shifts in demand. However, there are, you know systems that for whatever reasons, business purpose or otherwise need to either span a hybrid cloud or multi-cloud or stay on premise. So in order to get a cloud-like environment for our application developers and whatnot, we decided to build out a robust private cloud environment that allowed all of our application developers to be able to just bring their code or get a server and try to get as much of the public cloud functionality on premise as we possibly could. >> James, let's bring you into the conversation. Talk to us about the HPE Walt Disney company relationship and how HPE is supporting Walt Disney. >> Yeah. The HPE and Disney have had a longstanding relationship dating all the way back to HPE and Disney as far as the audio oscillator is concerned. So we've had an extraordinarily long history in technology and co-innovation partnership that we've worked on together through the years. And as Jason mentioned, you know, the journey around private cloud and working together in that technology relationship is just, has been fantastic and we've supported them with all the innovation and technologies needed for them to meet their goals. >> Excellent. All right, Jason, let's go back to you. I want to dig into this private cloud strategy a little bit more. You mentioned this a minute ago, but as we look at and hear so many discussions and strategies revolving around public multi-cloud, why is private cloud so important to Disney? >> Well, we have a tremendous amount of applications. We, our application portfolio is massive as you can imagine. We find ourselves in unique situations because of all of the different business challenges that we have that are unique to Disney, that we have to develop applications from the ground up far more often than we'd probably like to admit. So- private cloud allows us to take advantage of the public cloud-like services and technology scalability and flexibility and agility, right? And bring those on premise and be close to the business where it's absolutely critical to our business. I don't want to comment on what specific things or services that we have to run close to the business but you can imagine with the expansive footprint of our business and how we have to interact with guests, whether it's from a movie or at a theme park, we do have to have some services that are close to our business. And so, by having private cloud we compliment our public cloud strategy and allow us to keep those, those critical services very close to the business. >> Got it. You just mentioned a number of the elements of Disney. There's been a lot going on, so much going on. It's actually kind of easy to forget how new Disney Plus is, but sitting in the center of a company that's doing so much digitally, how does that shared services play a part in the overall digital transformation of the business? >> That's a great question. So obviously technology is key to our business. If you look at all the different lines of businesses we have and you look at all the different technology that we have, it's absolutely critical in order for us to continue to invest in technology to meet all of our business demands. Where shared services comes in is we enable the business to focus on what is critical to their business, right? We allow resorts and even the immediate media partners to just focus solely on the technology that is critical to driving those businesses, to enabling the guest experience and keeping it great. We are focused on everything else that is not critical for their business, the underlying infrastructure, the underpinning infrastructure, right, such as the global network, global servers, emails and so on and so forth. So it's a great compliment where it frees the business up to focus on what's really critical for them. And we can get economies of scale and synergy across our entire enterprise by delivering core services at a much more efficient cost throughout the company. >> And James, I want to ask you a question and we'll see if this gets approved. I just would love to understand, you've been working as a, with the Walt Disney company for a long time. We've, we've seen the evolution of HPE and we've seen the evolution of Disney. Can we ask you anything about, kind of give us your perspectives on how both companies have evolved in this relationship together? >> I- (laughter) I would, I would say that it's been it's been a great relationship. I would say that the, the, we have continued to lean on HPE from an investment perspective for our servers in certain areas, storage, but mostly servers. One are the big investments we've made recently was HP synergy, which is a composable infrastructure which has allowed us to continue to- invest in our automation strategy and allows us to deliver physical servers much faster, much faster. James, did you want to add anything there? >> Yeah of course Jason, it's been great to partner with Jason and the team, Walt Disney company in particular. And through this experience of them trying to achieve their private cloud goals, we've been able to bring the right technology, the right set of services to achieve these technology outcomes that they've been after and the use of automation to improve life cycle management, day two operations, all the goals and aspirations that they need to really automate infrastructure and make it intelligent and start achieving the goal of the intelligent data center. So it's been a great technology partnership and relationship we've had there. >> Jason back to you, let's, we've talked about Disney's private cloud strategy. I want to talk a little bit more about how that integrates with the rest of Disney's cloud strategy. What can you share with us? >> Well, like anything you'd want the right tool for the right job. And certainly the multi-cloud strategy and the public cloud strategy is a huge part of our overall strategic roadmap, where again we use the private cloud is to compliment that for applications that need to either span or stay on premise. You know, one of the things that we're just getting into now is hybrid cloud, where you have application teams that are like, hey, we really just need to focus on premise. It's where we need to be close to the business, but we have workloads that need to burst to the public cloud or need to scale out to the public cloud. And you really take advantage of that. So again, we don't look at it as, it used to be, not just within Disney, but in general in most cloud strategies, it was, is kind of like an either or. Now we look at it as the right tool for the right job. What's the right bid for your application? And as we continue to look at how the application stack modernizes right? Used to be how do you get servers faster? Well, now it's I don't want a server, I want a container. Now it's I just want to bring my code. I don't even know if I need a container, right? The application developers really want servers that compute. They really want to just focus on application development and they want to focus more on what makes their applications great, right? We want to focus more on commoditization and blurring the lines between public and private. Really, where does the workload run best? Where is it most efficient and where is it best for the business? And so when we look at how we built out our, our private cloud environment, it was really to compliment our existing public cloud strategy. >> Let's talk about people now, Jason, for a second. I know I love that Disney calls their folks, the cast members. I see the pin on your lapel there. How are the cast members at the center of this technology strategy and the how does the private cloud strategy play into that? >> Well, it's one of those things where our cast members are the most important aspect of our, of our brand. If you, if you were to look at what is our what is our most valuable asset? It would certainly be our cast members, right? They are the frontline, whether it's helping a guest, whether it's working on a movie, and our overall technology strategy is all about enabling cast members to do their job as most efficiently and effectively as possible. When it comes to how private cloud fits into that, it's again creating an environment where the application developers and our business partners can accelerate their application growth and the delivery of their services to support our back of house operations for our cast members. So that way it doesn't impact the guest experience. There's nothing more frustrating for a cast member is when they're impeded or have issues trying to get to a resource or unable to efficiently do their job. And so by having the private cloud, by having access to resources on premise, at times it gives them the ability to deliver those and consume those applications even faster. >> Which I'm sure that the guests love. One of the things that you mentioned, Jason, and I want to, James, get your opinion on this too. It's a, it's a statement that we hear very often. You need to do more with less. In that situation, how does Disney navigate that and, and a strategy that is cost-effective while you're growing your public, your private cloud strategy? >> Automation. Right? Automate automation and self-service. It, it really, it's always comes back to, I know it's a buzzword. I know people go, oh, automate this, automate that, you know, what are you, what are you automating? If you look at just the investments we're making right now in the HP synergy line and having composable infrastructure combined with pockets of three-tier architecture as well as hyperconverge, you are, we're bringing a delivery model to application teams and business teams that they haven't that is just like public cloud, right? But that they haven't seen before. So in order to manage massive scale, you need to automate more and you need to automate more in order to make sure that you have self healing, right? So you can, so you can look at things and understand things and see where you're having problems and try to predict them before they happen and increase your uptime and availability. I mean, it all comes back to, again, automation, automation, automation. >> James, do you have the similar opinion when you talk with customers similar to the Walt Disney company that are told we've got to do more but we've got less to work with? Is automation one of your key go-to recommendations? >> Yeah. Automation is at the center of everything that we're trying to achieve today both on-premise and in the public cloud and hyper automation is really kind of where everybody is driving to. The ability to be incredibly big, incredibly efficient using infrastructure as code API driven and using all the tools to really automate that and make the seamless delivery of new products and services just that much quicker. And we've been focused on that both not only from a technology and infrastructure standpoint, but also from a consulting and delivery standpoint. So we're able to really kind of meet all the different needs as it relates to automation, both in a private cloud hybrid cloud or multi-cloud scenario with all of the partnerships that we have across all the hyperscalers. >> James, sticking with you. With that, looking through that consultant lens I want to get some thought leadership from you. What are some of the principles that you'd recommend for businesses that really are working hard to make their private cloud investment work as efficiently as possible for them? >> A lot of that comes down to consulting and understanding. So really kind of driving to what we've referred to as the right mix. What is that right mix of hybrid cloud, private cloud applications that have gravity that needs to remain on premise. And there's just no reason to move them. So working with somebody and partnering with somebody that has the ability to be able to advise and consult in that capacity across the continuum of private public as well as edge is vitally important for people to consider as a part of their strategy. >> Jason, edge is absolutely incredible. We're hearing about it more and more, especially as it's so much more data and machine data is generated there. I want to get your advice for the audience. Same question that I asked James. What principles would you recommend for making the private cloud investment work as hard as possible, as efficiently as possible? >> I would say that, you know it's going to be a unique journey for every single company, but the number one advice is remember, right tool for the right job, right? What is your application stack? What are the types of in that, what is the type of needs of the application owners? And when you start thinking about it, you start dissecting it, are going to be investing more in microservices? Can you go with a more of a server-less container based type of environment or are you using shrink wrap software and you're going to need more eyes, right? It all comes down to, the right tool for the right job. My father was an auto mechanic and I remember as a kid, he had 8,000 tools. And I used to say to him, dad why do you have five screwdrivers? To me they all looked the same, right? I'm not a mechanic, but he goes, no, no, no, Jason, you don't understand. It's the right tool for the right job. You know, that was always his mantra. That would be my advice. >> I like that. I think my dad would have said the same thing, right tool for the right job. Absolutely critically important. So when we think about Disney, we know you generate a ton of data. How does the, the growth of the private cloud, Jason, support that massive data growth? >> Well, as you can imagine, we have ebbs and flows in our data. There's times where we're taking a tremendous amount of data in, and there's times where we're purging a tremendous amount of data for various different reasons, right? So one of the beauties of private cloud and how it compliments the public cloud is when you, you go to, you think about data ingestion, right? And then storage and being able to efficiently get it on premise and whatnot. Having the private cloud there to do those types of things, to use more of those BI type of workloads. They're, you're, you're just trunching a bunch of data. It's really nice to have the private cloud. So that way the application team can add nodes, add collectors if it's, you know, other log aggregation type tools, right? Whatever the tool is, you know, being able to have the flexibility to add nodes very quickly, just like they can in a public cloud, public cloud, but have it on premise so that you can do cost control and get the data in a more timely, more efficient manner. Again though, it comes down to the type of workload and what was best for that business. I would, I would be amiss if I tried to sit here and tell you that all of our big data stuff, were to only reside or only use on-premise technologies. Of course it spans like I said, we've got hybrid cloud and multi-cloud so. >> Well, it kind of goes with the right tool for the right job. One more question for both of you. And I want to go back to that thought leadership angle. Jason, when you are talking with peers of yours, what do you recommend that technology leaders look for when they're going to be partnering with a company on any type of cloud initiative management or implementation project? >> I would say understand your, understand the problem you're trying to solve, understand the technologies that you want to use and understand again your application portfolio and perhaps because I'm in shared services, a large company, I have a unique perspective of having to deal with very different problems at any given day on any given week. And I, you know, sometimes we forget about those, especially as technologists, we tend to forget that the decisions we make have wide and far reaching impact within our application stacks and within the individual businesses. And I think if, if you look at what is my application stack, what are the types of technologies? How, how is it going to be? If you were doing just shrink wrap, then you probably shouldn't be investing in cloud technologies that are heavily focused on containerization, right? If you're custom developing applications, then your entire strategy should probably be focused on how do you build container farms? And if you're doing big data, you probably should bring GPU's into the conversation with something that nobody's talking about really yet. So, you know. >> Sounds like collaboration is really key. James, same question. Last question of our conversation. I'd love to get your perspective on what technology leaders should look for when you're talking with prospective customers. When they're looking to partner for cloud implementation, growth management, what are some of those things that you say, the technology leaders look for this? >> You really need to be working with people who understand your business, that are passionate about your success and really having access to not only the advisory capabilities, but the technology portfolio to help you realize all of your business and technology outcomes. And I think those are super important attributes that we HPE can provide, you know, across the entire portfolio of technologies and services that most customers need to do. And I, and I think that the business outcome, the business transformation is really key to what the future holds for us and having the visionary perspective of not only the customer, but us in joint partnership allows for these great goals to be achieved. >> Great goals and those business outcomes. Well, gentlemen, thank you for joining me on the program today. Talking to me about what Disney's doing with technology, how HPE is supporting that Disney relationship. Jason and James, I appreciate your time. >> Thank you. >> Thank you, Lisa. For Jason Abrahamson and James Irvine, I'm Lisa Martin. You're watching the Cube's coverage of HPE discover 2021. (upbeat music)

>>Live from Miami, Florida. It's the cube covering IBM's data and AI forum brought to you by IBM. >>Welcome everybody to the port of Miami. My name is Dave Vellante and you're watching the cube, the leader in live tech coverage. We go out to the events, we extract the signal from the noise and we're here at the IBM data and AI form. The hashtag is data AI forum. This is IBM's. It's formerly known as the, uh, IBM analytics university. It's a combination of learning peer network and really the focus is on AI and data. And there are about 1700 people here up from, Oh, about half of that last year, uh, when it was the IBM, uh, analytics university, about 600 customers, a few hundred partners. There's press here, there's, there's analysts, and of course the cube is covering this event. We'll be here for one day, 128 hands-on sessions or ER or sessions, 35 hands on labs. As I say, a lot of learning, a lot of technical discussions, a lot of best practices. >>What's happening here. For decades, our industry has marched to the cadence of Moore's law. The idea that you could double the processor performance every 18 months, doubling the number of transistors, you know, within, uh, the footprint that's no longer what's driving innovation in the it and technology industry today. It's a combination of data with machine intelligence applied to that data and cloud. So data we've been collecting data, we've always talked about all this data that we've collected and over the past 10 years with the advent of lower costs, warehousing technologies in file stores like Hadoop, um, with activity going on at the edge with new databases and lower cost data stores that can handle unstructured data as well as structured data. We've amassed this huge amount of, of data that's growing at a, at a nonlinear rate. It's, you know, this, the curve is steepening is exponential. >>So there's all this data and then applying machine intelligence or artificial intelligence with machine learning to that data is the sort of blending of a new cocktail. And then the third piece of that third leg of that stool is the cloud. Why is the cloud important? Well, it's important for several reasons. One is that's where a lot of the data lives too. It's where agility lives. So cloud, cloud, native of dev ops, and being able to spin up infrastructure as code really started in the cloud and it's sort of seeping to to on prem, slowly and hybrid and multi-cloud, ACC architectures. But cloud gives you not only that data access, not only the agility, but also scale, global scale. So you can test things out very cheaply. You can experiment very cheaply with cloud and data and AI. And then once your POC is set and you know it's going to give you business value and the business outcomes you want, you can then scale it globally. >>And that's really what what cloud brings. So this forum here today where the big keynotes, uh, Rob Thomas kicked it off. He uh, uh, actually take that back. A gentleman named Ray Zahab, he's an adventure and ultra marathon or kicked it off. This Jude one time ran 4,500 miles in 111 days with two ultra marathon or colleagues. Um, they had no days off. They traveled through six countries, they traversed Africa, the continent, and he took two showers in a 111 days. And his whole mission is really talking about the power of human beings, uh, and, and the will of humans to really rise above any challenge would with no limits. So that was the sort of theme that, that was set for. This, the, the tone that was set for this conference that Rob Thomas came in and invoked the metaphor of superheroes and superpowers of course, AI and data being two of those three superpowers that I talked about in addition to cloud. >>So Rob talked about, uh, eliminating the good to find the great, he talked about some of the experiences with Disney's ward. Uh, ward Kimball and Stanley, uh, ward Kimball went to, uh, uh, Walt Disney with this amazing animation. And Walter said, I love it. It was so funny. It was so beautiful, was so amazing. Your work 283 days on this. I'm cutting it out. So Rob talked about cutting out the good to find, uh, the great, um, also talking about AI is penetrated only about four to 10% within organizations. Why is that? Why is it so low? He said there are three things that are blockers. They're there. One is data and he specifically is referring to data quality. The second is trust and the third is skillsets. So he then talked about, you know, of course dovetailed a bunch of IBM products and capabilities, uh, into, you know, those, those blockers, those challenges. >>He talked about two in particular, IBM cloud pack for data, which is this way to sort of virtualize data across different clouds and on prem and hybrid and and basically being able to pull different data stores in, virtualize it, combine join data and be able to act on it and apply a machine learning and AI to it. And then auto AI a way to basically machine intelligence for artificial intelligence. In other words, AI for AI. What's an example? How do I choose the right algorithm and that's the best fit for the use case that I'm using. Let machines do that. They've got experience and they can have models that are trained to actually get the best fit. So we talked about that, talked about a customer, a panel, a Miami Dade County, a Wunderman Thompson, and the standard bank of South Africa. These are incumbents that are using a machine intelligence and AI to actually try to super supercharge their business. We heard a use case with the Royal bank of Scotland, uh, basically applying AI and driving their net promoter score. So we'll talk some more about that. Um, and we're going to be here all day today, uh, interviewing executives, uh, from, uh, from IBM, talking about, you know, what customers are doing with a, uh, getting the feedback from the analysts. So this is what we do. Keep it right there, buddy. We're in Miami all day long. This is Dave Olanta. You're watching the cube. We'll be right back right after this short break..

