>> live from San Francisco, celebrating 10 years of high tech coverage. It's the Cube covering Veum, World 2019 brought to you by VM Wear and its ecosystem partners. >> Welcome back. We're here! Mosconi North for VM World 2019 10th Year of the Cube covering VM World. I'm stupid and my co host is John Troyer. And welcome to the program to guest from Del Technologies. Sitting to my right is Tender, my Mondal, who's the director of storage solutions and sitting to his right is David when the senior director of server, product planning and management also with Dell. Gentlemen, thanks so much for joining us. All right, so we've got server and storage and talk about something that we've been talking about for a while on the server side been delivered for a bit and on the storage side is now rolling out. So everybody's favorite topic. Nonviolent till memory express or envy me as it rolls off the tongue storage class memory, or SCM and lots of other things, you know, down there, really helping a big, transformational wave that, you know, we really changes how our applications interact with the infrastructure channel, you know, bring us up to date on the latest. >> Sure on, let's start where you ended. We're seeing explosion off applications, right? And in fact, in mornings, keynote. Bad girl singer had a stocky speaks. There are 352 million enterprise applications today. On it will be 792 million in three years. Now, as the applications are growing exponentially, we cannot keep growing the infrastructure at that rate, So N v m e is the way we can consolidate it. Ah, lot off the infrastructure. If we can think about in tow and envy, Emmy starting from the server in fear me off our fabric through the stories area down, toe the back end with envy Emmy necessities. This actually can put together a great platform where you can consulate it. Ah, lot off the applications and delivering the high performance low latency that will need while meeting video surfaced level objectives so we can go over a little bit off the details, but I think it all starts from envy me over fabric coming from the server to the story, Ari. So probably like that's the fourth step we need to consider >> David. Do You know, I love this discussion when we get to talk at the application later because, you know, Flash changed the market a lot. You know, it's like, you know, much better energy, and it's much faster, Anything. But you know, this inflection point that we're talking about for application modernization, you know, envy me is one of those enablers there and something they know your team's been working on >> for a while. Yeah, actually, on the power each side we've been, You know, we've been embracing the benefits of enemy for quite some so many years now, right? We start out by introducing enemy in our 12 generations servers, you know, frontloaded hot, serviceable drives. And then, of course, we branch out from there on in today, you know, Ah, a lot of the servers from a Polish family all support enemy devices. So the benefit there is really giving customer choices in terms of what kind of storage kind of cheering they wanted, you know, for the applications needs. Right now, one of things that's great about, you know, enemy over fabric is it's more than just a flash storage itself. It's about enabling the standards, you know, across the host across the data fire Break down to the storage really to deliver on the overall performance that you know the applications of needs and buy, you know, improving I ops and lower late, Easy overall, from a server perspective, this just means that we're releasing more CPU cycles back into the application so that they can run different types of workloads. And for us, this is this is a great story from power. Just was from Power Macs and coming together to enable this Emmy, Emmy or fabric. >> You know, I'm I'm I'm kind of slow about some of these things, but if you kind of squint at the history and, you know, we went from the PC revolution and then we had, you know, we had Sands and raise right and we had we had centralized toward shared storage last couple of years, a lot of interest and stale right hyper converged. And you had a You had a lot of pizza boxes with the storage right there. It's I mean, I now think right and I'm following the threat, I think which is now that where we now can have ah, Iraq with again a fabric and and again, now we can We can focus on our envy me storage over our envy me over fabric driven, solid state storage somewhere below my servers that are that are doing handling compute somewhere else. Is that that the future we're headed towards now >> Yes. I mean, everything has its place. But to give you the perspective, right? It's not just, I mean coming down to the storage area, but how This is enough bling, the future storage as well. And the storage class memory is the perfect example. And as Defeat said, let's take power, Max, as an example, right. Eso in power Max, you can It is like entrant, envy me ready like you get envy emi over Fabrica de front end But then we have n v m E s s trees in the back end. The thing is now it is also the