>> live from Las Vegas. It's the queue covering del Technologies. World twenty nineteen. Brought to you by Del Technologies and its ecosystem partners. >> Welcome back to Las Vegas. Lisa Martin with John Ferrier. You're watching the Cube live at Del Technologies World twenty nineteen. This is our second full day of Double Cube set coverage. We've got a couple of we're gonna really cool conversation coming up for you. We've got Robbie Pender County, one of our alumni on the cue back as VP product management server solutions. Robbie, Welcome back. >> Thank you, Lisa. Much appreciated. >> And you brought some Hollywood? Yes. Glenn Glenn ER, president of Sony Innovation Studios. Glenn and welcome to the Cube. >> Thank you very much. It's great to be here. >> So you are love this intersection of Hollywood and technology. But you're a filmmaker. >> Yeah. I have been filming movies for many years. Uh, I started off making motion pictures for many years. Executive produced him and over so production for them at one of our movie labels called Screen Gems, which is part of Sony Pictures. >> Wait a tremendous amount of evolution of the creative process being really fueled by technology and vice versa. Sony Innovation Studios is not quite one year old. This is a really exciting venture. Tell us about that and and what the the impetus was to start this company. >> You know that the genesis for it was based out of necessity because I looked at a nice Well, you know, I love making movies were doing it for a long time. And the challenge of making good pictures is resource is and you never get enough money believing not you never get enough money and never get enough time. That's everybody's issue, particularly time management. And I thought, Well, you know, we got a pretty good technology company behind us. What if we looked inward towards technology to help us find solutions? And so innovation studios is born out of that idea on what was exciting about it was to know that we had, uh, invited partners to the game right here with Del so that we could make movies and television shows and commercials and even enterprise solutions leaning into state of the art and cutting edge technology. >> And what some of the work prize and you guys envision coming out this mission you mentioned commercials. TV is it going to be like an artist's studio actor? Ackerson Ball is Take us through what this is going to look like. How does it get billed out? >> I lean into my career as a producer. To answer that one and say is going to enable that's one of the greatest things about being a producer is enabling stories, uh, inspiring ideas to be Greenland. That may not have been able to be done so before. And there's a key reason why we can't do that, because one of our key technologies is what we call the volumetric image acquisition. That's a lot of words. You probably say. What the heck is that? But a volumetric image acquisition is our ability to capture a real world, this analog world and digitize it, bring it into our servers using the power of Del and then live in that new environment, which is now a virtual sets. And that virtual set is made out of billions and trillions in quadrillions of points, much like the matter around us. And it's a difference because many people use pixels, which is interpretation of like worry, using points which is representative of the world around us, so it's a whole revolutionary way of looking at it. But what it allows us to do is actually film in it in a thirty K moving volume. >> It's like a monster green screen for the world. Been away >> in a way, your your your your action around it because you have peril X so these cameras could be photographing us. And for all you know, we may not be here. Could be at stage seven at Innovation Studios and not physically here, but you couldn't tell it. If >> this is like cloud computing, we talking check world, you don't the provisional these resource is you just get what you want. This is Hollywood looking at the artistry, enabling faster, more agile storytelling. You don't need to go set up a town and go get the permit. All the all the heavy lifting you're shooting in this new digital realm. >> That's right. Exactly. Now I love going on location on. There's a lot to celebrate about going on location, but we can always get to that location. Think of all the locations that we want to be in that air >> base off limits. Both space, the one I >> haven't been, uh, but but on said I've been I've walked on virtual moons and I've walked on set moons. But what if we did a volumetric image acquisition of someone set off the moon? Now we have that, and then we can walk around it. Or what if there's a great club, a nightclub? This says guys want you shoot here, but we have performances Monday night, Tuesday night, Wednesday night there. You know they have a job. What if we grab that image, acquired it, and then you could be there anytime you want. >> Robbie, we could go for an hour here. This is just a great comic. I >> completely agree with you. >> The Cube. You could. You could sponsor a cube in this new world. We could run the Q twenty four seven. That's absolutely >> right. And we don't even have >> to talk about the relationship with Dale because on Del Technologies, because you're enabling new capabilities. New kind of artistry was just totally cool. Want to get back to the second? But you guys were involved. What's your role? How do you get involved? Tell the story about your >> John. I mean, first and foremost one of things that didn't Glendon mention is he's actually got about fifty movies to his credit. So the guy actually knows this stuff, so which is absolutely fantastic. So we said, How do you go take average to the next level? So what else is better than trying to work something out, wherein we together between what Glenn and Esteem does at the Sony Innovation Labs for Studio Sorry. And as in Dead Technologies could do is to try and actually stretch the boundaries of our technology to a next tent that when he talks about kazillion bytes of data right one followed the harmony of our zeros way have to be able to process the data quickly. We have to be able to go out and do their rendering. We probably have to go out and do whatever is needed to make a high quality movie, and that, I think, in a way, is actually giving us an opportunity to go back and test the boundaries of their technology. They're building, which we believe this is the first of its kind in the media industry. If we can go learn together from this experience, we can actually go ahead and do other things in other industries. To maybe, and we were just talking about how we could also take this. He's got his labs here in Los Angeles, were thinking maybe one of the next things we do based on the learnings we get, we probably could take it to other parts of the world. And if we are successful, we might even take it to other industries. What if we could go do something to help in this field of medicine? >> It's just thinking that, right? Yes. >> Think about it. Lisa, John. I mean, it's phenomenal. I mean, this is something Michael always talks about is how do we as del technologies help in progress in the human kind? And if this is something that we can learn from, I think it's going to be phenomenal. >> I think I think that's so interesting. Not only is that a good angle for Del Technologies, the thing that strikes me is the access toe artist trees, voices, new voices that may be missed in the prop the vetting process the old way. But, you know, you got to know where we're going. No, in the Venture Capital way seen this with democratization of seed labs and incubators, where, if you can create access to the story, tells on the artists we're gonna have one more exposure to people might have missed. But also as things change, like whether it's Ray Ray beaming and streaming, we saw in the gaming side to pull a metric or volumetric things. You're gonna have a better canvas, more paint brushes on the creative side and more. Artist. Is that the mission to get AC, get those artists in there? Is it? Is that part of the core mission submission? Because you're going to be essentially incubating new opportunities really fast. >> It's, uh, it's very important to me. Personally. I know it speaks of the values of both Sony and L. I like to call it the democratization of storytelling. You know, I've been very blessed again, a Hollywood producer, and we maybe curate a certain kind of movie, a certain kind of experience. But there's so many voices around the world that need to be hurt, and there are so many stories that otherwise can't be enabled. Imagine a story that perhaps is a unique >> special voice but requires distance. It requires five disparate locations Perhaps it's in London, Piccadilly Circus and in Times Square. And perhaps it's overto Abu Dhabi on DH Libya somewhere because that's part of the story. We can now collapse geography and bring those locations to a central place and allow a story to be told that may not otherwise have been able to be created. And that's vital to the fabric of storytelling worldwide's >> going change the creative process to you don't have to have that waterfall kind of mentality like we don't talk about intact. You're totally distributed content, decentralized, potentially the creative process going change with all the tools and also the visual tools. >> That's right. It's >> almost becoming unlimited. >> You wanted to be unlimited. You want the human spirit to be unlimited. You want to be able to elevate people on. That's the great thing about what we're trying to achieve and will achieve. >> It is your right. I mean, it is interesting, you know, we were just talking about this, too. Uh, we're in, you know, as an example. Shock tank. Yes, right. I mean, they obviously did it. The filming and stuff, and then they don't have the access. Let's say to the right studio. But the fact is, they had all this done. Andi, you know, they had all the rendering they had captured. Already done. You could now go out and do your chute without having all the space you needed. >> That's right. In the case of Shark Tank, which shoots a Sony Pictures studios, they knew they had a real estate issue. The fact of the matter is, there's a limited amount of sound stages around the world. They needed to sound stages and only had access to one. So we went in and we did a volumetric image acquisition of their exit interview stage. They're set. And then when it came time to shoot the second half a season ten, one hundred contestants went into a virtual set and were filmed in that set. And the funny thing is, one of the guys in the truck you know how you have the camera trucks and, you know, off offstage, he leaned into the mike. Is that you guys, could you move that plant a couple inches to the left and somebody said, Uh, I don't think we can do it right now, he said, We're on a movie lot. You could move a plant. They said No, it's physically not there. We're on innovation studios goes Oh, that's right. It's virtual mind. >> So he was fooled. >> He was pulled. In a way, we're >> being hashing it out within a team. When we heard about some of the things you know Glenn and Team are doing is think about this. If you have to teach people when we are running short of doctors, right? Yeah, if you could. With this technology and the learnings that come from here, if you could go have an expert surgeon do surgery once you're captured, it would be nice. Just imagine, to take that learning, go to the new surgeons of the future and trained them and so they can get into the act without actually doing it. So my point and all this is this is where I think we can take technology, that next level where we can not only learn from one specific industry, but we could potentially put it to human good in terms of what we could to and not only preparing the next of doctors, but also take it to the next level. >> This was a great theme to Michael Dell put out there about these new kinds of use case is that the time is now to do before. Maybe you could get there technology, but maybe aspirational. Hey, let's do it. I could see that, Glenn, I want to ask you specifically. The time is now. This is all kind of coming together. Timing's pretty good. It's only gonna get better. It's gonna be good Tech, Tech mojo Coming for the creative side. Where were we before? Because I can almost imagine this is not a new vision for you. Probably seen it now that this house here now what was it like before for, um and compare contrast where you were a few years ago, maybe decades. Now what's different? Why? Why is this so important >> for me? There's a fundamental change in how we can create content and how we can tell stories. It used to be the two most expensive words in the movie TV industry were what if today that the most important words to me or what if Because what if we could collapse geography? What if we could empower a new story? Technology is at a place where, if we can dream it. Chances are we can make it a reality. We're changing the dynamics of how we may content. He used to be lights, action camera. I think it's now lights, action, compute power action, you know, is that kind of difference. >> That is an amazing vision. I think society now has opportunities to kind of take that from distance learning to distance connections, the distance sharing experiences, whether it's immersion, virtual analog face, the face could really be powerful. Yeah, >> and this is not even a year old. >> That's right. >> So if you look at your your launch, you said, I think let june fourth twenty eighteen. What? Where do you go from here? I mean, like we said, this is like, unlimited possibilities. But besides putting Robbie in the movie, naturally, Yes, of course I have >> a star here >> who? E. >> So I got to say he's got star power. >> What's what's next year? Exactly? >> Very exciting. I will say we have shark tank Thie Advanced Imaging Society gives an award for being the first volume met you set ever put out on the airwaves. Uh, for that television show is a great honor. We have already captured uh, men in black. We captured a fifty thousand square foot stage that had the men in black headquarters has been used for commercials to market the film that comes out this June. We have captured sets where television shows >> and in hopes, that they got a second season and one television show called up and said, Guys, we got the second season so they don't have to go back to what was a very expensive set and a beautiful set >> way captured that set. It reminds me of a story of productions and a friend of mine said, which is every year. The greatest gift I have is building a beautiful set and and to me, the biggest challenges. When I say, remember that sent you built four years ago? I need that again. Now you can go >> toe. It's hard to replicate the exact set. You capture it digitally. It lives. >> That's exactly it. >> And this is amazing. I mean, I'd love to do a cube set into do ah, like a simulcast. Virtually. >> So. This is the next thing John and Lisa. You guys could be sitting anywhere going forward >> way. You don't have to be really sitting here >> you could be doing. What do you have to do? And, you know, you got everything rendered >> captured. We don't have to come to Vegas twenty times a year. >> We billed upset once. You >> know you want to see you here believing that So I'LL take that >> visual is a really beautiful thing. So if we can with hologram just seeing people doing conscious with Hollywood. Frank Zappa just did a concert hologram concert, but bringing real people and from communities around the world where the localization diversity right into a content mixture is just so powerful. >> Actually, you said something very interesting, John, which is one of the other teams to which is, if you have a globally connected society and he wanted try and personalize it to that particular nation ethnicity group. You can do that easily now because you can probably pop in actors from the local area with the same. Yeah, think about it. >> It's surely right. >> There's a cascade of transformations that that this is going Teo to generate. I mean just thinking of how different even acting schools and drama schools will be well, teaching people how to behave in these virtual environments, right? >> How to immerse themselves in these environments. And we have tricks up our sleeves that Khun put the actor in that moment through projection mapping and the other techniques that allow filmmakers and actors to actually understand the world. They're about to stepped in rather than a green screen and saying, OK, there's going to be a creature over here is gonna be blue Water falls over there will actually be able to see that environment because that environment will exist before they step on the stage. >> Well, great job the Del Partnership. On my final question, Glenn, free since you're awesome and got a great vision so smart, experienced, I've been really thinking a lot about how visualization and artistry are coming together and how disciplines silo disciplines like music. They do great music, but they're not translating to the graphics. It was just some about Ray tracing and the impact with GP use for an immersive experiences, which we're seeing on the client side of the house. It del So you got the back and stuff you metrics. And so, as artist trees, the next generation come up. This is now a link between the visual that audio the storytelling. It's not a siloed. >> It is not >> your I want to get your vision on. How do you see this playing out and your advice for young artists? That might be, you know, looked as country. What do you know? That's not how we do it. >> Well, the beautiful thing is that there are new ways to tell stories. You know, Hollywood has evolved over the last century. If you look at the studios and still exist, they have all evolved, and that's why they do exist. Great storytellers evolved. We tell stories differently, so long as we can emotionally relate to the story that's being told. I say, Do it in your own voice. The cinematic power is among us. We're blessed that when we look back, we have that shared experience, whether it's animate from Japan or traditional animation from Walt Disney everybody, she shares a similar history. Now it's opportunity to author our new stories, and we can do that and physical assets and volumetric assets and weaken blend the real and the unreal. With the compute power. The world is our oyster. >> Wow, >> What a nice >> trap right there. >> Exactly. That isn't my job. The transformation of of Hollywood. What it's really like the tip of the iceberg. Unlimited story potential. Thank you, Glenn. Thank you. This has been a fascinating cannot wait to hear, See and feel and touch What's next for Sony Animation studios With your technology power, we appreciate your time. >> Thank you. Thank you both. Which of >> our pleasure for John Carrier? I'm Lisa Martin. You're watching the Cube lie from Del Technologies World twenty nineteen We've just wrapped up Day two we'LL see you tomorrow.

>> Live from Las Vegas. It's the queue covering del Technologies. World twenty nineteen. Brought to you by Del Technologies and its ecosystem partners. >> Welcome back to Las Vegas. Lisa Martin with John Ferrier. You're watching the Cube live at Del Technologies World twenty nineteen. This is our second full day of Double Cube set coverage. We've got a couple of we got a really cool conversation coming up for you. We've got Robbie Pender County, one of our alumni on the cue back as VP product management server solutions. Robbie, Welcome back. >> Thank you, Lisa. Much appreciated. >> And you brought some Hollywood? Yes, Glenn Glenn er, president of Sony Innovation Studios. Glenn and welcome to the Cube. >> Thank you very much. It's great to be here. >> So you are love this intersection of Hollywood and technology. But you're a filmmaker. >> Yeah, I have been filming movies for many years. I started off making motion pictures for many years. Executive produced him and oversaw production for them at one of our movie labels called Screen Gems, which is part of Sony Pictures. >> Wait a tremendous amount of evolution of the creative process being really fueled by technology and vice versa. Sony Innovation Studios is not quite one year old. This is a really exciting venture. Tell us about that and and what the The impetus was to start this company. >> You know that the genesis for it was based out of necessity because I looked at a nice Well, you know, I love making movies were doing it for a long time. And the challenge of making good pictures is resource is and you never get enough money. Believe or not, you never get enough money and never get enough time. That's everybody's issue, particularly time management. And I thought, Well, you know, we got a pretty good technology company behind us. What if we looked inward towards technology to help us find solutions? And so innovation studios is born out of that idea on what was exciting about it was to know that we had, uh, invited partners to the game right here with Del so that we could make movies and television shows and commercials and even enterprise solutions leaning into state of the art and cutting edge technology. >> And what some of the work private you guys envision coming out this mission you mentioned commercials TV. Is it going to be like an artist's studio actor actress in ball is take us through what this is going to look like. How does it get billed out? >> I lean into my career as a producer. To answer that one and say is going to enable that's one of the greatest things about being a producer is enabling stories, uh, inspiring ideas to be green lit that may not have been able to be done so before. And there's a key reason why we can't do that, because one of our key technologies is what we call the volumetric image acquisition. That's a lot of words. You probably say. What the heck is that? But a volumetric image acquisition is our ability to capture a real world, this analog world and digitize it, bring it into our servers using the power of Del and then live in that new environment, which is now a virtual sets. And that virtual set is made out of billions and trillions in quadrillions of points, much like the matter around us. And that's a difference because many people use pixels, which is interpretation of like we're using points which is representative of the world around us, so it's a whole revolutionary way of looking at it. But what it allows us to do is actually film in it in a thirty K moving volume. >> It's like a monster green screen for the world. Been away >> in a way, you're you're you're interaction around it because you have peril X, so these cameras could be photographing us. And for all you know, we may not be here. Could be at stage seven at Innovation Studios and not physically here, but you couldn't tell the >> difference. This is like cloud computing. We talking check world, you don't the provisional these resource is you just get what you want. This is Hollywood looking at the artistry, enabling faster, more agile storytelling. You don't need to go set up a town and go get the permit. All the all the heavy lifting you're shooting in this new digital realm. >> That's right. Exactly. Now I love going on location on There's a lot to celebrate about going on location, but we can always get to that location. Think of all the locations that we want to be in that air >> base off limits. Both space, the one I >> haven't been, uh, but but on said I've been I've walked on virtual moons and I've walked on set moons. But what if we did a volumetric image acquisition of someone set off the moon? Now we have that, and then we can walk around it. Or what if there's a great club, a nightclub? This says guys and wanted to shoot here. But we have performances Monday night, Tuesday night, Wednesday night there. You know they have a job. What? We grabbed that image acquired it. And then you could be there anytime you want. >> Robbie, we could go for an hour here. This is just a great comic. I >> completely agree with >> you. The Cube. You could You could sponsor a cube in this new world. We could run the Q twenty four seven is absolutely >> right. And we don't even have >> to talk about the relationship with Dale because on Del Technologies, because you're enabling new capabilities. New kind of artistry, just totally cool. Want to get back to the second? But you guys were involved. What's your role? How do you get involved? Tell the story about your >> John. I mean, first and foremost one of the things didn't Glendon mention is he's actually got about fifty movies to his credit. So the guy actually knows this stuff. So which is absolutely fantastic. So we said, How do you go take coverage to the next level? So what else is better than trying to work something out, wherein we together between what Glenn and Esteem does at the Sony Innovation Labs for Studio Sorry. And as in Dead Technologies could do is to try and actually stretch the boundaries of our technology to a next tent that when he talks about kazillion bytes of data right one followed by harmony, our zeros. We have to be able to process the data quickly. We have to be able to go out and do their rendering. We probably have to go out and do whatever is needed to make a high quality movie, and that, I think, in a way, is actually giving us an opportunity to go back and test the boundaries of their technology. They're building, which we believe this is the first of its kind in the media industry. If we can go learn together from this experience, we can actually go ahead and do other things in other industries do. Maybe. And we were just talking about how we could also take this. He's got his labs here in Los Angeles, were thinking maybe one of the next things we do based on the learning to get. We probably could take it to other parts of the world. And if we are successful, we might even take it to other industries. What if we could go do something to help in this field of medicine? >> It's just thinking that, right? Yes. Think >> about it. Lisa, John. I mean, it's phenomenal. I mean, this is something Michael always talks about is how do we as del technologies help in progress in the human kind? And if this is something that we can learn from, I think it's going to be phenomenal. >> I think I think that's so interesting. Not only is that a good angle for Del Technologies, the thing that strikes me is the access to artist trees, voices, new voices that may be missed in the prop the vetting process the old way. But, you know, you got to know where we're going. No, in the venture, cobble way seen this with democratization of seed labs and incubators where, if you can create access to the story, tells on the artists we're gonna have one more exposure to people might have missed. But also as things change, like whether it's Ray Ray beaming and streaming we saw in the gaming side to volumetric or volumetric things, you're gonna have a better canvas, more paint brushes on the creative side and more action. Is that the mission to get AC Get those artists in there? Is it? Is that part of the core mission submission? Because you're going to be essentially incubating new opportunities really fast. >> It's, uh, it's very important to me. Personally. I know it speaks of the values of both Sony and L. I like to call it the democratization of storytelling. You know, I've been very blessed again, a Hollywood producer, and we maybe curate a certain kind of movie, a certain kind of experience. But there's so many voices around the world that need to be hurt, and there are so many stories that otherwise can't be enabled. Imagine a story that perhaps is >> a unique special voice but requires distance. It requires five disparate locations. Perhaps it's in London Piccadilly Circus and in Times Square. And perhaps it's overto Abu Dhabi on DH Libya somewhere because that's part of the story. We can now collapse geography and bring those locations to a central place and allow a story to be told that may not otherwise have been able to be created. And that's vital to the fabric of storytelling. Worldwide >> is going to change the creative process to You don't have to have that waterfall kind of mentality like we don't talk about intact. You're totally distributed content, decentralized, potentially the creative process going change with all the tools and also the visual tools. >> That's right. It's >> almost becoming unlimited. >> You want it to be unlimited. You want the human spirit to be unlimited. You want to be able to elevate people on. That's the great thing about what we're trying to achieve and will achieve. >> It is your right. I mean, it is interesting, you know, we were just talking about this too. We're in, you know, as an example, shock tank. Yes, right. I mean, they obviously did it the filming and stuff, and then they don't have the access, let's say to the right studio, but The fact is, there had all this done on DH. No, they had all the rendering. They had the captured already done. You could now go out and do your chute without having all the space you needed. >> That's right. In the case of Shark Tank, which shoots a Sony Pictures studios, they knew they had a real estate issue. The fact of the matter is, there's a limited amount of sound stages around the world. They needed to sound stages and only had access to one. So we went in and we did a volumetric image acquisition of their exit interview stage. They're set. And then when it came time to shoot the second half a season ten, one hundred contestants went into a virtual set and were filmed in that set. And the funny thing is, one of the guys in the truck you know how you have the camera trucks and, you know, off offstage, he leaned into the mike. Is that you guys, could you move that plant a couple inches to the left and somebody said, Uh, I don't think we can do it right now, he said. We're on a movie lot. You could move a plant. They said, No, it's physically not there. We're on innovation studios goes Oh, that's right. It's virtual mind. >> So he was fooled. >> He was pulled. In a way, we're >> being hashing it out within a team. When we heard about some of the things you know Glenn and Team are doing is think about this. If you have to teach people when we are running short of doctors, right? Yeah, if you could. With this technology and the learnings that come from here, if you could go have an expert surgeon do surgery once you're captured, it would be nice. Just imagine, to take that learning, go to the new surgeons of the future and trained them and so they can get into the act without actually doing it. So my point in all this is this is where I think we can take technology, that next level where we can not only learn from one specific industry, but we could potentially put it to human good in terms of what we could to and not only preparing the next of doctors, but also take it to the next level. >> This was a great theme to Michael Dell put out there about these new kinds of use case is that the time is now to do before. Maybe you couldn't get there with technology, but maybe aspirational, eh? Let's do it. I could see that. Glenn, I want to ask you specifically. The time is now. This is all kind of coming together. Timing's pretty good. It's only gonna get better. It's gonna be good. Tech, Tech mojo Coming for the creative side. Where were we before? Because I could almost imagine this is not a new vision for you. Probably seen it now that this house here now what was it like before for, um and compare contrast where you were a few years ago, maybe decades. Now what's different? Why? Why is this so important? >> You know, for me, there's a fundamental change in how we can create content and how we can tell stories. It used to be the two most expensive words in the movie TV industry were what if today that the most important words to me or what if Because what if we could collapse geography? What if we could empower a new story? Technology is at a place where if we can dream it. Chances are we can make it a reality. We're changing the dynamics of how we may content. He used to be lights, action, camera. I think it's now lights, action, compute power action, you know, is that kind of difference. >> That is an amazing vision. I think society now has opportunities to kind of take that from distance learning to distance connections, the distance sharing experiences, whether it's immersion, virtual analog face the face. I could really be powerful. Yeah, >> and this is not even a year old. >> That's right. >> So if you look at your your launch, you said, I think let june fourth twenty eighteen. What? Where do you go from here? I mean, like we said, this is like, unlimited possibilities. But besides putting Robbie in the movie, naturally, Yes, of course I have >> a star here >> who video. >> So I got to say he's got star power. >> What's what. The next year? Exactly. >> Very exciting. I will say we have shark tank Thie Advanced Imaging Society gives an award for being the first volume metric set ever put out on the airwaves. Uh, for that television show was a great honor. Uh, we have already captured, uh, men in black. We captured a fifty thousand square foot stage that had the men in black headquarters has been used for commercials to market the film that comes out this June. We have captured sets where television >> shows and in the in hopes that they got a second season and one television show called up and said, Guys, we got the second season so they don't have to go back to what was a very expensive set and a beautiful set >> Way captured that set. It reminds me of a story of productions and a friend of mine said, which is every year. The greatest gift I have is building a beautiful set and and to me, the biggest challenges. When I say, remember that sent you built four years ago. I need that again. Now you can go >> toe hard, replicate the exact set, you capture it digitally. It lives. >> That's exactly it. >> And this is amazing. I mean, I'd love to do a cube set into do ah, like a simulcasts. Virtually. >> So. This is the next thing John and Lisa. You guys could be sitting anywhere going forward. We don't have to be really sitting here you could be doing. What do you have to do? And, you know, you got everything rendered >> captured. We don't have to come to Vegas twenty times a year. >> We billed upset once >> You want to see you here believing that So I'LL take that >> visual is a really beautiful thing. So if we can with hologram just seeing people doing conscious. But Hollywood Frank Zappa just did a concert hologram concert, but bringing real people and from communities around the world where the localization diversity right into a content mixture is just so powerful. >> Actually, you said something very interesting, John, which is one of the other teams to which is, if you have a globally connected society and he wanted try and personalize it to that particular nation ethnicity group. You can do that easily now because you can probably pop in actors from the local area with the same city. Yeah, think about it. >> It's surely right. >> There's a cascade of transformations that that this is going Teo to generate. I mean just thinking of how different even acting schools and drama schools will be well, teaching people how to behave in these virtual environments, right? >> How to immerse themselves in these environments. And we have tricks up our sleeves that Khun put the actor in that moment through projection mapping and the other techniques that allow filmmakers and actors to actually understand the world. They're about to stepped in rather than a green screen and saying, OK, there's going to be a creature over here is gonna be blue Water Falls over there will actually be able to see that environment because that environment will exist before they step on the stage. >> Well, great job the Dale Partnership On my final question, Glenn free since you're awesome and got a great vision so smart, experienced, I've been really thinking a lot about how visualization and artistry are coming together and how disciplines silo disciplines like music. They do great music, but they're not translating to the graphics. It was just some about Ray tracing and the impact with GP use for immersive experiences, which was seeing on the client side of the house. It del So you got the back and stuff, but you metrics. And so, as artist trees, the next generation come up. This is now a link between the visual that audio, the storytelling. It's not a siloed. >> It is not >> your I want to get your vision on. How do you see this playing out and your advice for young artists? That might be, you know, looked as country. What do you know? That's not how we do it. >> Well, the beautiful thing is that there are new ways to tell stories. You know, Hollywood has evolved over the last century. If you look at the studios and still exist, they have all evolved, and that's why they do exist. Great storytellers evolved. We tell stories differently, so long as we can emotionally relate to the story that's being told. I say Do it in your own voice. The cinematic power is among us. We're blessed that when we look back, we have that shared experience, whether it's animate from Japan or traditional animation from Walt Disney, everybody shares a similar history. Now it's opportunity to author our new stories and we can do that and physical assets and volumetric assets and weakened blend the real and the unreal. With the compute power. The world is our oyster. >> Wow, >> What a nice >> trap right there. >> Exactly that is, um I dropped the transformation of Hollywood. What? And it's really think the tip of the iceberg. Unlimited story potential. Thank you, Glenn. Thank you. This has been a fascinating cannot wait to hear, See and feel and touch What's next for Sony Animation studios With your technology power We appreciate your time. >> Yeah, Thank you. Thank you both of >> our pleasure for John Farrier. I'm Lisa Martin. You're watching the Cube lie from Del Technologies World twenty nineteen We've just wrapped up Day two we'LL see you tomorrow.

>> From the SiliconANGLE Media office in Boston, Massachusetts, it's theCube! (funky electronic music) Now, here's your host, Dave Vellante! >> Welcome, everybody, to this Cube conversation here in our Marlborough offices. I am very excited today, I spent a number of years at IDC, which, of course, is owned by IDG. And there's a new book out, relatively new, called Future Forward: Leadership Lessons from Patrick McGovern, the Visionary Who Circled the Globe and Built a Technology Media Empire. And it's a great book, lotta stories that I didn't know, many that I did know, and the author of that book, Glenn Rifkin, is here to talk about not only Pat McGovern but also some of the lessons that he put forth to help us as entrepreneurs and leaders apply to create better businesses and change the world. Glenn, thanks so much for comin' on theCube. >> Thank you, Dave, great to see ya. >> So let me start with, why did you write this book? >> Well, a couple reasons. The main reason was Patrick McGovern III, Pat's son, came to me at the end of 2016 and said, "My father had died in 2014 and I feel like his legacy deserves a book, and many people told me you were the guy to do it." So the background on that I, myself, worked at IDG back in the 1980s, I was an editor at Computerworld, got to know Pat during that time, did some work for him after I left Computerworld, on a one-on-one basis. Then I would see him over the years, interview him for the New York Times or other magazines, and every time I'd see Pat, I'd end our conversation by saying, "Pat, when are we gonna do your book?" And he would laugh, and he would say, "I'm not ready to do that yet, there's just still too much to do." And so it became sort of an inside joke for us, but I always really did wanna write this book about him because I felt he deserved a book. He was just one of these game-changing pioneers in the tech industry. >> He really was, of course, the book was even more meaningful for me, we, you and I started right in the same time, 1983-- >> Yeah. >> And by that time, IDG was almost 20 years old and it was quite a powerhouse then, but boy, we saw, really the ascendancy of IDG as a brand and, you know, the book reviews on, you know, the back covers are tech elite: Benioff wrote the forward, Mark Benioff, you had Bill Gates in there, Walter Isaacson was in there, Guy Kawasaki, Bob Metcalfe, George Colony-- >> Right. >> Who actually worked for a little stint at IDC for a while. John Markoff of The New York Times, so, you know, the elite of tech really sort of blessed this book and it was really a lot to do with Pat McGovern, right? >> Oh, absolutely, I think that the people on the inside understood how important he was to the history of the tech industry. He was not, you know, a household name, first of all, you didn't think of Steve Jobs, Bill Gates, and then Pat McGovern, however, those who are in the know realize that he was as important in his own way as they were. Because somebody had to chronicle this story, somebody had to share the story of the evolution of this amazing information technology and how it changed the world. And Pat was never a front-of-the-TV-camera guy-- >> Right. >> He was a guy who put his people forward, he put his products forward, for sure, which is why IDG, as a corporate name, you know, most people don't know what that means, but people did know Macworld, people did know PCWorld, they knew IDC, they knew Computerworld for sure. So that was Pat's view of the world, he didn't care whether he had the spotlight on him or not. >> When you listen to leaders like Reed Hoffman or Eric Schmidt talk about, you know, great companies and how to build great companies, they always come back to culture. >> Yup. >> The book opens with a scene of, and we all, that I usually remember this, well, we're just hangin' around, waitin' for Pat to come in and hand out what was then called the Christmas bonus-- >> Right. >> Back when that wasn't politically incorrect to say. Now, of course, it's the holiday bonus. But it was, it was the Christmas bonus time and Pat was coming around and he was gonna personally hand a bonus, which was a substantial bonus, to every single employee at the company. I mean, and he did that, really, literally, forever. >> Forever, yeah. >> Throughout his career. >> Yeah, it was unheard of, CEOs just didn't do that and still don't do that, you were lucky, you got a message on the, you know, in the lunchroom from the CEO, "Good work, troops! Keep up the good work!" Pat just had a really different view of the culture of this company, as you know from having been there, and I know. It was very familial, there was a sense that we were all in this together, and it really was important for him to let every employee know that. The idea that he went to every desk in every office for IDG around the United States, when we were there in the '80s there were probably 5,000 employees in the US, he had to devote substantial amount-- >> Weeks and weeks! >> Weeks at a time to come to every building and do this, but year after year he insisted on doing it, his assistant at the time, Mary Dolaher told me she wanted to sign the cards, the Christmas cards, and he insisted that he ensign every one of them personally. This was the kind of view he had of how you keep employees happy, if your employees are happy, the customers are gonna be happy, and you're gonna make a lot of money. And that's what he did. >> And it wasn't just that. He had this awesome holiday party that you described, which was epic, and during the party, they would actually take pictures of every single person at the party and then they would load the carousel, you remember the 35-mm. carousel, and then, you know, toward the end of the evening, they would play that and everybody was transfixed 'cause they wanted to see their, the picture of themselves! >> Yeah, yeah. (laughs) >> I mean, it was ge-- and to actually pull that off in the 1980s was not trivial! Today, it would be a piece of cake. And then there was the IDG update, you know, the Good News memos, there was the 10-year lunch, the 20-year trips around the world, there were a lot of really rich benefits that, you know, in and of themselves maybe not a huge deal, but that was the culture that he set. >> Yeah, there was no question that if you talked to anybody who worked in this company over, say, the last 50 years, you were gonna get the same kind of stories. I've been kind of amazed, I'm going around, you know, marketing the book, talking about the book at various events, and the deep affection for this guy that still holds five years after he died, it's just remarkable. You don't really see that with the CEO class, there's a couple, you know, Steve Jobs left a great legacy of creativity, he was not a wonderful guy to his employees, but Pat McGovern, people loved this guy, and they st-- I would be signing books and somebody'd say, "Oh, I've been at IDG for 27 years and I remember all of this," and "I've been there 33 years," and there's a real longevity to this impact that he had on people. >> Now, the book was just, it was not just sort of a biography on McGovern, it was really about lessons from a leader and an entrepreneur and a media mogul who grew this great company in this culture that we can apply, you know, as business people and business leaders. Just to give you a sense of what Pat McGovern did, he really didn't take any outside capital, he did a little bit of, you know, public offering with IDG Books, but, really, you know, no outside capital, it was completely self-funded. He built a $3.8 billion empire, 300 publications, 280 million readers, and I think it was almost 100 or maybe even more, 100 countries. And so, that's an-- like you were, used the word remarkable, that is a remarkable achievement for a self-funded company. >> Yeah, Pat had a very clear vision of how, first of all, Pat had a photographic memory and if you were a manager in the company, you got a chance to sit in meetings with Pat and if you didn't know the numbers better than he did, which was a tough challenge, you were in trouble! 'Cause he knew everything, and so, he was really a numbers-focused guy and he understood that, you know, his best way to make profit was to not be looking for outside funding, not to have to share the wealth with investors, that you could do this yourself if you ran it tightly, you know, I called it in the book a 'loose-tight organization,' loose meaning he was a deep believer in decentralization, that every market needed its own leadership because they knew the market, you know, in Austria or in Russia or wherever, better than you would know it from a headquarters in Boston, but you also needed that tightness, a firm grip on the finances, you needed to know what was going on with each of the budgets or you were gonna end up in big trouble, which a lot of companies find themselves in. >> Well, and, you know, having worked there, I mean, essentially, if you made your numbers and did so ethically, and if you just kind of followed some of the corporate rules, which we'll talk about, he kind of left you alone. You know, you could, you could pretty much do whatever you wanted, you could stay in any hotel, you really couldn't fly first class, and we'll maybe talk about that-- >> Right. >> But he was a complex man, I mean, he was obviously wealthy, he was a billionaire, he was very generous, but at the same time he was frugal, you know, he drove, you know, a little, a car that was, you know, unremarkable, and we had buy him a car. He flew coach, and I remember one time, I was at a United flight, and I was, I had upgraded, you know, using my miles, and I sat down and right there was Lore McGovern, and we both looked at each other and said right at the same time, "I upgraded!" (laughs) Because Pat never flew up front, but he would always fly with a stack of newspapers in the seat next to him. >> Yeah, well, woe to, you were lucky he wasn't on the plane and spotted you as he was walking past you into coach, because he was not real forgiving when he saw people, people would hide and, you know, try to avoid him at all cost. And, I mean, he was a big man, Pat was 6'3", you know, 250 lbs. at least, built like a linebacker, so he didn't fit into coach that well, and he wasn't flying, you know, the shuttle to New York, he was flyin' to Beijing, he was flyin' to Moscow, he was going all over the world, squeezing himself into these seats. Now, you know, full disclosure, as he got older and had, like, probably 10 million air miles at his disposal, he would upgrade too, occasionally, for those long-haul flights, just 'cause he wanted to be fresh when he would get off the plane. But, yeah, these are legends about Pat that his frugality was just pure legend in the company, he owned this, you know, several versions of that dark blue suit, and that's what you would see him in. He would never deviate from that. And, but, he had his patterns, but he understood the impact those patterns had on his employees and on his customers. >> I wanna get into some of the lessons, because, really, this is what the book is all about, the heart of it. And you mentioned, you know, one, and we're gonna tell from others, but you really gotta stay close to the customer, that was one of the 10 corporate values, and you remember, he used to go to the meetings and he'd sometimes randomly ask people to recite, "What's number eight?" (laughs) And you'd be like, oh, you'd have your cheat sheet there. And so, so, just to give you a sense, this man was an entrepreneur, he started the company in 1964 with a database that he kind of pre-sold, he was kind of the sell, design, build type of mentality, he would pre-sold this thing, and then he started Computerworld in 1967, so it was really only a few years after he launched the company that he started the Computerworld, and other than Data Nation, there was nothing there, huge pent-up demand for that type of publication, and he caught lightning in a bottle, and that's really how he funded, you know, the growth. >> Yeah, oh, no question. Computerworld became, you know, the bible of the industry, it became a cash cow for IDG, you know, but at the time, it's so easy to look in hindsight and say, oh, well, obviously. But when Pat was doing this, one little-known fact is he was an editor at a publication called Computers and Automation that was based in Newton, Massachusetts and he kept that job even after he started IDC, which was the original company in 1964. It was gonna be a research company, and it was doing great, he was seeing the build-up, but it wasn't 'til '67 when he started Computerworld, that he said, "Okay, now this is gonna be a full-time gig for me," and he left the other publication for good. But, you know, he was sorta hedging his bets there for a little while. >> And that's where he really gained respect for what we'll call the 'Chinese Wallet,' the, you know, editorial versus advertising. We're gonna talk about that some more. So I mentioned, 1967, Computerworld. So he launched in 1964, by 1971, he was goin' to Japan, we're gonna talk about the China Stories as well, so, he named the company International Data Corp, where he was at a little spot in Newton, Mass.