N v m e is enabling technologies like stories class memory which is bringing in very high performance, very less latency Latency is going down in the order off like tents off microseconds. Now this is as close as you can get. Tow the like Dedham with persistent story. However, you need a balance. This is like order of magnitude are costlier. Now you got bar Max. What we're doing in terms of first, it's envy me. Done right? What do you mean by that? You have, like, Marty controller architectures that can actually do this level of parallel processing and our concurrency. And then we have bought, like, ECM for storage, class, memory and envy, Emmy essences. And we're doing intelligent tearing best on the built in mission learning engine that we have. And it is looking at 40 million data sets. Really time to decide. Like which sort of walk lords should go on this same drives which should go on and the M. E s estates. And on top of it, you add quality of service. So this platform gives you are service level objectives. You can choose from diamond, platinum, gold, silver or bronze, and you can consulate it. Ah, lot off those 352 million different types of applications on this area guaranteeing you are going to meet all off your SL s, no matter what type of applications they were consolidated into. >> Okay, I'm wonder if you could boast. You know bring us into what this means for VM wear customers and break it into two pieces. One is kind of a traditional virtualized shop. And secondly, you know, spend a lot of time in the keynote this morning talking about the cloud native containerized, you know, type of environment. Will there be any difference from from both of your world? >> Yeah, absolutely. I'm glad you brought that up because, you know, from from our perspective, right, what we've seen with the enablement of enemy platforms. You know, John, you brought up a very interesting point, right? It seems like you know, past couple years, we went from moving storage onto the host and now would envy me with fabric. We're actually taking the storage away from the host again. Right? And that's exactly true, because, you know, the first, the first statement you brought up stew. It's about how flash enabled different applications to run better on the host. What? We see that still right? And so what enemy? You know, we see the lower response time enabling our customers Thio run more jobs and more v ems per server. That's one aspect of it. You know, we've seen his benefit a lot of our platform today or using various different applications and solutions, and you talk about the ex rail that's a visa and story for Del. You Talk about Visa and ready notes for customers who want to build it themselves. Right platforms enabled would envy me back playing enemies. Storage allows them to use enemy or SAS sata whatever they want. But the point is, here is that when they're using every me flash, for instance, and I'll talk a little bit about the power climaxed with this all flash, uh, me back plane in a case in the study that we did with V San application running, oh ltp type of workload, we saw the response time with every me over traditional SAS, you know, from our competitors improved by 56% right, which means that from that same particular solution build out, we were able to add 44% more of'em on the platform. Now, at the same time, we increase the overall orders per minute by roughly over 600,000. Oh, pm's for that type of, uh, benchmark over our nearest competitors so that right there is the benefit that we see from my virtual eyes from, Ah, being where perspective >> on. I'll add from the storage perspective in two ways. In fact, in last vehement in a MIA, we demonstrated in tow and envy, EMI over five break up with special build off this fear supporting Envy me over fabric and stories. Class memory with envy Me drives what it gives you a regular like this fear best environment is that you have the ability to move your PM's around like the applications where the highest performance and Latin's is critical. It will be on those special service levels and special like de testers. In fact, that demonstration was like ECM did a store, and in P m E Sense media does so in the same fabric with in Bar Mexican moved things around, whether it's like regular Fibre Channel or CNN and then the other part. I want to add in the morning like we saw the announcement that now communities is built in or will be built in with the years Excite platform, right and you're sexy is bread and butter off all the storage customers that we have now with like when you consider those, uh, those things built in under this fear black from Think about, like how many applications? How many actualized workloads you can run, where that it's on premise or humor. Cloud on AWS. All of those consolidation, as well as like the performance needs while reducing your footprint does the benefit of the V M R R shops. But the PM admits are going to see from the storage site >> again. I'm not following the parts, but what kind of we're not talking about a couple of megabytes here anymore, Right? What size of parts are shipping