-- >> Right, right. >> So, he had a vision. You said in your book, you mention, how did this gentleman get it so right for so long? And that really leads to some of the leadership lessons, and one of them in the book was, sort of, have a mission, have a vision, and really, Pat was always talking about information, about information technology, in fact, when Wine for Dummies came out, it kind of created a little friction, that was really off the center. >> Or Wine for Dummies, or Sex for Dummies! >> Yeah, Sex for Dummies, boy, yeah! >> With, that's right, Ruth Westheimer-- >> Dr. Ruth Westheimer. >> But generally speaking, Glenn, he was on that mark, he really didn't deviate from that vision. >> Yeah, no, it was very crucial to the development of the company that he got people to, you know, buy into that mission, because the mission was everything. And he understood, you know, he had the numbers, but he also saw what was happening out there, from the 1960s, when IBM mainframes filled a room, and, you know, only the high priests of data centers could touch them. He had a vision for, you know, what was coming next and he started to understand that there would be many facets to this information about information technology, it wasn't gonna be boring, if anything, it was gonna be the story of our age and he was gonna stick to it and sell it. >> And, you know, timing is everything, but so is, you know, Pat was a workaholic and had an amazing mind, but one of the things I learned from the book, and you said this, Pat Kenealy mentioned it, all American industrial and social revolutions have had a media company linked to them, Crane and automobiles, Penton and energy, McGraw-Hill and aerospace, Annenberg, of course, and TV, and in technology, it was IDG. >> Yeah, he, like I said earlier, he really was a key figure in the development of this industry and it was, you know, one of the key things about that, a lot publications that came and went made the mistake of being platform or, you know, vertical market specific. And if that market changed, and it was inevitably gonna change in high tech, you were done. He never, you know, he never married himself to some specific technology cycle. His idea was the audience was not gonna change, the audience was gonna have to roll with this, so, the company, IDG, would produce publications that got that, you know, Computerworld was actually a little bit late to the PC game, but eventually got into it and we tracked the different cycles, you know, things in tech move in sine waves, they come and go. And Pat never was, you know, flustered by that, he could handle any kind of changes from the mainframes down to the smartphone when it came. And so, that kind of flexibility, and ability to adjust to markets, really was unprecedented in that particular part of the market. >> One of the other lessons in the book, I call it 'nation-building,' and Pat shared with you that, look, that you shared, actually, with your readers, if you wanna do it right, you've gotta be on the ground, you've gotta be there. And the China story is one that I didn't know about how Pat kind of talked his way into China, tell us, give us a little summary of that story. >> Sure, I love that story because it's so Pat. It was 1978, Pat was in Tokyo on a business trip, one of his many business trips, and he was gonna be flying to Moscow for a trade show. And he got a flight that was gonna make a stopover in Beijing, which in those days was called Peking, and was not open to Americans. There were no US and China diplomatic relations then. But Pat had it in mind that he was going to get off that plane in Beijing and see what he could see. So that meant that he had to leave the flight when it landed in Beijing and talk his way through the customs as they were in China at the time with folks in the, wherever, the Quonset hut that served for the airport, speaking no English, and him speaking no Chinese, he somehow convinced these folks to give him a day pass, 'cause he kept saying to them, "I'm only in transit, it's okay!" (laughs) Like, he wasn't coming, you know, to spy on them on them or anything. So here's this massive American businessman in his dark suit, and he somehow gets into downtown Beijing, which at the time was mostly bicycles, very few cars, there were camels walking down the street, they'd come with traders from Mongolia. The people were still wearing the drab outfits from the Mao era, and Pat just spent the whole day wandering around the city, just soaking it in. He was that kind of a world traveler. He loved different cultures, mostly eastern cultures, and he would pop his head into bookstores. And what he saw were people just clamoring to get their hands on anything, a newspaper, a magazine, and it just, it didn't take long for the light bulb to go on and said, this is a market we need to play in. >> He was fascinated with China, I, you know, as an employee and a business P&L manager, I never understood it, I said, you know, the per capita spending on IT in China was like a dollar, you know? >> Right. >> And I remember my lunch with him, my 10-year lunch, he said, "Yeah, but, you know, there's gonna be a huge opportunity there, and yeah, I don't know how we're gonna get the money out, maybe we'll buy a bunch of tea and ship it over, but I'm not worried about that." And, of course, he meets Hugo Shong, which is a huge player in the book, and the home run out of China was, of course, the venture capital, which he started before there was even a stock market, really, to exit in China. >> Right, yeah. No, he was really a visionary, I mean, that word gets tossed around maybe more than it should, but Pat was a bonafide visionary and he saw things in China that were developing that others didn't see, including, for example, his own board, who told him he was crazy because in 1980, he went back to China without telling them and within days he had a meeting with the ministry of technology and set up a joint venture, cost IDG $250,000, and six months later, the first issue of China Computerworld was being published and within a couple of years it was the biggest publication in China. He said, told me at some point that $250,0000 investment turned into $85 million and when he got home, that first trip, the board was furious, they said, "How can you do business with the commies? You're gonna ruin our brand!" And Pat said, "Just, you know, stick with me on this one, you're gonna see." And the venture capital story was just an offshoot, he saw the opportunity in the early '90s, that venture in China could in fact be a huge market, why not help build it? And that's what he did. >> What's your take on, so, IDG sold to, basically, Chinese investors. >> Yeah. >> It's kind of bittersweet, but in the same time, it's symbolic given Pat's love for China and the Chinese people. There's been a little bit of criticism about that, I know that the US government required IDC to spin out its supercomputer division because of concerns there. I'm always teasing Michael Dow that at the next IDG board meeting, those Lenovo numbers, they're gonna look kinda law. (laughs) But what are your, what's your, what are your thoughts on that, in terms of, you know, people criticize China in terms of IP protections, etc. What would Pat have said to that, do you think? >> You know, Pat made 130 trips to China in his life, that's, we calculated at some point that just the air time in planes would have been something like three and a half to four years of his life on planes going to China and back. I think Pat would, today, acknowledge, as he did then, that China has issues, there's not, you can't be that naive. He got that. But he also understood that these were people, at the end of the day, who were thirsty and hungry for information and that they were gonna be a player in the world economy at some point, and that it was crucial for IDG to be at the forefront of that, not just play later, but let's get in early, let's lead the parade. And I think that, you know, some part of him would have been okay with the sale of the company to this conglomerate there, called China Oceanwide. Clearly controversial, I mean, but once Pat died, everyone knew that the company was never gonna be the same with the leader who had been at the helm for 50 years, it was gonna be a tough transition for whoever took over. And I think, you know, it's hard to say, certainly there's criticism of things going on with China. China's gonna be the hot topic page one of the New York Times almost every single day for a long time to come. I think Pat would have said, this was appropriate given my love of China, the kind of return on investment he got from China, I think he would have been okay with it. >> Yeah, and to invoke the Ben Franklin maxim, "Trading partners seldom wage war," and so, you know, I think Pat would have probably looked at it that way, but, huge home run, I mean, I think he was early on into Baidu and Alibaba and Tencent and amazing story. I wanna talk about decentralization because that was always something that was just on our minds as employees of IDG, it was keep the corporate staff lean, have a flat organization, if you had eight, 10, 12 direct reports, that was okay, Pat really meant it when he said, "You're the CEO of your own business!" Whether that business was, you know, IDC, big company, or a manager at IDC, where you might have, you know, done tens of millions of dollars, but you felt like a CEO, you were encouraged to try new things, you were encouraged to fail, and fail fast. Their arch nemesis of IDG was Ziff Davis, they were a command and control, sort of Bill Ziff, CMP to a certain extent was kind of the same way out of Manhasset, totally different philosophies and I think Pat never, ever even came close to wavering from that decentralization philosophy, did he? >> No, no, I mean, I think that the story that he told me that I found fascinating was, he didn't have an epiphany that decentralization would be the mechanism for success, it was more that he had started traveling, and when he'd come back to his office, the memos and requests and papers to sign were stacked up two feet high. And he realized that he was holding up the company because he wasn't there to do this and that at some point, he couldn't do it all, it was gonna be too big for that, and that's when the light came on and said this decentralization concept really makes sense for us, if we're gonna be an international company, which clearly was his mission from the beginning, we have to say the people on the ground in those markets are the people who are gonna make the decisions because we can't make 'em from Boston. And I talked to many people who, were, you know, did a trip to Europe, met the folks in London, met the folks in Munich, and they said to a person, you know, it was so ahead of its time, today it just seems obvious, but in the 1960s, early '70s, it was really not a, you know, a regular leadership tenet in most companies. The command and control that you talked about was the way that you did business. >> And, you know, they both worked, but, you know, from a cultural standpoint, clearly IDG and IDC have had staying power, and he had the three-quarter rule, you talked about it in your book, if you missed your numbers three quarters in a row, you were in trouble. >> Right. >> You know, one quarter, hey, let's talk, two quarters, we maybe make some changes, three quarters, you're gone. >> Right. >> And so, as I said, if you were makin' your numbers, you had wide latitude. One of the things you didn't have latitude on was I'll call it 'pay to play,' you know, crossing that line between editorial and advertising. And Pat would, I remember I was at a meeting one time, I'm sorry to tell these stories, but-- >> That's okay. (laughs) >> But we were at an offsite meeting at a woods meeting and, you know, they give you a exercise, go off and tell us what the customer wants. Bill Laberis, who's the editor-in-chief at Computerworld at the time, said, "Who's the customer?" And Pat said, "That's a great question! To the publisher, it's the advertiser. To you, Bill, and the editorial staff, it's the reader. And both are equally important." And Pat would never allow the editorial to be compromised by the advertiser. >> Yeah, no, he, there was a clear barrier between church and state in that company and he, you know, consistently backed editorial on that issue because, you know, keep in mind when we started then, and I was, you know, a journalist hoping to, you know, change the world, the trade press then was considered, like, a little below the mainstream business press. The trade press had a reputation for being a little too cozy with the advertisers, so, and Pat said early on, "We can't do that, because everything we have, our product is built, the brand is built on integrity. And if the reader doesn't believe that what we're reporting is actually true and factual and unbiased, we're gonna lose to the advertisers in the long run anyway." So he was clear that that had to be the case and time and again, there would be conflict that would come up, it was just, as you just described it, the publishers, the sales guys, they wanted to bring in money, and if it, you know, occasionally, hey, we could nudge the editor of this particular publication, "Take it a little bit easier on this vendor because they're gonna advertise big with us," Pat just would always back the editor and say, "That's not gonna happen." And it caused, you know, friction for sure, but he was unwavering in his support. >> Well, it's interesting because, you know, Macworld, I think, is an interesting case study because there were sort of some backroom dealings and Pat maneuvered to be able to get the Macworld, you know, brand, the license for that. >> Right. >> But it caused friction between Steve Jobs and the writers of Macworld, they would write something that Steve Jobs, who was a control freak, couldn't control! >> Yeah. (laughs) >> And he regretted giving IDG the license. >> Yeah, yeah, he once said that was the worst decision he ever made was to give the license to Pat to, you know, Macworlld was published on the day that Mac was introduced in 1984, that was the deal that they had and it was, what Jobs forgot was how important it was to the development of that product to have a whole magazine devoted to it on day one, and a really good magazine that, you know, a lot of people still lament the glory days of Macworld. But yeah, he was, he and Steve Jobs did not get along, and I think that almost says a lot more about Jobs because Pat pretty much got along with everybody. >> That church and state dynamic seems to be changing, across the industry, I mean, in tech journalism, there aren't any more tech journalists in the United States, I mean, I'm overstating that, but there are far fewer than there were when we were at IDG. You're seeing all kinds of publications and media companies struggling, you know, Kara Swisher, who's the greatest journalist, and Walt Mossberg, in the tech industry, try to make it, you know, on their own, and they couldn't. So, those lines are somewhat blurring, not that Kara Swisher is blurring those lines, she's, you know, I think, very, very solid in that regard, but it seems like the business model is changing. As an observer of the markets, what do you think's happening in the publishing world? >> Well, I, you know, as a journalist, I'm sort of aghast at what's goin' on these days, a lot of my, I've been around a long time, and seeing former colleagues who are no longer in journalism because the jobs just started drying up is, it's a scary prospect, you know, unlike being the enemy of the people, the first amendment is pretty important to the future of the democracy, so to see these, you know, cutbacks and newspapers going out of business is difficult. At the same time, the internet was inevitable and it was going to change that dynamic dramatically, so how does that play out? Well, the problem is, anybody can post anything they want on social media and call it news, and the challenge is to maintain some level of integrity in the kind of reporting that you do, and it's more important now than ever, so I think that, you know, somebody like Pat would be an important figure if he was still around, in trying to keep that going. >> Well, Facebook and Google have cut the heart out of, you know, a lot of the business models of many media companies, and you're seeing sort of a pendulum swing back to nonprofits, which, I understand, speaking of folks back in the mid to early 1900s, nonprofits were the way in which, you know, journalism got funded, you know, maybe it's billionaires buying things like the Washington Post that help fund it, but clearly the model's shifting and it's somewhat unclear, you know, what's happening there. I wanted to talk about another lesson, which, Pat was the head cheerleader. So, I remember, it was kind of just after we started, the Computerworld's 20th anniversary, and they hired the marching band and they walked Pat and Mary Dolaher walked from 5 Speen Street, you know, IDG headquarters, they walked to Computerworld, which was up Old, I guess Old Connecticut Path, or maybe it was-- >> It was actually on Route 30-- >> Route 30 at the time, yeah. And Pat was dressed up as the drum major and Mary as well, (laughs) and he would do crazy things like that, he'd jump out of a plane with IDG is number one again, he'd post a, you know, a flag in Antarctica, IDG is number one again! It was just a, it was an amazing dynamic that he had, always cheering people on. >> Yeah, he was, he was, when he called himself the CEO, the Chief Encouragement Officer, you mentioned earlier the Good News notes. Everyone who worked there, at some point received this 8x10" piece of paper with a rainbow logo on it and it said, "Good News!" And there was a personal note from Pat McGovern, out of the blue, totally unexpected, to thank you and congratulate you on some bit of work, whatever it was, if you were a reporter, some article you wrote, if you were a sales guy, a sale that you made, and people all over the world would get these from him and put them up in their cubicles because it was like a badge of honor to have them, and people, I still have 'em, (laughs) you know, in a folder somewhere. And he was just unrelenting in supporting the people who worked there, and it was, the impact of that is something you can't put a price tag on, it's just, it stays with people for all their lives, people who have left there and gone on to four or five different jobs always think fondly back to the days at IDG and having, knowing that the CEO had your back in that manner. >> The legend of, and the legacy of Patrick J. McGovern is not just in IDG and IDC, which you were interested in in your book, I mean, you weren't at IDC, I was, and I was started when I saw the sort of downturn and then now it's very, very successful company, you know, whatever, $3-400 million, throwin' off a lot of profits, just to decide, I worked for every single CEO at IDC with the exception of Pat McGovern, and now, Kirk Campbell, the current CEO, is moving on Crawford del Prete's moving into the role of president, it's just a matter of time before he gets CEO, so I will, and I hired Crawford-- >> Oh, you did? (laughs) >> So, I've worked for and/or hired every CEO of IDC except for Pat McGovern, so, but, the legacy goes beyond IDG and IDC, great brands. The McGovern Brain Institute, 350 million, is that right? >> That's right. >> He dedicated to studying, you know, the human brain, he and Lore, very much involved. >> Yup. >> Typical of Pat, he wasn't just, "Hey, here's the check," and disappear. He was goin' in, "Hey, I have some ideas"-- >> Oh yeah. >> Talk about that a little. >> Yeah, well, this was a guy who spent his whole life fascinated by the human brain and the impact technology would have on the human brain, so when he had enough money, he and Lore, in 2000, gave a $350 million gift to MIT to create the McGovern Institute for Brain Research. At the time, the largest academic gift ever given to any university. And, as you said, Pat wasn't a guy who was gonna write a check and leave and wave goodbye. Pat was involved from day one. He and Lore would come and sit in day-long seminars listening to researchers talk about about the most esoteric research going on, and he would take notes, and he wasn't a brain scientist, but he wanted to know more, and he would talk to researchers, he would send Good News notes to them, just like he did with IDG, and it had same impact. People said, "This guy is a serious supporter here, he's not just showin' up with a checkbook." Bob Desimone, who's the director of the Brain Institute, just marveled at this guy's energy level, that he would come in and for days, just sit there and listen and take it all in. And it just, it was an indicator of what kind of person he was, this insatiable curiosity to learn more and more about the world. And he wanted his legacy to be this intersection of technology and brain research, he felt that this institute could cure all sorts of brain-related diseases, Alzheimer's, Parkinson's, etc. And it would then just make a better future for mankind, and as corny as that might sound, that was really the motivator for Pat McGovern. >> Well, it's funny that you mention the word corny, 'cause a lot of people saw Pat as somewhat corny, but, as you got to know him, you're like, wow, he really means this, he loves his company, the company was his extended family. When Pat met his untimely demise, we held a crowd chat, crowdchat.net/thankspat, and there's a voting mechanism in there, and the number one vote was from Paul Gillen, who posted, "Leo Durocher said that nice guys finish last, Pat McGovern proved that wrong." >> Yeah. >> And I think that's very true and, again, awesome legacy. What number book is this for you? You've written a lot of books. >> This is number 13. >> 13, well, congratulations, lucky 13. >> Thank you. >> The book is Fast Forward-- >> Future Forward. >> I'm sorry, Future Forward! (laughs) Future Forward by Glenn Rifkin. Check out, there's a link in the YouTube down below, check that out and there's some additional information there. Glenn, congratulations on getting the book done, and thanks so much for-- >> Thank you for having me, this is great, really enjoyed it. It's always good to chat with another former IDGer who gets it. (laughs) >> Brought back a lot of memories, so, again, thanks for writing the book. All right, thanks for watching, everybody, we'll see you next time. This is Dave Vellante. You're watchin' theCube. (electronic music)