these days? So >> So, from our perspective, up to 77 gigabyte actually start. Seven terabytes drives are available on the markets today for Envy Me Now, whether customer by those drives, you know, it depends on economic factor. But yeah, it's something that's in this available from Dell >> so on. I'll act to what David said so far in CM drives 750 gig to 1.5. Articulate a C M drives on Dwell ported often drives that will be available in the power Max Acela's 15 terabyte envy EMI assistants. So this is the capacity we're talking about. And again the Latin's is at the application level, like from the storage like you're going to see, like, less than 300 microsecond. That's the power we are bringing in with this technology to the market. >> Give >> us a >> little look forward we talked about, you know, envy me has been shipping for a bit on the servers now, really rolling out on the storage side, I saw there's a lot of started from the space. You know, one recent acquisition got guts and people talking. What? What should we be looking for from both of you over kind of the next 6 to 12 months. >> So over next to a next 6 to 12 months, he will see a lot of innovation in this case from the storage site where wth e order of magnitude. I mean, the one single Ari, I mean, today it supports, say, like, 10 million I offs less than 500 microsecond latency. Ah, I cannot give you the exact details, but within like, a short time, these numbers are going to go up by more than, like, 50%. Latency is goingto get reduced. The troop would will be driving will actually like more than double s o. You see, like a lot of these innovations and kind of like evolution in terms off the drive capacities both from the CME, drives perspective. Envy me, assess these. Those will continue to expand, leading to foster performance. Better consolidation, Uh, for all the workloads. >> Yeah, from our perspective, I mean, you know, data growth is gonna continue. We all know that, And for us, it's like designing systems based on what the customers need, what the applications needs, right. And that's why we have different types of storage available today. So for us, you know, while we're doing a lot of things from a direct attached storage perspective, customers continue to have a need for share storage. EMI over fabric just provides a better know intense story for us, really from a Power edge and Power Macs perspective. But in the future, you asked what we're going to do. Well, we see the need to probably decouple stories, class memory from the host again. And really, what's preventing us from doing today? It's really having the right fabric in place to be able to deliver to that performance level that applications needs. MM evil fabrics, fibre Channel Ethernet ice, scuzzy or I'm sorry, Infinite Band, whatever. These are some of the things that you know we're looking forward to in the future to make that that lead. All >> right, well, it's really been great to see technology that I know the people that build your products have been excited about for many years. But rolling out into the real world deployment for customers that will transform what they're doing. So for John Troyer, I'm still Minuteman back with lots more coverage here from Be enrolled 2019. Thanks for watching the Cube.

(click) >> Welcome this special Cube conversation in the Intel Tech Lounge at the Sundance Film Festival. I'm John Furrier with The Cube. We are here with Ari Kuschnir, who is the founder and managing partner of Missing Pieces. Doing some really amazing work on the future of filmmaking. He's got a great entrepreneurial spirit. And creative desire to deliver great product. Welcome! >> Thank you, thank you. >> So, tell them about Missing Pieces and what's going on in your world. So, there's context. Take a minute to explain what you are working on. >> Well, the premise is to be at this intersection of storytelling technology. And to make stuff people actually want to watch. And VR and AR are parts of it. But not the whole. So, I know some of the conversation focus is on, is on VR, and we're just as excited about where storytelling is headed. In terms of what technology allows us to do. But the key for me is. I'm just passionate about, a new thing comes out. And I want to figure out how to make something really great. But meaningful, and powerful with that. >> We were talking before you came out about filmmaking, obviously trained in the discipline, obviously a variety of other things. But I want to get your perspective, we're on top of this new generation, what does that mean to you? When you hear that new generation, a new creative is coming? What does that mean to you? >> Yeah, I feel like I've ridden the wave of the thing as it's happened. And I mean, the company has too. So, I went to film school in the late 90s. And it was the first time you could buy like, first Final Cut, and the first wave of that. So you could make art little movies on the weekend, you no longer needed even to go to the school itself to borrow the equipment. That was revolutionary in 1999. And then 2005, when we started thinking about the company. You