>> Narrator: From San Mateo, California, it's theCUBE covering SnapLogic Innovation Day 2018. Brought to you by SnapLogic. >> Hey, welcome back everybody, Jeff Frick here with theCUBE. We're in San Mateo, California right at the crossroads. The building's called The Crossroads but it's right at the crossroads of 92 and 101. It's a really interesting intersection over the years as you watch these buildings that are on the corner continue to change names. I always think of the Seibel, his first building came up on this corner and we're here to see a good friend of SnapLogic and their brand new building. Gaurav Dhillon, Chairman and CEO, great to see you. >> Pleasure to be here. >> So how long you been in this space? >> Gosh, it's been about a year. >> Okay. >> Although it feels longer. It's a high-growth company so these are dog years. (laughs) >> That's right. and usually, you outgrow it before you all have moved in. >> The years are short but the days are long. >> And it's right next Rakuten, I have to mention it. We all see it on the Warriors' jerseys So now we know who they are and where they are exactly. >> No they're a good outfit. We had an interesting time putting a sign up and then the people who made their sign told us all kinds of back stories. >> Oh, good, good Alright. So give us an update on SnapLogic. You guys are in a great space at a really, really good time. >> You know, things been on a roll. As you know, the mission we set out to... engage with was to bring together applications and data in the enterprise. We have some of the largest customers in high technology. Folks like Qualcomm, Workday. Some of the largest customers in pharmaceuticals. Folks like Astrazeneca, Bristol-Meyers Squibb. In retail, Denny's, Wendy's, etc. And these folks are basically bringing in new cloud applications and moving data into the cloud. And it's really fun to wire that all up for them. And there's more of it every day and now that we have this very strong install-base of customers, we're able to get more customers faster. >> Right. >> In good time. >> It's a great time and the data is moving into the cloud, and the public cloud guys are really making bigger plays into the enterprise, Microsoft and, Amazon and Google. And of course, there's IBM and lots of other clouds. But integration's always been such a pain and I finally figured out what the snap in SnapLogic means after interviewing you >> (laughs) a couple of times, right. But this whole idea of, non-developer development and you're taking that into integration which is a really interesting concept, enabled by cloud, where you can now think of snapping things together, versus coding, coding, coding. >> Yeah Cloud and A.I, right We feel that this problem has grown because of the change in the platform. The compute platform's gone to the cloud. Data's going to the cloud. There was bunch of news the other day about more and more companies moving the analytics into the cloud. And as that's happening, we feel that this approach and the question we ask ourselves when we started this company, we got into building the born in the cloud platform was, what would Apple do if they were to build an integration product? And the answer was, they would make it like the iPhone, which is easy to use, but very powerful at the same time. And if you can do that, you can bring in a massive population of users who wouldn't have been able to do things like video chat. My mom was not able to do video chat, and believe me, we tried this and every other thing possible 'till facetime came along. And now she can talk to my daughter and she can do it without help, any assistance from teenage grandchildren on that side, Right? >> Right, Right >> So what we've done with SnapLogic, is by bringing in a beautiful, powerful, sleek interface, with a lot of capability in how it connects, snaps together apps and data, we've brought in a whole genre of people who need data in the enterprise so they can serve themselves data. So if your title has analyst in it, you don't have to be programmer analyst. You could be any analyst. >> Right >> You could be a compensation analyst, a commissions analyst, a finance analyst, an HR analyst. All those people can self-serve information, knock down silos, and integrate things themselves. >> It's so interesting because we talk a lot about innovation and digital transformation, and in doing thousands of these interviews, I think the answer to innovation is actually pretty simple. You give more people access to the data. You give them more access to the tools to work with the data and then you give them the power to actually do something once they figure something out. And you guys are really right in the middle of that. So before, it was kind of >> (laughs) Yeah >> democratization of the data, democratization of the tools to work with the data, but in the API economy, you got to be able to stitch this stuff together because it's not just one application, it's not just one data source. >> Correct >> You're bringing from lots and lots of different things and that's really what you guys are taking advantage of this cloud infrastructure which has everything available, so it's there to connect, >> (laughs) Versus, silo in company one and silo in company two. So are you seeing it though, in terms of, of people enabling, kind of citizen integrators if you will, versus citizen developers. >> Yeah. Heck Yeah. So I'll give you an example. One of our large customers... Adobe Systems, right here in San Jose has been amazingly successful flagship account for us. About 800 people at Adobe come to www.snaplogic.com, every week to self-serve data. We replaced legacy products like TIBCO, informatica web methods about four years ago. They first became a customer in 2014 and usage of those products was limited to Java programmers and Sequel programmers, and that was less than 50 people. And imagine that you have about 800 people doing self-service getting information do their jobs. Now, Adobe is unique in that, it's moved the cloud in a fantastic way, or it was unique in 2014. Now everybody is emulating them and the great success that they've had. With the cloud economic model, with the cloud ID model. This is working in spades. We have customers who've come on board in Q4. We're just rounding out Q1 and in less than 60, 90 days, every time I look, 50, 100, 200 people, from each large company, whether it's a cosmetics company, pharmaceuticals company, retailer, food merchandise, are coming in and using data. >> Right >> And it's proliferating, because the more successful they are, the better they are able to do in their jobs, tell their friends about it sort-of-thing, or next cubicle over, somebody wants to use that too. It's so interesting. Adobe is such a great example, cause they did transform their business. Used to be a really expensive license. You would try to find your one friend that worked there around Christmas >> (laughs) Cause you think they got two licenses a year they can buy for a grand. Like, I need an extra one I can get from you. But they moved to a subscription model. They made a big bet. >> Yes. Yes >> And they bet on the cloud, so now if you're a subscriber, which I am, I can work on my home machine, my work machine, go to machine, machine. So, it's a really great transformation story. The other piece of it though, is just this cloud application space. There's so many cloud applications that we all work with every day whether it's Basecamp, Salesforce, Hootsuite. There's a proliferation of these things and so they're there. They've got data. So the integration opportunity is unlike anything that was ever there before. Cause there isn't just one cloud. There isn't just one cloud app. There's a lot of them. >> Yes. >> How do I bring those together to be more productive? >> So here's a stat. The average enterprise has most cloud services or SAS applications, in marketing. On the average, they have 91 marketing applications or SAS applications. >> 91. That's the average. >> 96% of them are not connected together. >> Right. >> Okay. That's just one example. Now you go to HR, stock administration. You go into sales, CRM, and all the ancillary systems around CRM. And there is this sort of massive, to us, opportunity of knocking down these silos and making things work together. You mention the API economy and whilst that's true that all these SAS applications of APIs. The problem is, most companies don't have programmers to hook up those API's. >> Right. To connect them. >> Yes, in Silicon Valley we do and maybe in Manhattan they do, but in everywhere else in the world, the self-service model, the model of being able to do it to something that is simple, yet powerful. Enterprise great >> Right. Right >> and simple, beautiful is absolutely the winning formula in our perspective. So the answer is to let these 100 applications bloom, but to keep them well behaved and orchestrated, in kind of a federated model, where security, having one view of the world, etc., is managed by SnapLogic and then various people and departments can bring in a blessed, SAS applications and then snap them in and the input and the way they connect, is done through snaps. And we've found that to be a real winning model for our customers. >> So you don't have to have like 18 screens open all with different browsers and different apps. >> Swivel chair integration is gone. Swivel chair integration is gone. >> Step above sneakernet but still not-- >> Step above but still not. And again, it may make sense in very, very specific super high-speed, like Wall Street, high frequency trading and hedge funds, but it's a minuscule minority of the overall problems that there needs to be solved. >> Right. So, it's just a huge opportunity, you just are cleaning up behind the momentum in the SAS applications, the momentum of the cloud. >> Cloud data. Cloud apps. Cloud data. And in general, if a customer's not going to the cloud, they're probably not the best for us. >> Right. >> Right. Our customers' almost always going towards the cloud, have lots of data and applications on premise. And in that hybrid spot, we have the capability to straddle that kind of architecture in a way that nobody else does. Because we have a born in the cloud platform that was designed to work in the real world, which is hybrid. >> So another interesting thing, a lot of talk about big data over the years. Now it's just kind of there. But AI and machine learning. Artificial intelligence which should be automated intelligence and machine learning. There's kind of the generic, find an old, dead guy and give it a name. But we're really seeing the values that's starting to bubble up in applications. It's not, AI generically, >> Correct. >> It's how are you enabling a more efficient application, a more efficient workflow, a more efficient, get your job done, using AI. And you guys are starting to incorporate that in your integration framework. >> Yes. Yes. So we took the approach, 'doctor heal thyself.' And we're going to help our customers do better job of having AI be a game changer for them. How do we apply that to ourselves? We heard one our CIOs, CI of AstraZeneca, Dave Smoley, was handing out the Amazon Alexa Echo boxes one Christmas. About three years ago and I'm like, my gosh that's right. That was what Walt Mossberg said in his farewell column. IT is going to be everywhere and invisible at the same time. Right. >> Right. >> It'll be in the walls, so to speak. So we applied AI, starting about two years ago, actually now three, because we shipped Iris a year ago. The artificial intelligence capability inside SnapLogic has been shipping for over 12 months. Fantastic usage. But we applied to ourselves the challenge about three years ago, to use AI based on our born in the cloud platform. On the metadata that we have about people are doing. And in the sense, apply Google Autocomplete into enterprise connectivity problems. And it's been amazing. The AI as you start to snap things together, as you put one or two snaps, and you start to look for the third, it starts to get 98.7% accurate, in predicting how to connect SAS applications together. >> Right. Right. >> It's not quite autonomous integration yet but you can see where we're going with it. So it's starting to do so much value add that most of our customers, leave it on. Even the seasoned professionals who are proficient and running a center of excellence using SnapLogic, even those people choose to have sort-of this AI, on all the time helping them. And that engagement comes from the value that they're getting, as they do these things, they make less mistakes. All the choices are readily at hand and that's happening. So that's one piece of it >> Right. >> Sorry. Let me... >> It's Okay. Keep going. >> Illustrate one other thing. Napoleon famously said, "An army marches on its stomach" AI marches on data. So, what we found is the more data we've had and more customers that we've had, we move about a trillion documents for our customers worldwide, in the past 30 days. That is up from 10 million documents in 30 days, two years ago. >> Right. Right >> That more customers and more usage. In other words, they're succeeding. What we've found as we've enriched our AI with data, it's gotten better and better. And now, we're getting involved with customers' projects where they need to support data scientists, data engineering work for machine learning and that self-service intricate model is letting someone who was trying to solve a problem of, When is my Uber going to show up? So to speak. In industry X >> Right. Right. >> These kinds of hard AI problems that are predictive. That are forward changing in a sense. Those kind of problems are being solved by richer data and many of them, the projects that we're now involved in, are moving data into the cloud for data lake to then support AI machine learning efforts for our customers. >> So you jumped a little bit, I want to talk on your first point. >> Okay. Sorry >> That's okay. Which is that you're in the very fortunate position because you have all that data flow. You have the trillion documents that are changing hands every month. >> Born in the cloud platform. >> So you've got it, right? >> Got it. >> You've got the data. >> It's a virtual cycle. It's a virtual cycle. Some people call it data capitalism. I quibble with that. We're not sort-of, mining and selling people's personal data to anybody. >> Right. Right. >> But this is where, our enterprise customers' are so pleased to work with us because if we can increase productivity. If we can take the time to solution, the time to integration, forward by 10 times, we can improve the speed that by SAS application and it gets into production 10 times faster. That is such a good trade for them and for everyone else. >> Right. Right. >> And it feeds on itself. It's a virtual cycle. >> You know in the Marketo to the Salesforce integration, it's nothing. You need from company A to company B. >> I bet you somebody in this building is doing it on a different floor right now. >> Exactly. >> (laughs) >> So I think that's such an interesting thing. In the other piece that I like is how again, I like your kind of Apple analogy, is the snap packs, right. Because we live in a world, with even though there 91 on-averages, there's a number of really dominant SAS application that most people use, you can really build a group of snaps. Is snap the right noun? >> That's the right word. >> Of snaps. In a snap pack around the specific applications, then to have your AI powered by these trillion transactions that you have going through the machines, really puts you in a unique position right now. >> It does, you know. And we're very fortunate to have the kind of customer support we've had and, sort of... Customer advisory board. Big usages of our products. In which we've added so much value to our customers, that they've started collaborating with us in a sense. And are passing to us wonderful ideas about how to apply this including AI. >> Right. >> And we're not done yet. We have a vision in the future towards an autonomous integration. You should be able to say "SnapLogic, Iris, "connect my company." And it should. >> Right. Right. >> It knows what the SAS apps are by looking at your firewall, and if you're people are doing things, building pipelines, connecting your on-premise legacy applications kind of knows what they are. That day when you should be able to, in a sense, have a bot of some type powered by all this technology in a thoughtful manner. It's not that far. It's closer at hand than people might realize. >> Which is crazy science fiction compared to-- I mean, integration was always the nightmare right back in the day. >> It is. >> Integration, integration. >> But on the other hand, it is starting to have contours that are well defined. To your point, there are certain snaps that are used more. There are certain problems that are solved quite often, the quote-to-cash problem is as old as enterprise software. You do a quote in the CRM system. Your cash is in a financial system. How does that work together? These sort of problems, in a sense, are what McKinsey and others are starting to call robotic process automations. >> Right. >> In the industrial age, people... Stopped, with the industrial age, any handcrafted widget. Nuts, and bolts, and fasteners started being made on machines. You could stamp them out. You could have power driven beams, etc., etc. To make things in industrial manner. And our feeling is, some of the knowledge tasks that feel like widget manufactures. You're doing them over and over again. Or robotic, so to speak, should be automated. And integration I think, is ripe as one of those things and using the value of integration, our customers can automate a bunch of other repeatable tasks like quote-to-cash. >> Right. Right. It's interesting just when you say autonomous, I can't help but think of autonomous vehicles right, which are all the rage and also in the news. And people will say "well I like to drive "or of course we all like to drive "on Sunday down at the beach" >> Sure. Yeah. >> But we don't like to sit in traffic on the way to work. That's not driving, that's sitting in traffic on the way to work. Getting down the 101 to your exit and off again is really not that complicated, in terms of what you're trying to accomplish. >> Indeed. Indeed. >> Sets itself up. >> And there are times you don't want to. I mean one of the most pleasant headlines, most of the news is just full of bad stuff right. So and so and such and such. But one of the very pleasing headlines I saw the other day in a newspaper was, You know what's down a lot? Not bay area housing prices. >> (laughs) >> But you know what's down a lot? DUI arrests, have plummeted. Because of the benefits of Lyft and Uber. More and more people are saying, "You know, I don't have to call a black cab. "I don't need to spend a couple hundred bucks to get home. "I'm just getting a Lyft or an Uber." So the benefits of some of these are starting to appear as in plummeting DUIs. >> Right. Right >> Plummeting fatalities. From people driving while inebriated. Plunging into another car or sidewalk. >> Right. Right. >> So Yes. >> Amara's Law. He never gets enough credit. >> (laughs) >> I say it in every interview right. We overestimate in the short term and we underestimate in the long term the effects of these technologies cause we get involved-- The Gartner store. It's the hype cycle. >> Yeah, Yeah >> But I really I think Amara nailed it and over time, really significant changes start to take place. >> Indeed and we're seeing them now. >> Alright well Gaurav, great to get an update from you and a beautiful facility here. Thanks for having us on. >> Thank you, thank you. A pleasure to be here. Great to see you as well. >> Alright He's Gaurav, I'm Jeff. And you're watching theCUBE from SnapLogic's headquarters Thanks for watching. (techno music)

>> Narrator: From San Mateo, California, it's theCUBE covering SnapLogic Innovation Day 2018. Brought to you by SnapLogic. >> Hey, welcome back everybody, Jeff Frick here with theCUBE. We're in San Mateo, California right at the crossroads. The building's called The Crossroads but it's right at the crossroads of 92 and 101. It's a really interesting intersection over the years as you watch these buildings that are on the corner continue to change names. I always think of the Seville, his first building came up on this corner and we're here to see a good friend of SnapLogic and their brand new building. Gaurav Dhillon, Chairman and CEO, great to see you. >> Pleasure to be here. >> So how long you been in this space? >> Gosh, it's been about a year. >> Okay. >> Although it feels longer. It's a high-growth company so these are dog years. (laughs) >> That's right. and usually, you outgrow it before you all have moved in. >> The years are short but the days are long. >> And it's right next Rakuten, I have to mention it. We all see it on the Warriors' jerseys So now we know who they are and where they are exactly. >> No they're a good outfit. We had an interesting time putting a sign up and then the people who made their sign told us all kinds of back stories. >> Oh, good, good Alright. So give us an update on SnapLogic. You guys are in a great space at a really, really good time. >> You know, things been on a roll. As you know, the mission we set out to... engage with was to bring together applications and data in the enterprise. We have some of the largest customers in high technology. Folks like Qualcomm, Workday. Some of the largest customers in pharmaceuticals. Folks like Astrazeneca, Bristol-Meyers Squibb. In retail, Denny's, Wendy's, etc. And these folks are basically bringing in new cloud applications and moving data into the cloud. And it's really fun to wire that all up for them. And there's more of it every day and now that we have this very strong install-base of customers, we're able to get more customers faster. >> Right. >> In good time. >> It's a great time and the data is moving into the cloud, and the public cloud guys are really making bigger plays into the enterprise, Microsoft and, Amazon and Google. And of course, there's IBM and lots of other clouds. But integration's always been such a pain and I finally figured out what the snap in SnapLogic means after interviewing you >> (laughs) a couple of times, right. But this whole idea of, non-developer development and you're taking that into integration which is a really interesting concept, enabled by cloud, where you can now think of snapping things together, versus coding, coding, coding. >> Yeah Cloud and A.I, right We feel that this problem has grown because of the change in the platform. The compute platform's gone to the cloud. Data's going to the cloud. There was bunch of news the other day about more and more companies moving the analytics into the cloud. And as that's happening, we feel that this approach and the question we ask ourselves when we started this company, we got into building the born in the cloud platform was, what would Apple do if they were to build an integration product? And the answer was, they would make it like the iPhone, which is easy to use, but very powerful at the same time. And if you can do that, you can bring in a massive population of users who wouldn't have been able to do things like video chat. My mom was not able to do video chat, and believe me, we tried this and every other thing possible 'till facetime came along. And now she can talk to my daughter and she can do it without help, any assistance from teenage grandchildren on that side, Right? >> Right, Right >> So what we've done with SnapLogic, is by bringing in a beautiful, powerful, sleek interface, with a lot of capability in how it connects, snaps together apps and data, we've brought in a whole genre of people who need data in the enterprise so they can serve themselves data. So if your title has analyst in it, you don't have to be programmer analyst. You could be any analyst. >> Right >> You could be a compensation analyst, a commissions analyst, a finance analyst, an HR analyst. All those people can self-serve information, knock down silos, and integrate things themselves. >> It's so interesting because we talk a lot about innovation and digital transformation, and in doing thousands of these interviews, I think the answer to innovation is actually pretty simple. You give more people access to the data. You give them more access to the tools to work with the data and then you give them the power to actually do something once they figure something out. And you guys are really right in the middle of that. So before, it was kind of >> (laughs) Yeah >> democratization of the data, democratization of the tools to work with the data, but in the API economy, you got to be able to stitch this stuff together because it's not just one application, it's not just one data source. >> Correct >> You're bringing from lots and lots of different things and that's really what you guys are taking advantage of this cloud infrastructure which has everything available, so it's there to connect, >> (laughs) Versus, silo in company one and silo in company two. So are you seeing it though, in terms of, of people enabling, kind of citizen integrators if you will, versus citizen developers. >> Yeah. Heck Yeah. So I'll give you an example. One of our large customers... Adobe Systems, right here in San Jose has been amazingly successful flagship account for us. About 800 people at Adobe come to www.snaplogic.com, every week to self-serve data. We replaced legacy products like DIBCO, informatica web methods about four years ago. They first became a customer in 2014 and usage of those products was limited to Java programmers and Sequel programmers, and that was less than 50 people. And imagine that you have about 800 people doing self-service getting information do their jobs. Now, Adobe is unique in that, it's moved the cloud in a fantastic way, or it was unique in 2014. Now everybody is emulating them and the great success that they've had. With the cloud economic model, with the cloud ID model. This is working in spades. We have customers who've come on board in Q4. We're just rounding out Q1 and in less than 60, 90 days, every time I look, 50, 100, 200 people, from each large company, whether it's a cosmetics company, pharmaceuticals company, retailer, food merchandise, are coming in and using data. >> Right >> And it's proliferating, because the more successful they are, the better they are able to do in their jobs, tell their friends about it sort-of-thing, or next cubicle over, somebody wants to use that too. It's so interesting. Adobe is such a great example, cause they did transform their business. Used to be a really expensive license. You would try to find your one friend that worked there around Christmas >> (laughs) Cause you think they got two licenses a year they can buy for a grand. Like, I need an extra one I can get from you. But they moved to a subscription model. They made a big bet. >> Yes. Yes >> And they bet on the cloud, so now if you're a subscriber, which I am, I can work on my home machine, my work machine, go to machine, machine. So, it's a really great transformation story. The other piece of it though, is just this cloud application space. There's so many cloud applications that we all work with every day whether it's Basecamp, Salesforce, Hootsuite. There's a proliferation of these things and so they're there. They've got data. So the integration opportunity is unlike anything that was ever there before. Cause there isn't just one cloud. There isn't just one cloud app. There's a lot of them. >> Yes. >> How do I bring those together to be more productive? >> So here's a stat. The average enterprise has most cloud services or SAS applications, in marketing. On the average, they have 91 marketing applications or SAS applications. >> 91. That's the average. >> 96% of them are not connected together. >> Right. >> Okay. That's just one example. Now you go to HR, stock administration. You go into sales, CRM, and all the ancillary systems around CRM. And there is this sort of massive, to us, opportunity of knocking down these silos and making things work together. You mention the API economy and whilst that's true that all these SAS applications of APIs. The problem is, most companies don't have programmers to hook up those API's. >> Right. To connect them. >> Yes, in Silicon Valley we do and maybe in Manhattan they do, but in everywhere else in the world, the self-service model, the model of being able to do it to something that is simple, yet powerful. Enterprise great >> Right. Right >> and simple, beautiful is absolutely the winning formula in our perspective. So the answer is to let these 100 applications bloom, but to keep them well behaved and orchestrated, in kind of a federated model, where security, having one view of the world, etc., is managed by SnapLogic and then various people and departments can bring in a blessed, SAS applications and then snap them in and the input and the way they connect, is done through snaps. And we've found that to be a real winning model for our customers. >> So you don't have to have like 18 screens open all with different browsers and different apps. >> Swivel chair integration is gone. Swivel chair integration is gone. >> Step above sneakernet but still not-- >> Step above but still not. And again, it may make sense in very, very specific super high-speed, like Wall Street, high frequency trading and hedge funds, but it's a minuscule minority of the overall problems that there needs to be solved. >> Right. So, it's just a huge opportunity, you just are cleaning up behind the momentum in the SAS applications, the momentum of the cloud. >> Cloud data. Cloud apps. Cloud data. And in general, if a customer's not going to the cloud, they're probably not the best for us. >> Right. >> Right. Our customers' almost always going towards the cloud, have lots of data and applications on premise. And in that hybrid spot, we have the capability to straddle that kind of architecture in a way that nobody else does. Because we have a born in the cloud platform that was designed to work in the real world, which is hybrid. So another interesting thing, a lot of talk about big data over the years. Now it's just kind of there. But AI and machine learning. Artificial intelligence which should be automated intelligence and machine learning. There's kind of the generic, find an old, dead guy and give it a name. But we're really seeing the values that's starting to bubble up in applications. It's not, AI generically, >> Correct. >> It's how are you enabling a more efficient application, a more efficient workflow, a more efficient, get your job done, using AI. And you guys are starting to incorporate that in your integration framework. >> Yes. Yes. So we took the approach, 'doctor heal thyself.' And we're going to help our customers do better job of having AI be a game changer for them. How do we apply that to ourselves? We heard one our CIOs, CI of AstraZeneca, Dave Smoley, was handing out the Amazon Alexa Echo boxes one Christmas. About three years ago and I'm like, my gosh that's right. That was what Walt Mossberg said in his farewell column. IT is going to be everywhere and invisible at the same time. Right. >> Right. >> It'll be in the walls, so to speak. So we applied AI, starting about two years ago, actually now three, because we shipped iris a year ago. The artificial intelligence capability inside SnapLogic has been shipping for over 12 months. Fantastic usage. But we applied to ourselves the challenge about three years ago, to use AI based on our born in the cloud platform. On the metadata that we have about people are doing. And in the sense, apply Google Autocomplete into enterprise connectivity problems. And it's been amazing. The AI as you start to snap things together, as you put one or two snaps, and you start to look for the third, it starts to get 98.7% accurate, in predicting how to connect SAS applications together. >> Right. Right. >> It's not quite autonomous integration yet but you can see where we're going with it. So it's starting to do so much value add that most of our customers, leave it on. Even the seasoned professionals who are proficient and running a center of excellence using SnapLogic, even those people choose to have sort-of this AI, on all the time helping them. And that engagement comes from the value that they're getting, as they do these things, they make less mistakes. All the choices are readily at hand and that's happening. So that's one piece of it >> Right. >> Sorry. Let me... >> It's Okay. Keep going. >> Illustrate one other thing. Napoleon famously said, "An army marches on it's stomach" AI marches on data. So, what we found is the more data we've had and more customers that we've had, we move about a trillion documents for our customers worldwide, in the past 30 days. That is up from 10 million documents in 30 days, two years ago. >> Right. Right >> That more customers and more usage. In other words, they're succeeding. What we've found as we've enriched our AI with data, it's gotten better and better. And now, we're getting involved with customers' projects where they need to support data scientists, data engineering work for machine learning and that self-service intricate model is letting someone who was trying to solve a problem of, When is my Uber going to show up? So to speak. In industry X >> Right. Right. >> These kinds of hard AI problems that are predictive. That are forward changing in a sense. Those kind of problems are being solved by richer data and many of them, the projects that we're now involved in, are moving data into the cloud for data lake to then support AI machine learning efforts for our customers. >> So you jumped a little bit, I want to talk on your first point. >> Okay. Sorry >> That's okay. Which is that you're in the very fortunate position because you have all that data flow. You have the trillion documents that are changing hands every month. >> Born in the cloud platform. >> So you've got it, right? >> Got it. >> You've got the data. >> It's a virtual cycle. It's a virtual cycle. Some people call it data capitalism. I quibble with that. We're not sort-of, mining and selling people's personal data to anybody. >> Right. Right. >> But this is where, our enterprise customers' are so pleased to work with us because if we can increase productivity. If we can take the time to solution, the time to integration, forward by 10 times, we can improve the speed that by SAS application and it gets into production 10 times faster. That is such a good trade for them and for everyone else. >> Right. Right. >> And it feeds on itself. It's a virtual cycle. >> You know in the Marketo to the Salesforce integration, it's nothing. You need from company A to company B. >> I bet you somebody in this building is doing it on a different floor right now. >> Exactly. >> (laughs) >> So I think that's such an interesting thing. In the other piece that I like is how again, I like your kind of Apple analogy, is the snap packs, right. Because we live in a world, with even though there 91 on-averages, there's a number of really dominant SAS application that most people use, you can really build a group of snaps. Is snap the right noun? >> That's the right word. >> Of snaps. In a snap pack around the specific applications, then to have your AI powered by these trillion transactions that you have going through the machines, really puts you in a unique position right now. >> It does, you know. And we're very fortunate to have the kind of customer support we've had and, sort of... Customer advisory board. Big usages of our products. In which we've added so much value to our customers, that they've started collaborating with us in a sense. And are passing to us wonderful ideas about how to apply this including AI. >> Right. >> And we're not done yet. We have a vision in the future towards an autonomous integration. You should be able to say "SnapLogic, Iris, "connect my company." And it should. >> Right. Right. >> It knows what the SAS apps are by looking at your firewall, and if you're people are doing things, building pipelines, connecting your on-premise legacy applications kind of knows what they are. That day when you should be able to, in a sense, have a bot of some type powered by all this technology in a thoughtful manner. It's not that far. It's closer at hand than people might realize. >> Which is crazy science fiction compared to-- I mean, integration was always the nightmare right back in the day. >> It is. >> Integration, integration. >> But on the other hand, it is starting to have contours that are well defined. To your point, there are certain snaps that are used more. There are certain problems that are solved quite often, the quote-to-cash problem is as old as enterprise software. You do a quote in the CRM system. Your cash is in a financial system. How does that work together? These sort of problems, in a sense, are what McKinsey and others are starting to call robotic process automations. >> Right. >> In the industrial age, people... Stopped, with the industrial age, any handcrafted widget. Nuts, and bolts, and fasteners started being made on machines. You could stamp them out. You could have power driven beams, etc., etc. To make things in industrial manner. And our feeling is, some of the knowledge tasks that feel like widget manufactures. You're doing them over and over again. Or robotic, so to speak, should be automated. And integration I think, is ripe as one of those things and using the value of integration, our customers can automate a bunch of other repeatable tasks like quote-to-cash. >> Right. Right. It's interesting just when you say autonomous, I can't help but think of autonomous vehicles right, which are all the rage and also in the news. And people will say "well I like to drive "or of course we all like to drive "on Sunday down at the beach" >> Sure. Yeah. >> But we don't like to sit in traffic on the way to work. That's not driving, that's sitting in traffic on the way to work. Getting down the 101 to your exit and off again is really not that complicated, in terms of what you're trying to accomplish. >> Indeed. Indeed. >> Sets itself up. >> And there are times you don't want to. I mean one of the most pleasant headlines, most of the news is just full of bad stuff right. So and so and such and such. But one of the very pleasing headlines I saw the other day in a newspaper was, You know what's down a lot? Not bay area housing prices. >> (laughs) >> But you know what's down a lot? DUI arrests, have plummeted. Because of the benefits of Lyft and Uber. More and more people are saying, "You know, I don't have to call a black cab. "I don't need to spend a couple hundred bucks to get home. "I'm just getting a Lyft or an Uber." So the benefits of some of these are starting to appear as in plummeting DUIs. >> Right. Right >> Plummeting fatalities. From people driving while inebriated. Plunging into another car or sidewalk. >> Right. Right. >> So Yes. >> Amara's Law. He never gets enough credit. >> (laughs) >> I say it in every interview right. We overestimate in the short term and we underestimate in the long term the effects of these technologies cause we get involved-- The Gartner store. It's the hype cycle. >> Yeah, Yeah >> But I really I think Amara nailed it and over time, really significant changes start to take place. >> Indeed and we're seeing them now. >> Alright well Gaurav, great to get an update from you and a beautiful facility here. Thanks for having us on. >> Thank you, thank you. A pleasure to be here. Great to see you as well. >> Alright He's Gaurav, I'm Jeff. And you're watching theCUBE from SnapLogic's headquarters Thanks for watching. (techno music)

[Music] and y'all know that these [Music] ladies and gentlemen please take your seats and silence your cellphone's our program will begin shortly ladies and gentlemen please welcome Red Hat executive vice president and chief people officer dallisa Alexander an executive vice president and chief marketing officer Tim Layton [Music] hi everyone we're so excited to kick off this afternoon day 2 at the Red Hat summit we've got a stage full of stories about people making amazing contributions with open source well you know dallisa you and I both been coming to this event for a long long time so what keeps you coming back well you know the summit started as a tech conference an amazing tech conference but now it's expanded to be so much more this year I'm really thrilled that we're able to showcase the power of open source going way beyond the data center and beyond the cloud and I'm here also on a secret mission oh yes I'm here to make sure you don't make too many bad dad jokes so there's no such thing as a bad dad they're just dad jokes are supposed to be bad but I promise to keep it to my limit but I do have one okay I may appeal to the geeks in the audience okay so what do you call a serving tray full of empty beer cans yeah we container platform well that is your one just the one that's what I only got a budget of one all right well you know I have to say though in all seriousness I'm with you yeah I've been coming to the summit since its first one and I always love to hear what new directions people are scoring what ideas they're pursuing and the perspectives they bring and this afternoon for example you're gonna hear a host of different perspectives from a lot of voices you wouldn't often see on a technology mainstage in our industry and it's all part of our open source series live and I have to say there's been a lot of good buzz about this session all week and I'm truly honored and inspired to be able to introduce them all later this afternoon I can tell you over the course the last few weeks I've spent time with all of them and every single one of them is brilliant they're an innovator they're fearless and they will restore your faith in the next generation you know I can't wait to see all these stories all of that and we've got some special guests that are surprised in store for us you know one of the things that I love about the people that are coming on the stage today with us is that so many of them teach others how to code and they're also bringing more people that are very different in to our open-source communities helping our community is more innovative and impactful and speaking of innovative and impactful that's the purpose of our open brand project right that's right we're actually in the process of exploring a refresh of our mark and we'd really like your help as well because we're doing this all in the open we've we've been doing it already in the open and so please join us in our feedback zone booth at the summit to tell us what you think now it's probably obvious but I'm big into Red Hat swag I've got the shirt I've got my pen I've got the socks so this is really important to me personally especially that when my 15 year old daughter sees me in my full regalia she calls me adorable okay that joke was fed horrible as you're done it wasn't it wasn't like I got way more well Tim thanks for helping us at this stage for today it's time to get started with our first guest all right I'll be back soon thank you the people I'm about to bring on the stage are making outstanding contributions to open source in new and brave ways they are the winners of the 2018 women and open source Awards the women in open source awards was created to highlight the contributions that women are making to open source and to inspire new generations to join the movement our judges narrowed down the panel a very long list just ten finalists and then the community selected our two winners that were honoring today let's learn a little bit more about them [Music] a lot of people assume because of my work that I must be a programmer engineer when in fact I specifically chose and communications paths for my career but what's fascinating to me is I was able to combine my love of Communications and helping people with technology and interesting ways I'm able to not be bound by the assumptions that everybody has about what the technology can and should be doing and can really ask the question of what if it could be different I always knew I wanted to be in healthcare just because I feel like has the most impact in helping people a lot of what I've been working on is geared towards developing technology and the health space towards developing world one of the coolest things about open-source is bringing people together working with other people to accomplish amazing things there's so many different projects that you could get involved in you don't even have to be the smartest person to be able to make impact when you're actually developing for someone I think it's really important to understand the need when you're pushing innovation forward sometimes the cooler thing is not [Music] for both of us to have kind of a health care focus I think it's cool because so many people don't think about health care as being something that open-source can contribute to it took a while for it to even get to the stage where it is now where people can open-source develop on concepts and health and it's an untapped potential to moving the world for this award is really about highlighting the work of dozens of women and men in this open source community that have made this project possible so I'm excited for more people to kind of turn their open-source interest in healthcare exciting here is just so much [Music] I am so honored to be able to welcome to the stage some brilliant women and opensource first one of our esteemed judges Denise Dumas VP of software engineering at Red Hat she's going to come up and share her insights on the judging process Denise so you've been judging since the very beginning 2015 what does this judge this being a judge represents you what does the award mean to you you know every year it becomes more and more challenging to select the women an opensource winner because every year we get more nominees and the quality of the submissions well there are women involved in so many fabulous projects so the things that I look for are the things that I value an open source initiative using technology to solve real world problems a work ethic that includes sin patches and altruism and I think that you'll see that this year's nominees this year's winners really epitomize those qualities totally agree shall we bring them on let's bring them on let's welcome to the stage Zoe de gay and Dana Lewis [Music] [Applause] [Applause] [Music] alright let's take a seat [Applause] well you both have had an interesting path to open-source zuy you're a biomedical engineering student any of it you have a degree in public relations tell us what led to your involvement and open source yeah so coming to college I was new I was interested in science but I didn't want to be a medical doctor and I didn't want to get involved in wet lab research so through classes I was taking oh that's why I did biomedical engineering and through classes I was taking I found the classroom to be very dry and I didn't know how how can I apply what I'm learning and so I got involved in a lot of entrepreneurship on campus and through one of the projects I was asked to build a front end and I had no idea how to go about doing that and I had some basic rudimentary coding knowledge and what happened was I got and was digging deep and then found an open source library that was basically building a similar thing that I needed and that was where I learned about open source and I went from there now I'm really excited to be able to contribute to many communities and work on a variety of projects amazing contributions Dana tell us about your journey well I come from a non-traditional background but I was diagnosed with type 1 diabetes at the age of 14 and over the next couple years got really frustrated with the limitations of my own diabetes devices but felt like I couldn't change them because that wasn't my job as a patient but it was actually through social media I discovered someone who had solved one of the problems that I had been found having which was getting date off my diabetes device and that's how I learned about open source was when he was willing to share his code with me so when we turned around and made this hybrid closed-loop artificial pancreas system it was a no brainer to make our work open source as well that's right absolutely and we see using the hash tag we are not waiting can you tell us about that yeah so this hash tag was created actually before I even discovered the open source diabetes world but I loved it because it really illustrates exactly the fact that we have this amazing technology in our hands in our pockets and we can solve some of our most common problems so yes you could wait but waiting is now a choice with open source we have the ability to solve some of our hardest problems even problems dealing with life and death that's great so zuy with the vaccine carrier system that you helped to build how were you able to identify the need and where did you build it yes so I think before you even build anything first need to understand what is the problem that you're trying to solve and that really was the case when starting this project I got to collaborate with engineers in Kampala Uganda and travel there and actually interview stakeholders in the medical field medical doctors as well as pharmaceutical companies and from there I really got to understand the health system there as well as what is how do vaccines enter the country and how can we solve this problem and that's how we came up with the solution for an IOT based vaccine carrier tracking system I think it's really important especially today when products might be flashy to also understand what is the need behind it and how do we solve problems with these products yeah yeah it's so interesting how both of you have this interest in health care Dana how do you see open-source playing a role in healthcare but first before you answer that tell us about your shirt so this shirt has the code of my artificial pancreas on it and I love it as an illustration of no thank you I love it as an illustration of how open-source is more than we think it is I've just been blown away by the contributions of people in my open-source communities and I think that that is what we should apply to all of healthcare there's a lot of tools and technologies that are solving real world problems and I think if we take what we know in technology and apply it to healthcare we'll solve a lot of problems more quickly but it really needs to be recognizing everything an open source it's the documentation it's the collaboration it's the problem-solving it's working together to take technologies that we didn't previously think we're applicable and finding new ways to apply it it's a great answer Sooey yeah I think especially where healthcare is related to people and open-source is the right way to collaborate with people all over the world especially in the project I've been working on we're looking at vaccines in Uganda but the same system can be applied in any other country and then you can look at cross countries health systems there and from there it becomes bigger and bigger and I think it's really important for people who have an idea and want to take it further to know that open-source is a way that you could actually take your idea further whether you have a technical background or not so yeah stories are amazing you're just an inspiration for everyone in open-source I want to thank you so much for joining us here today let's give another round of applause to our winners [Applause] [Music] you know the tagline for the award is honor celebrate inspire and I feel like we've been doing that today very very well and I know that so many people have been inspired today especially the next generation who go on to do things we can't even dream of yet [Music] I think collabs important because we need to make sure we get younger children interested in technology so that they understand the value of it but also that there are a lot of powerful women in technology and they can be one of them I hope after this experience maybe we'll get some engineers and some girls working our hot so cool right well we have some special guests convite for the club stage now I'd like to invite Tim back and also introduce Red Hat's own Jamie Chappell along with our collab students please welcome Gabby tenzen Sofia lyric Camila and a Volyn [Applause] you've been waiting for this moment for a while we're so excited hear all about your experiences but Jamie first tell us about collab sure so collab is red hats way of teaching students about the power of open source and collaboration we kicked off a little over a year ago in Boston and that was so successful that we decided to embark on an East Coast tour so