know, your Vimeo, YouTube, video i-Pod all come out within five months of each other. Towards the later part of the year. And it's a revolution. It's clear that with distribution, now not only can we make it and edit it in our laptops. But we can put it out, and millions of people could watch it. And that was the first time that was possible. And it was revolutionary. And I think it still is, to some degree. So, we've just, you know, as it evolves what I see is that, it's not, I've always felt like it's not enough to make the sausage as they say. You know, the directors, the talent that I sign now. Like the project we have now here at Sundance, young Jake. Jake is a great example of a creative who you can't fit in a box. He's an Internet artist, he's a rapper. He's an interactive video maker. He did an app called Emoji.Ink. And he does celebrity emoji portraits. He has a hundred thousand followers on Instagram. So, he can command his own audience. So, when a brand, or an agency comes to him. It's a very different approach than when they come for a very straight up work for hire, director's commercial kind of thing. That is the future, I mean. The future is about having a passionate audience, making things for that audience, understanding it. And being able to communicate with them on a daily basis, or a weekly basis in a powerful way, right? Through story. >> Yeah, I mean, you're riding the wave. And the waves are getting bigger. One of the things we do, we do a lot of tech coverage. And we see this in Cloud computing where software changed from Waterfall to Agile. And now the craft's coming back on the software side. But still now, software is eating the creative world. Because now a new wave is coming. So, speak to that, because you're, this is, you can almost look at the old ways. You mentioned the commercials and films. Almost like the Waterfall. You know, crafts, craft it up and you ship it. And you hope it works well. >> Ari: Yeah. >> But now, you have this new model of iteration. Where it's more Agile creative. How do you do Agile, like your artist, and not lose the craft? >> Yeah, well it's a challenge. Look, I've had so many opportunities in our 10 plus year career to kind of go in that direction of just like quantity over quality. And we could just never do it. I mean we're just not cut out for it. But at the same time, I'm not, I never ignore, how to optimize the content based on data, and based on what the landscape is looking like. So, an important thing for example that we consider in every project is context. Like what, how is this project going to be released? Oh, it turns out that, it's really a big social media push. It's not a TV thing. Or it turns out specifically it's Facebook versus Instagram. And that's a very different type of edit. And a very different type of way you start the video. 'Cause you've got a certain, even a different format, and a different way of looking at the content. So, you start to get into, and then you start to iterate, and look at the different ways in which you can repurpose, and rerelease the content, but customize it for each thing. So, you get into this really interesting place where the data is driving the story. And the feedback is driving the story. >> And the audience is part of the journey. >> Yes. And the comments, and the way in which people are taking the thing that you've made and re-interpreting it, is really interesting. And part of the story. >> You trigger a lot of emotion with me, when we're talking, because, you know, as an entrepreneur, I started media businesses turning into, and no-one has even seen this kind of media business before. But I have no media training of any kind. I did a science major. So, there's certain, and I've observed that there's dogma in the journalism business. And there's, but you know, how dare I challenge that, or others. You're doing the same thing. >> I love that by the way. >> So, I want to ask you. What is the dogma with the old world, 'cause the naysayers are usually the ones with the dogma. "Oh, it will never work!" >> Ari: Yeah. >> So, you're on the front end of this new trend. But you're going to have a visibility into what they're thinking, what is that? >> The dogma is, you know, the whole like, there's only big name directors, and you know, it's a certain caliber of work. And that craft is the ultimate thing. And that you just have to make the thing great. And it'll do the thing that is needs to do. Without any thinking in terms of context, or media buyer. How it can actually become a social, socially engaged piece. So, the thing that we're always fighting is some version of that. And then because we came from a scrappy place, but we're now, you know, a pretty legit thing, I think people, some people will still be like, well that's the kind of like, the problem solving sometimes gets interpreted as scrappy. Which is a word I really don't like. And I think-- >> It's a compliment on one hand. >> Yeah. >> But some people look at it as an insult. "Oh, he's just scrappy!" >> Well-- >> "He's not legit!" >> You never want to be the cheap solution. You want to be the