in October we made stops at middle schools in New York DC and Raleigh and these amazing people over here are from that tour and this week they have gone from student to teacher so they've hosted two workshops where they have taught Red Hat summit attendees how to turn raspberry pies into digital cameras they assigned a poem song of the open road by Walt Whitman and they've been working at the open source stories booth helping to curate photos for an installation we're excited to finish up tomorrow so amazing and welcome future women in open source we want to know all about your experiences getting involved can you tell us tenzen tell us about something you've learned so during my experience with collab I learned many things but though however the ones that I valued the most were open source and women empowerment I just I was just so fascinated about how woman were creating and inventing things for the development of Technology which was really cool and I also learned about how open source OH was free and how anyone could access it and so I also learned that many people could you know add information to it so that other people could you learn from it and use it as well and during Monday's dinner I got this card saying that the world needed more people like you and I realized through my experience with collab that the world does not only need people like me but also everyone else to create great technology so ladies you know as you were working on your cameras and the coding was there a moment in time that you had an AHA experience and I'm really getting this and I can do this yes there was an aha moment because midway through I kind of figured out well this piece of the camera went this way and this piece of the camera did it go that way and I also figured out different features that were on the camera during the camera build I had to aha moments while I was making my camera the first one was during the process of making my camera where I realized I was doing something wrong and I had to collaborate with my peers in order to troubleshoot and we realize I was doing something wrong multiple times and I had to redo it and redo it but finally I felt accomplished because I finished something I worked hard on and my second aha moment was after I finished building my camera I just stared at it and I was in shock because I built something great and it was so such a nice feeling so we talked a lot about collaboration when we were at the lab tell us about how learning about collaboration in the lab is different than in school so in school collaboration is usually few and far between so when we went to collab it allowed us to develop new skills of creativity and joining our ideas with others to make something bigger and better and also allowed us to practice lots of cooperation an example of this is in my group everybody had a different problem with their pie camera and we had to use our different strengths to like help each other out and everybody ended up assembling and working PI camera great great awesome collaboration in collab and the school is very different because in collab we were more interactive more hands-on and we had to work closer together to achieve our own goals and collaboration isn't just about working together but also combining different ideas from different people to get a product that is so much better than some of its parts so girls one other interesting observation this actually may be for the benefit of the folks in our audience but out here we have represented literally hundreds and hundreds of companies all of whom are going to be actually looking for you to come to work for them after today we get first dibs that's right but um you know if you were to have a chance to speak to these companies and say what is it that they could do to help inspire you know your your friends and peers and get them excited about open source what would you say to them well I'm pretty sure we all have app store and I'm pretty sure we've all downloaded an app on that App Store well instead of us downloading app State well the computer companies or the phone companies they could give us the opportunity to program our own app and we could put it on the App Store great idea absolutely I've got to tell you I have a 15 year old daughter and I think you're all going to be an inspiration to her for the same absolutely so much so I see you brought some cameras why don't we go down and take a picture let's do it [Applause] all right I will play my very proud collab moderator role all right so one two three collab okay one two three [Applause] yeah so we're gonna let leave you and let you tell us more open source stories all right well thank you great job thank you all and enjoy the rest of your time at Summit so appreciate it thanks thank you everyone pretty awesome pretty awesome and I would just like to say they truly are fedorable that's just um so if you would like to learn more as you heard the girls say they're actually Manning our open-source stories booth at the summit you know please come down and say hello the stories you've seen thus far from our women and open-source winners as well as our co-op students are really bringing to life the theme of this year's summit the theme of ideas worth exploring and in that spirit what we'd like to do is explore another one today and that is how open-source concepts thrive and expand in the neverending organic way that they do much like the universe metaphor that you see us using here it's expanding in new perspectives and new ideas with voices beyond their traditional all starting to make open-source much bigger than what it was originally started as fact open-source goes back a long way long before actually the term existed in those early days you know in the early 80s and the like most open-source projects were sort of loosely organized collections of self-interested developers who are really trying to build low-cost more accessible replicas of commercial software yet here we are 2018 the world is completely different the open-source collaborative development model is the font of almost all original new innovation in software and they're driven from communities communities of innovation RedHat of course has been very fortunate to have been able to build an extraordinary company you know whose development model is harnessing these open-source innovations and in turning them into technologies consumable by companies even for their most mission-critical applications the theme for today though is we see open-source this open source style collaboration and innovation moving beyond just software this collaborative community innovation is starting to impact many facets of society and you're starting to see that even with the talks we've had already too and this explosion of community driven innovation you know is again akin to this universe metaphor it expands in all directions in a very organic way so for red hat you know being both beneficiaries of this approach and stewards of the open collaboration model we see it important for us to give voice to this broader view of open source stories now when we say open source in this context of course will meaning much more than just technology it's the style of collaboration the style of interaction it's the application of open source style methods to the innovation process it's all about accelerating innovation and expanding knowledge and this can be applied to a whole range of human endeavors of course in education as we just saw today on stage in agriculture in AI as the open source stories we shared at last year's summit in emerging industries like healthcare as we just saw in manufacturing even the arts all these are areas that are now starting to benefit from collaboration in driving innovation but do we see this potentially applying to almost any area of human endeavor and it expands again organically expanding existing communities with the addition of new voices and new participants catalyzing new communities and new innovations in new areas as we were talking about and even being applied inside organizations so that individual companies and teams can get the same collaborative innovation effects and most profound certainly in my perspective is so the limitless bounds that exist for how this open collaboration can start to impact some of humankind's most fundamental challenges we saw a couple of examples in fact with our women and open-source winners you know that's amazing but it also potentially is just the tip of the iceberg so we think it's important that these ideas you know as they continue to expand our best told through storytelling because it's a way that you can embrace them and find your own inspirations and that's fundamentally the vision behind our open-source stories and it's all about you know building on what's come before you know the term we use often is stay the shoulders are giants for a lot of the young people that you've seen on this stage and you're about to see on this stage you all are those giants you're the reason and an hour appears around the world are the reasons that open-source continues to expand for them you are those giants the other thing is we all particularly in this room those of us have been around open-source we have an open-source story of our own you know how were you introduced the power of open-source how did you engage a community who inspired you to participate those are all interesting elements of our personal open-source stories and in most cases each of them are punctuated by you here my question to the girls on stage an aha moment or aha moments you know that that moment of realization that enlightens you and causes you to think differently and to illustrate I'm going to spend just a few minutes sharing my open-source story for for one fundamental reason I've been in this industry for 38 years I am a living witness to the entire life of open-source going back to the early 80s I've been doing this in the open-source corner of the industry since the beginning if you've listened to Sirhan's command-line heroes podcasts my personal open story will actually be quite familiar with you because my arc is the same as the first several podcast as she talked about I'm sort of a walking history lesson in fact of open source I wound up at most of the defining moments that should have changed how we did this not that I was particularly part of the catalyst I was just there you know sort of like the Forrest Gump of open-source I was at all these historical things but I was never really sure how it went up there but it sure was interesting so with that as a little bit of context I'm just gonna share my aha moment how did I come to be you know a 59 year old in this industry for 38 years totally passionate about not just open source driving software innovation but what open source collaboration can do for Humanity so in my experience I had three aha moments I just like to share with you the first was in the early 80s and it was when I was introduced to the UNIX operating system and by the way if you have a ha moment in the 80s this is what it looks like so 1982 mustache 19 where were you 2018 beard that took a long time to do all right so as I said my first aha moment was about the technology itself in those early days of the 80s I became a product manager and what at the time was digital equipment corporation's workstation group and I was immediately drawn to UNIX I mean certainly these this is the early UNIX workstation so the user interface was cool but what I really loved was the ability to do interactive programming via the shell but by a--basically the command line and because it was my day job to help figure out where we took these technologies I was able to both work and learn and play all from the same platform so that alone was was really cool it was a very accessible platform the other thing that was interesting about UNIX is it was built with networking and and engagement in mind had its own networking stack built in tcp/ip of course and actually built in a set of services for those who've been around for a while think back to things like news groups and email lists those were the first enablers for cross internet collaboration and that was really the the elements that really spoke to me he said AHA to me that you know this technology is accessible and it lets people engage so that was my first aha moment my second aha moment came a little bit later at this point I was an executive actually running Digital Equipment Corporation UNIX systems division and it was at a time where the UNIX wars were raging right all these companies we all compartmentalized Trump those of the community and in the end it became an existential threat to the platform itself and we came to the point where we realized we needed to actually do something we needed to get ahead of this or UNIX would be doomed the particular way we came together was something called cozy but most importantly the the technique we learned was right under our noses and it was in the area of distributed computing distributed client-server computing inherently heterogenous and all these same companies that were fierce competitors at the operating system level were collaborating incredibly well around defining the generation of client-server and distributed computing technologies and it was all being done in open source under actually a BSD license initially and Microsoft was a participant Microsoft joined the open group which was the converged standards body that was driving this and they participated to ensure there was interoperability with Windows and and.net at the time now it's no spoiler alert that UNIX lost right we did but two really important things came out of that that sort of formed the basis of my second aha moment the first is as an industry we were learning how to collaborate right we were leveraging open source licenses we realized that you know these complex technologies are best done together and that was a huge epiphany for the industry at that time and the second of course is that event is what opened the door for Linux to actually solve that problem so my second aha was all about the open collaboration model works now at this point to be perfectly candidates late 1998 well we've been acquired by compacts when I'm doing the basically same role at Compaq and I really had embraced what the potential impact of this was going to be to the industry Linux was gaining traction there were a lot of open source projects emerging in distributed computing in other areas so it was pretty clear to me that the in business impact was going to be significant and and that register for me but there was seem to be a lot more to it that I hadn't really dropped yet and that's when I had my third aha moment and that was about the passion of open-source advocates the people so you know at this time I'm running a big UNIX group but we had a lot of those employees who were incredibly passionate about about Linux and open source they're actively participating so outside of working a lot of things and they were lobbying more and more for the leadership to embrace open source more directly and I have to say their passion was contagious and it eventually spread to me you know they were they were the catalyst for my personal passion and it also led me to rethink what it is we needed to go do and that's a passion that I carry forward to this day the one driven by the people and I'll tell you some interesting things many of those folks that were with us at Compaq at the time have gone on to be icons and leaders in open-source today and many of them actually are involved with with Red Hat so I'll give you a couple of names that some of whom you will know so John and Mad Dog Hall work for me at the time he was the person who wrote the first edition of Linux for dummies he did that on his own time when he was working for us he he coined he was part of the small team that coined the term open source' some other on that team that inspired me Brian Stevens and Tim Burke who wrote the first version to rent out Enterprise Linux actually they did that in Tim Burke's garage and cost Tim's still with Red Hat today two other people you've already seen him on stage today Denise Dumas and Marko bill Peter so it was those people that I was fortunate enough to work with early on who had passion for open-source and much like me they carry it forward to this day so the punchline there is they ultimately convinced us to you know embrace open-source aggressively in our strategy and one of the interesting things that we did as a company we made an equity investment in Red Hat pre-ipo and a little funny sidebar here I had to present this proposal to the compact board on investing in Red Hat which was at that time losing money hand over fist and they said well Tim how you think they're gonna make money selling free software and I said well you know I don't really know but their customers seem to love them and we need to do this and they approve the investment on the spot so you know how high do your faith and now here we are at a three billion dollar run rate of this company pretty extraordinary so from me the third and final ha was the passion of the people in the way it was contagious so so my journey my curiosity led me first to open source and then to Red Hat and it's been you know the devotion of my career for over the last thirty years and you know I think of myself as pretty literate when it comes to open source and software but I'd be the first one to admit I would have never envisioned the extent to which open source style collaboration is now being brought to bear on some of the most interesting challenges in society so the broader realization is that open source and open can really unlock the world's potential when applied in the collaborative innovative way so what about you you know you many of you particular those have been around for a while you probably have an open source story of your own for those that maybe don't or they're new to open source are new to Red Hat your open source story may be a single inspiration away it may happen here at the summit we certainly hope so it's how we build the summit to engage you you may actually find it on this stage when I bring up some of the people who are about to follow me but this is why we tell open-source stories and open source stories live so each of you hopefully has a chance to think about you know your story and how it relates over source so please take advantage of all the things that are here at the summit and and find your inspiration if you if you haven't already so next thing is you know in a spirit of our telling open source stories today we're introducing our new documentary film the science of collective discovery it's really about citizen scientists using open systems to do serious science in their backyards and environmental areas and the like we're going to preview that I'm gonna prove it preview it today and then please come see it tonight later on when we preview the whole video so let's take a look I may not have a technical scientific background but I have one thing that the scientists don't have which is I know my backyard so conventional science happens outside of public view so it's kind of in this black box so most are up in the ivory tower and what's exciting about citizen science is that it brings it out into the open we as an environmental community are engaging with the physical world every day and you need tools to do that we needed to democratize that technology we need to make it lightweight we need to make it low-cost we needed to make it open source so that we could put that technology in the hands of everyday people so they go out and make those measurements where they live and where they breathe when you first hear about an environmental organization you mostly hear about planting trees gardens things like that you don't really think about things that are really going to affect you hey we're the air be more they'd hold it in their hand making sure not to cover the intake or the exhaust I just stand here we look at the world with forensic eyes and then we build what you can't see so the approach that we're really centered on puts humans and real issues at the center of the work and I think that's the really at the core of what open source is social value that underlies all of it it really refers to sort of the rights and responsibilities that anyone on the planet has to participate in making new discoveries so really awesome and a great story and you know please come enjoy the full video so now let's get on with our open stories live speakers you're going to really love the rest of the afternoon we have three keynotes and a demo built in and I can tell you without exaggeration that when you see and hear from the young people we're about to bring forward you know it's truly inspirational and it's gonna restore totally your enthusiasm for the future because you're gonna see some of the future leaders so please enjoy our open source stories live presentation is coming and I'll be back to join you in a little bit thanks very much please welcome code newbie founder Saran yep Eric good afternoon how y'all doing today oh that was pretty weak I think you could do better than that how y'all doing today wonderful much better I'm Saran I am the founder of code newbie we have the most supportive community of programmers and people learning to code this is my very first Red Hat summits I'm super pumped super excited to be here today I'm gonna give you a talk and I'm going to share with you the key to coding progress yes and in order to do that I'm gonna have to tell you a story so two years ago I was sitting in my hotel room and I was preparing for a big talk the next morning and usually the night before I give a big talk I'm super nervous I'm anxious I'm nauseous I'm wondering why I keep doing this to myself all the speakers backstage know exactly what I'm what I'm talking about and the night before my mom knows this so she almost always calls just to check in to see how I'm doing to see how I'm feeling and she called about midnight the night before and she said how are you how are you doing are you ready and I said you know what this time I feel really good I feel confident I think I'm gonna do a great job and the reason was because two months ago I'd already given that talk in fact just a few days prior they had published the video of that talk on YouTube and I got some really really good positive feedback I got feedback from emails and DMS and Twitter and I said man I know people really like this it's gonna be great in fact that video was the most viewed video of that conference and I said to my office said you know what let's see how many people loved my talk and still the good news is that 14 people liked it and a lot more people didn't and I saw this 8 hours before I'm supposed to give that exact same talk and I said mom I gotta call you back do you like how I did that to hang up the phone as if that's how cellphones work yeah and so I looked at this and I said oh my goodness clearly there's a huge disconnect I thought they were really liked they were I thought they were into it and this showed me that something was wrong what do you do what do you do when you're about to give that same talk in 8 hours how do you begin finding out what the problem is so you can fix it I have an idea let's read the comments you got to believe you gotta have some optimism come on I said let's read the comments because I'm sure we'll find some helpful feedback some constructive criticism some insights to help me figure out how to make this talk great so that didn't happen but I did find some really colorful language and some very creative ideas of what I could do with myself now there are some kids in the audience so I will not grace you with these comments but there was this one comment that did a really great job of capturing the sentiment of what everyone else was saying I can only show you the first part because the rest is not very family-friendly but it reads like this how do you talk about coding and not fake societal issues see the thing about that talk is it wasn't just a code talk it was a code and talk is about code and something else that talked touched on code and social justice I talked a lot about how the things that we build the way we build them affect real people and their problems and their struggles and that was absolutely not okay not okay we talk about code and code only not the social justice stuff it also talked about code and diversity yeah I think we all know the diversity is really about lowering the bar it forces us to talk about people and their issues and their problems in their history and we just don't do that okay absolutely inappropriate when it comes to a Tech Talk That Talk touched on code and feelings and feelings are squishy they're messy they're icky and a lot of us feel uncomfortable with feelings feelings have no place in technology no place in code we want to talk about code and code I want you to show me that API and when you show me that new framework that new tool that's gonna solve my problems that's all I care about I want to talk about code and give me some more code with it now I host a podcast called command line heroes it's an original podcast from Red Hat super excited about it if you haven't checked it out and totally should and what I love about this show as we talk