solution that people call because nobody else can solve this problem for you. I think we, there's a strand of the company that's like, the kind of like, pick up the phone and we'll figure it out. And, the impossible project that nobody else can do. And then there's another strand where it's just like, you just want to make stuff people actually want to watch. How hard it that? The thing where you could just buy the media, and expect the results is trickier and trickier. >> I mean you could be different, and innovative, but that might not be good. But if you're good doing it, you're differentiated and you're innovating. >> Ari: That's right. >> What's the filmmaking track on that line. Because certainly there's a lot of innovation. And with innovation comes failure. But people are trying to be different. And being different actually is a good thing. What are some of the trends that you're seeing where people are having some success. And where people are stumbling. >> Yeah, that's a good. I mean what I see is, the things that do well take cultural context into account, and again speak to the people in that way. So, it's like a feedback loop that it's creating with its own audience. And we almost always, there's almost always a time in the process when we're dealing with an agency, or a brand where things start to go a little bit like, too, too much, and in that direction that you don't want it to take. Somebody, usually me, or someone will say, "Look, if we make these changes. "Or if we go in this direction. "We won't want to share it. "And if we don't want to share it, "nobody's going to want to share it." So, that becomes a key thing. Whereas before you could sort of away with some of that, now it's like, well, it has to pass this sort of, kind of litmus test in terms of like, are you comfortable with sharing this thing, because it speaks to you or not. >> So, I want to ask you the hard question, we're here at the Intel Tech Lounge, obviously Intel is doing a lot of tech things. They're trying to get all this new tech. And I see it on, whether you watch the NFL playoffs, with, you know, with the camera angles, the games, on basketball games. You see them using the power of technology-- >> We're actually working on an Intel Olympics VR related project that got a little tease ad, CES. So, I can just say that. >> Yeah I know, so what's the tech? What's the cool new game changer in your mind. As a tool that you need to be more successful, and other artists could use? >> Hmmm, well, you tend to, yeah I mean, I think we-- >> John: More horsepower, more compute, more-- >> No, I mean it's really the, What happened with the AR was really interesting, which was, everyone realized, oh, the phone's already in our pocket. While the headset needs to be something that really needs to be standalone. It needs to be $200. You know, like, you sort of, there's different kinds of headsets, of course. They do different kinds of things. But that's an extra hardware. The phone we already have in our pockets. So, everyone's started taking AR seriously. Including the big players. And what that allowed was a, a rethinking of what the possibilities with story would be. So, in some ways this last year has been a readjustment, and a rethinking of, well, what can you do with the phone that you've already got in your pocket. In terms of expanding the storytelling. Or placing a story in the middle of your living room, you know. A layer, using the phone as a window and a layer. But I'm equally as excited about what's coming in VR, interactive VR, room-scale VR, you know. The project that we have here is an interactive 360 project with a phone. >> What's that called? >> It's called On My Way. And the artist is young Jake. And the original conceit of it, is, it's Jake, there's four Jakes in a car. And every time you move the phone to a different Jake, it changes the Jake. So, as soon as it passes the quadrants. So, the four quadrant it kind of swaps the Jake. And that creates a really fun, and interesting thing. And he actually designed it for the phone, vertical. Because that's the way most people are going to experience it. >> John: That's awesome. >> But it's playing on a headset as well. >> Oh you're definitely a new creative. Love chatting with you. >> Thank you. >> Final, well, I have two questions, first one is, Sundance, what's the story this year? What's your report? If you had to go back and your friend asked you to give him a report, "Hey, what happened Ari, "what's going on at Sundance this year?" >> A combination of really interesting high-end VR projects. Some of them leaning into this kind of like more psychedelic less narrative driven stuff. Which I really like. Kind of like really embracing the fact that it's another world, and taking you there. And then the AR stuff. There's a thing called Tender, Ten Day R. Or Tendar. Which is a play on Tinder, by Tinder Claus. Which is, uses augmented reality, and emotion, and machine learning, everything that you could hope for in a really interesting way. So, that's kind of showing you where it's going. So, I think those two things. >> Psychedelic's interesting. I always, I mean this kind of tangent. But in, I've been seeing on The Cube interviews, I think we're going to have a digital hippy revolution. >> Ari: Definitely! >> And it's coming. I mean you can feel it. It's a different culture. >> When I was looking a lot of people, yeah, a lot of people are scared to, I mean, VR is a really great consciousness expanding way to go to get into other worlds. Without, you know-- >> And will all the crap going on in the world today you can almost look at this as a Sixties like movement in this modern era. Where it could be a major catalyst for massive change. >> Yeah, and there's a piece about, you know, this female shaman that grows through the tribe in Ecuador. And became the first ever female shaman for her tribe. And there's a piece called Chorus that, within it. Which is just super weird and trippy. And almost has no plot, but is amazing. >> All right Ari, you've got to run. Quick soundbite. What are you working on, what's exciting you these days? Share a little bit about what's happening. >> A variety of, again it's the full spectrum of storytelling, so it's not one thing. It's really pushing, experiential pushing, branded content pushing, original content that we're getting a lot more into that game. Long form series. VR series. Really, that's kind of the next wave for the company is to set foot, much stronger in the original space, and create our own original IP. Our own original content. >> Awesome, Ari Kuschnir managing partner and founder of Missing Pieces, check them out. Lot of great work. And again, it's a whole new game changing, from storytelling to the tech. The collision between technology and artistry, and creative, and it's happening. It's here at Sundance, at the Intel Tech Lounge. I'm John Furrier with The Cube conversation here at Sundance, which is part of our coverage. Was to look at the angle of Sundance 2018. Thanks for watching. (upbeat music)

>> Voiceover: Live from San Francisco, it's theCUBE, covering Samsung Developer Conference 2017 brought to you by Samsung. >> Welcome back, we're live here in San Francisco. We're here at the SDC, the Samsung Developer Conference. I'm John Furrier, the co-founder of SiliconANGLE and co-host of theCUBE. My next guest, Lisa Fetterman, who is of Nomiku and she's a three-time, triple-star winner, Forbes Under 30- >> Inc 30 Under 30, and Zagat 30 under 30. That's a weird one. >> That's a great one. You're likely to get the Michelin Star soon. Tell us about your company. It's a really super story here. You have this new device you guys started. Tell the story. >> Well, speaking of Michelin Stars, I used to work under the best chefs in the nation. I worked under my Mario Batali, Jean-Georges at the three Michelin Star restaurants and I saw this huge, hulking piece of laboratory equipment. We would cook so many of our components in it and I'd lusted after one for myself, but they were $2000 and up, so that was like you know what, I'm going to save up money and then I went on a date with a plasma physicist and he said, "Hey, you know what, "we could just make it on our own." We run to the hardware store, we make a prototype. We travel all across the United States and teach people how to make their own DIY open-source sous vide kits to the point where we amassed so much attention that Obama invited us to the White House. And then we put it on Kickstarter and it becomes the #1 most-funded project in our category, and we are here today with our connected home sous vide immersion circulator that interacts with Samsung's Smart Fridge. >> That's a fantastic story of all in a very short time. Well done, so let me just back up. You guys have the consumer device that all the top chef's have. >> That's right. >> That's the key thing, right? >> It's consumable, low-priced, what's the price point? >> We do hardware, software, and goods. Right now the price of our machine is $49 on souschef.nomiku.com because it interacts with the food program. So there's food that comes with the machine. You weigh the food in front of the machine. It automatically recognizes the time and temperature. It interacts with different time and temperatures of different bags of food, and you just drop it in. In 30 minutes, you have a gourmet chef-prepared meal just the way that we would do it in Michelin Star restaurants. >> And now you're connecting it to Samsung, so they have this SmartThings Messaging. That's kind of the marketing, SmartCloud, SmartThings. What does that mean, like it's connected to the wifi, does it connect to an app? Take us through how it connects to the home. >> We're connected through Family Hub, which is the system inside of the Samsung Smart Fridge. Every single Samsung Smart Fridge ships with a Nomiku app pre-downloaded inside of it and the fridge and the Nomiku talk to each other so there's inventory management potential. There's learning consumer behaviors to help them. Let's say you cook a piece of chicken at 4:00 AM. You go to a subset of people who also do that, like wow, and then we recognize that those folks do CrossFit. They will eat again at 7:00 AM