about these really important moments and open swords these inflection points moments where we see progress we move forward and what I realized looking back at those episodes is all of those episodes have a code and something let's look at a few of those the first two episodes focused on the history of operating systems as a two-part episode part 1 and part 2 and there's lots of different ways we can talk about operating systems for these two episodes we started by talking about Windows and Mac OS and how these were two very powerful very popular operating systems but a lot of a lot of developers were frustrated with them they were closed you couldn't see inside you can see what it was doing and I the developer want to know what it's doing on my machine so we kind of had a little bit of a war one such developer who was very frustrated said I'm gonna go off and do my own thing my name is Linus this thing is Linux and I'm gonna rally all these other developers all these other people from all over the old to come together and build this new thing with me that is a code and moment in that case it was code and frustration it was a team of developers a world of developers literally old world of developers who said I'm frustrated I'm fed up I want something different and I'm gonna do something about it and what's really beautiful about frustration is it the sign of passion we're frustrated because we care because we care so much we love so deeply then we want to do something better next episode is the agile revolution this one was episode three now the agile revolution is a very very important moment in open-source and technology in general and this was in response to the way that we used to create products we used to give this huge stack of specs all these docs from the higher-ups and we'd take it and we go to our little corner and we lightly code and build and then a year with Pastor here's a pass a few years have passed and we'd finally burst forth with this new product and hope that users liked it and loved it and used it and I know something else will do that today it's okay no judgment now sometimes that worked and a lot of times it didn't but whether or not it actually worked it hurt it was painful these developers not enjoy this process so what happened a dozen developers got together and literally went off into their own and created something called the agile manifesto now this was another code and moment here it's code and anger these developers were so angry that they literally left civilization went off into a mountain to write the agile manifesto and what I love about this example is these developers did not work at the same company we're not on the same team they knew each other from different conferences and such but they really came from different survive and they agreed that they were so angry they were going to literally rewrite the way we created products next as an example DevOps tear down the wall this one is Episode four now this is a bit different because we're not talking about a piece of technology or even the way we code here we're talking about the way we work together the way that we collaborate and here we have our operations folks and our developers and we've created this new kind of weird place thing called DevOps and DevOps is interesting because we've gotten to a point where we have new tools new toys so that our developers can do a lot of the stuff that only the operations folks used to be able to do that thing that took days weeks months to set up I can do it with a slider it's kind of scary I can do it with a few buttons and here we have another code and moment and here that blink is fear for two reasons the operations focus is looking over the developer folks and thinking that was my job I used to be able to do that am I still valuable do I have a place in this future do I need to retrain there's also another fear which is those developers know what they're doing do they understand the security implications they appreciate how hard it is or something to scale and how to do that properly and I'm really interested in excited to see where we go with that where we take that emotion if we look at all of season one of the podcast we see that there's always a code and whether it's a code and frustration a code and anger or a code and fear it always boils down to code and feelings feelings are powerful in almost every single episode we see that that movement forward that progress is tied back to some type of Oshin and for a lot of us this is uncomfortable feelings make us feel weird and a lot of those YouTube commenters definitely do not like this whole feeling stuff don't be like those YouTube commenters there's one thing you take away from this whole talk let it be that don't be like these YouTube commenters feelings are incredibly powerful so the next time that you're working on a project you're having a conversation about a piece of software or a new piece of technology and you start to get it worked up you get angry you get frustrated maybe you get worried you get anxious you get scared I hope you recognize that feeling as a source of energy I hope you take that energy and you help us move forward I would take that to create the next inflection point that next step in the right direction feelings are your superpowers and I hope you use your powers for good thank you so much [Applause] please welcome jewel-box chief technology officer Sara Chipps [Music] Wow there's a lot of you out here how's it going I know there's a lot of you East Coasters here as well and I'm still catching up on that sleep so I hope you guys are having a great experience also my name is Sarah I'm here from New York I have been a software developer for 17 years it's longer than some of the people on stage today I've been alive big thanks to the folks at Red Hat for letting us come and tell you a little bit about jewel box so without further ado I'm gonna do exactly that okay so today we're gonna do a few things first I'm gonna tell you why we built jewel BOTS and why we think it's a really important technology I'm gonna show you some amazing magic and then we're gonna have one of the jewel bus experts come as a special guest and talk to you more about the deep technology behind what we're building so show hands in the audience who here was under 18 years old when they started coding it's hard for me to see you guys yep look around I'd have to say at least 50% of you have your hands up all right keep your hand up if you were under 15 when you started coding I think more hands up just what is it I don't know how that mouth works but awesome okay great yeah a little of I think about half of you half of you have your hands up that's really neat I've done a bunch of informal polls on the internet about this I found that probably about two-thirds of professional coders were under 18 when they started coding I myself was 11 I was a homeschooled kid so a little weird I'm part of the generation and some of you maybe as well is the reason we became coders is because we were lonely not because we made a lot of money so I was 11 this is before the internet was a thing and we had these things called BBS's and you would call up someone else's computer in your town and you would hang out with people and chat with them and play role-playing games with them it didn't have to be your town but if it wasn't your mom would yell at you for a long distance fees and I got really excited about computers and coding because of the community that I found online okay so this is sometimes the most controversial part of this presentation I promised you that they dominate our lives in many ways even if you don't even if you don't even know a 9 to 14 year old girl even if you just see them on the street sometimes they are deciding what you and I do on a regular basis hear me out for a second here so who here knows who this guy is okay you don't have to raise your hands but I think most people know who this guy is right so this guy used to be this guy and then teenage girls were like I think this guy has some talent to him I think that he's got a future and now he's a huge celebrity today what about this guy just got his first Oscar you know just kind of starting out well this guy used to be this guy and I'm proud to tell you that I am one of the many girls that discovered him and decided this guy has a future all right raise your hand if you listen to Taylor Swift just kidding I won't make you do it but awesome that's great so Taylor Swift we listen to Taylor Swift because these girls discovered Taylor Swift it wasn't a 35 year old that was like this Taylor Swift is pretty neat no one cares what we think but even bigger than that these huge unicorns that all of us some of us work for some of us wish we invented these were discovered by young teenage girls no one is checking to see what apps were using they're finding new communities in these thin in these platforms and saying this is how I want to commune with my friends things like Instagram snapchat and musically all start with this demographic and then we get our cues from them if you don't know what musically is I promise you ask your nearest 9 to 14 year old friend if you don't do that you'll hear about it in a few years but this demographic their futures are all at risk everyone here knows how much the field of software development is growing and how important technical literacy is to the future of our youth however just 18% of computer science graduates are girls just 19% of AP computer science test takers and just 15% of Google's tech force identify as female so we decided to do something about that we were inspired by platforms like MySpace and Geocities things like Neopets and minecraft all places where kids find something they love and they're like okay to make this better all I have to do is learn how to code I can totally do that and so we wanted to do that so we talked to 200 girls we went to schools we sat down with them and we were like what makes you tick what are you excited about and what we heard from them over and over again is their friends their friends and their community are pivotal to them and this time in their lives so when we started talking to them about a smart friendship bracelet that's when they started really freaking out so we built Jewel BOTS and Jewel BOTS has an active online community where girls can work together share code that they've built and learn from each other help each other troubleshoot sometimes the way they work is when you are near your friends your bracelets light up the same color and you can use them to send secret messages to each other and you can also code them so you can say things like when all my swimming friends are together in the same room all of our bracelets should go rainbow colors which is really fun you can even build games jewel BOTS started shipping about a year and a half ago about after a lot of work and we are about to ship our 12,000 jewel bot we're in 38 city sorry 38 countries and we're just getting started okay so now it's time for the magic and I have an important question does anyone here want to be my friend pick me all right someone today Gary oh I don't have many friends that's awesome I'm so glad that we'll be friends okay it's awesome so we just need to pair our jewel BA okay okay and in order to do that we're gonna hold the magic button in the middle down for two seconds so one locomotive two locomotive great and then we got a white flashing I'm gonna do yours again I did it wrong locomotive two locomotive it's we're adults we can't do it okay it's a good that are smart alright so now we get to pick our friendship color I'm gonna pick red hat red does that work for you sure okay great so now I just picked a red hat red and my jewel bot is saying alright Tim's jewel bot do you want to be my friend and imageable about it's like I'm thinking about it I think so okay now we're ready okay great so now we're red friends when we're together our bracelets are going to be red and I will send you a secret message when it's time for you to come out and trip and introduce the next guest awesome well thank you so much thank you tailor gun so glad we could be friends and if only people would start following me on Twitter it'd be a great day awesome alright so now you can see the not so technical part of jewel box they use bluetooth to sense when your friends are nearby so they would work in about a 30 meter hundred foot range but to tell you about the actual technology part I'm going to introduce is someone much more qualified than I am so Ellie is one of our jewel box ambassadors she's an amazing YouTube channel that I would please ask you to check out and subscribe she's le G Joel BOTS on YouTube she's an amazing coder and I'm really excited to introduce you today to Ellie Galloway come on out Ellie [Applause] hello my name is le gallais I'm gonna show you how I got coding and then show you some coding in action I first started coding at a6 when my dad helped me code a game soon after I program form a code for Minecraft then my dad had shown me jo bot I keep coding because it helps people for instance for instance you could code auto crack to make it a lot smarter so it can help make people stay run faster but what about something more serious what if you could help answer 911 calls and give alerts before we start I have three main steps to share with you I often use these steps to encoding my jaw bot and continue to use some of these now step one read the instructions and in other words this means for Jabba to memorize the colors and positions a way to memorize these because it's tricky is to remember all the colors and positions you O type will be capital and remember that the positions are either short for north west south west north east and south east step to learn the basic codes when it comes to coding you need to work your way up step 3 discover feel free to discover once you mastered everything now let's get to coding let's use or let's first use combining lights so under void loop I'm going to put LED turn on single s/w and blue and before we make sure that this works we got to put LED LED okay now let's type this again LED dot turn on single now let's do SW green now we have our first sketch so let's explain what this means led LED is a function that to control the LED lights LED turn on single SW blue tells that SW light to turn blue and green flashes so quickly with the blue it creates aqua now let's do another code lets you i'm going to use a more advanced command to make a custom color using RGB let's use a soft pink using 255 105 and 180 now let's type this in the button press function so let's do LED led LED dot set light and now we can do let's do position 3 255 105 and 180 now let's explain what this means the first one stands for the position the three others stand for red green and blue our GPS can only go up to 255 but there are 256 levels but if you count the first one as zero then get 255 so let's first before we move on let's show how this works so this is it before and now let's turn it on to see how our aqua turned out now let's see how our RGB light turned out so we are looking for a soft pink so let's see how it looks think about how much the code you write can help people all around the world these are ideas are just the beginning of opening a new world in technology a fresh start is right around the corner I hope this helped you learn a little bit about coding and even made you want to try it out for yourself thank you [Applause] alright alright alright I need your help for a second guys alright one second really really fascinating we're short on time today is Ellie's 11th birthday and I think we should give her the biggest present that she's gonna get today and it's something none of us have experienced and that is thousands of people saying happy birthday Elliott wants so when I say three can I get a happy birthday Elly one two three happy birthday Elly great job that's the best part of my job okay so those are that's two of us we're just getting started this numbers out Dana would almost shipped 12,000 jewel BOTS and what I'm really excited to tell you about is that 44% of our users don't just play with their jewel bots they code them and they're coding C do you even code C I don't know that you do but we have 8 to 14 year olds coding C for their jewel box we also have hundreds of events where kids come and they learn how to code for the first time here's how you can help we're open source so check out our github get involved our communities online you can see the different features that people's are asking for we're also doing events all over the world a lot of people are hosting them at their companies if you're interested in doing so reach out to us thank you so much for coming and learning about jewel box today enjoy the rest of your summit [Music] ladies and gentlemen please welcome hacker femme au founder Femi who Bois de Kunz [Music] good afternoon red hat summit 2018 i'm femi holiday combs founder of hacker femme Oh I started coding when I was 8 when I was 9 I set up South London raspberry jam through crowdfunding to share my passion for coding with other young people who might not otherwise be exposed to tech since then I've run hundreds of coding and robot workshops across the UK and globally in 2017 I was awarded an inaugural legacy Diana award by their Royal Highnesses Prince William and Prince Harry my service and community we welcome young people who have autism or like me tract syndrome because coding linked me up to a wider community of like-minded people and I'm trying to do the same for those who might also benefit from this I also deliver workshops to corporate companies and public organizations whilst feeding back ideas and resources into my community work we like to cascade our knowledge and experience to other young coders so that they can benefit too we're learning new tech every day we're starting to use github to document and manage our coding projects we've no dread we're using the terminal and beginning to really appreciate Linux as we explore cybersecurity and blockchain it's been quite a journey from South London to the world-famous Tate Modern museum to Bangladesh to this my first trip to the States and soon to China where I hope to translate my microwave workshops into Mandarin on this journey I'm noticed it is increasingly important for young coders to have collaborative and community led initiatives and enterprise and career ready skills so my vision now is to run monthly meetups and in collaboration with business partners help a hundred young disadvantaged people to get jobs in the digital services in fact out of all the lessons I've learned from teaching young coders they all have one thing in common the power of open source and the importance of developing community and today I want to talk about three of those lessons the value of reaching out and collaborating the importance of partnering event price and the ability to self organize and persist which translated into English means having a can-do attitude getting stuff done when you reach out when you show curiosity you realize you're not alone in this diverse community no matter who you are and where you're from from coding with minecraft to meeting other young people with jams I found there are people like me doing things I like doing I get to connect with them that's where open-source comes to the fourth second the open source community is so vast then it crosses continents it's so immersed perspectives that it can take you to amazing places out of space even that's my code running on the International Space Station's Columbus module let's take a lesson and playing was an audio representation for the frequencies recorded in space my team developed Python code to measure and store frequency readings from the space station and that was down linked back to earth to my email box Thomas who's 10 developed an audio file using audacity and importing it back into Python how cool is that Trulli collaboration can take you places you never thought possible because that's how the community works when you throw a dilemma a problem a tip the open source community comes back with answers when you give the community gives back tenfold that's how open source expands but in that vast starscape how do you know what to focus on there are so many problems to solve where do I start your world enterprice enterprise software is very good at solving problems what's the big problem how about helping the next generation be ready for the future I want to do more for the young coding community so I'm developing entrepreneurial business links to get that done this is a way to promote pathways to deal with future business problems whether in FinTech healthcare or supply chains a meeting the skill shortage it is a case for emerging in it's a case for investing in emerging communities and young change enablers throwing a wider net equates to being fully inclusive with a good representation of diversity you know under the shadow of the iconic show back in London there are pockets of deprivation where young people can't even get a job in a supermarket many of them are interested in tech in some way so my goal for the next three years is to encourage young people to become an active part of the coding community with open source we have the keys to unlock the potential for future innovation and technological development with young coders we have the people who have to face these problems working on them now troubleshooting being creative connecting with each other finding a community discovering their strengths along the way for me after running workshops in the community for a number of years when I returned from introducing coding to young street kids in Bangladesh I realized I had skills and experience so I set up my business hacker Famicom my first monetized fehmi's coding boot camp at Rice London Barclays Bank it was a sellout and a few weeks later shows my second I haven't looked back since but it works the opposite way - all the money raised enable me to buy robots for my community events and I was able to cascade my end price knowledge across to other young coders - when you focus on business problems you get active enthusiastic support from enterprise and then you can take on anything the support is great and we have tons of ideas but what does it really take to execute on those ideas to get things done can-do attitudes what open source needs you've seen it all this week we're all explorers ideator z' thinkers and doers open source needs people who can make the ideas happen get out there and see them through like I did setting up Safford and raspberry jam as an inclusive space to collaborate and learn together and that that led to organizing the young coders conference this was about organizing our own two-day event for our partners in industry to show they value young people and wanted to invest in our growth it doesn't stop there oh nice now I'm setting up monthly coding meetups and looking at ways to help other young people to access job opportunities in end price and digital services the underlying ethos remains the same in all I do promoting young people with the desire to explore collaborative problem-solving when coding digital making and building enterprise you fled having the confidence to define our journey and pathways always being inclusive always encouraging innovation and creativity being doers does more than get projects done makes us a pioneering force in the community dreaming and doing is how we will make exponential leaps my generation is standing on the shoulders of giants you the open-source pioneers and the technology you will built so I'd love to hear about your experiences who brought you into the open-source community who taught you as we go to upscale our efforts we encounter difficulties have you and how did you overcome them please do come to talk to me I'll be in the open-source stories booth both today and tomorrow giving workshops or visit the Red Hat page of my website hack Famicom I really value your insights in conclusion I'd like I'd like to ask you to challenge yourself you can do this by supporting young coders find the crowdfunding campaign kick-start their ideas into reality I'm proof that it works it's so awesome to be an active part of the next exponential leap together thank you [Applause] so unbelievable huh you know he reminds me of be at that age not even close and I can tell you I've spent a lot of time with Femi and his mom grace I mean what you see is what you get I mean he's incredibly passionate committed and all that stuff he's doing that long list of things he's doing he's going to do so hopefully today you get a sense of what's coming in the next generation the amazing things that people are doing with collaboration I'd also like to thank in addition to femi I'd like to thank Sauron Sarah and Ellie for equally compelling talks around the open source stories and again as I mentioned before any one of you can have an open source story that can be up here inspiring others and that's really our goal in telling these stories and giving voice to the things that you've seen today absolutely extraordinary things are happening out there and I encourage you to take every advantage you can hear this week and as is our theme for the summit please keep exploring thank you very much [Applause] [Music]