because they eat more little meals rather than full meals, and then we can recommend things for them as their day goes along, and help manage things for them, like a personal assistant. >> So it's like a supply chain of your personal refrigerator. So can you tell if the chicken's going to go bad so you cook the chicken now, kind of thing? That would be helpful. >> You can actually tell if the chicken's going to go bad. If the chicken, if there's a recall or the chicken's expired and you tap it with the machine, the machine will tell you to throw it out. >> So tell us about some of the travel's you've been under. You said you've traveled the world. You also have done a lot of writing, best-selling author. Tell us about your books and what you're writing about. >> I wrote the book called Sous Vide at Home. It's an international best-seller and it's sous vide recipes. Everybody has been lusting after sous vide since we invented the technology in 2012, so much actually that the market for it grows 2.5x every single year so the adoption rate is insane. The adoption rate for sous vide actually has surpassed that of the internet, the cell phone, and the personal computer. >> Why is the excitement on the Kickstarter, obviously, the record-breaking, and the sales, and the trend, why is it so popular? Is it 'cause it's a convenience? Is it the ease of use, all of the above? What's the main driver? >> All of the above. If you ever cooked in the kitchen and you've lost your confidence, it was mostly because you messed something up in the kitchen. This is foolproof cooking. So at 57 degrees Celsius, that's when the fat and the collagen melt into the muscle of steak, making each bite so juicy, tender, and delicious. We can set it at exactly that magic temperature, drop a steak in, and then put it in the water. When you cook it like that, there's no overcooking the muscle and it becomes effectively marbled by all that juicy, fat deliciousness. >> Aw, I'm kind of hungry already. >> Yeah. >> Lenny wants a steak. I can hear Leonard moaning over there. Okay, let's get down to the science here because a lot of people might not understand what temperatures to cook anything. Do you guys provide some best practices because this is a game-changer for my family of four. >> We want to meal cooked fast, but you want to have meals staged potentially and then recook them. How does someone use it? Is there a playbook? Is there a cookbook? >> Like we say in the industry, there's an app for that. The app is on the Smart Fridge and it's also on your smartphones. Moreover, so the machine acts as a stand-alone sous vide machine for you to cook your own recipes, and it also reads rfid tags from our meals. If you use our meals, then it's a no-brainer. You just tap and then put in the water. There's nothing more. Actually people get flustered that it's so easy. They're like, "That's it? "That was all that was?" But I hate smart devices that actually make people stupider. Being a stand-alone sous vide machine, you can create any of your recipes whether it's from my cookbook, the app, which is community-focused, so we have over 1000 recipes inside there from our community. People make it and they share it with the world. >> So with the Kickstarter, I'm just going to ask that next question. I'll say community layer. >> Sure. Kind of like is it a Reddit page? Do you have your own pages? What's going on with the community? Tell us about the community. >> Oh, the community. Everybody who has an OmniCube downloads our app called Tender and inside you can make your own-- >> Not to be confused with Tinder. >> Correct. >> Tender. >> Although I wouldn't mind if you confused it and instead of going out, I guess you're making dinner. >> Wife left for the steak and right for the chicken. >> (laughing) Exactly, exactly. We love the play on the word. >> That's great. >> When you make your own little profile, it encourages you to share. It's really fun because you can keep your recipes in there so you never have to look it up ever again. You can bing it and it goes directly to your machine. It's great for professional chefs, too 'cause you can share it with your entire team. >> So maybe we should start a Cube food channel. You can get a dedicated recipe channel. Exciting. >> That's great. Will you be my sous chef? >> (laughing) Course, I'm a great guest to have do that. If I can do it, anyone can do it. How do I get one? How do people buy? What's the deal? >> It's namiku.com for just our hardware, and in California, we've launched our food program on souschef.nomiku.com. Right now our machines for the food program are only $49. That is such a great value considering that souv vide machines are usually $200 and up right now. >> Awesome, well thank you so much for coming on. I really appreciate it. Lisa Fetterman is CEO, entrepreneur of Namiku, entrepreneur of great stuff here in the Cube. Of course, we're bringing the food, tech, and remember, farming tech is big, too, so as the culture gets connected, the food from the farm to the table is being changed with data and IT. More after this short break. (innovative tones)