>> Narrator: From the CUBE Studios in Palo Alto, in Boston. Connecting with thought leaders all around the world, this is a CUBE Conversation. >> Hi, everybody. Welcome to the special Cube Conversation. With COVID-19 hitting, organizations really had to focus on business resiliency, and we've got two great guests here to talk about that topic. Bob Bender's the chief technology officer at Founders Federal Credit Union. And he's joined by Jim Shook, who is the director of cybersecurity and compliance practice at Dell Technologies. Gentlemen, thanks for coming on the CUBE, great to see you. >> Thanks, Dave, great to see you, thank you. So, Bob, let's start with you, give us a little bit of background on Founders and your role. >> Founders Federal Credit Union is a financial institution that has about 225,000 members, serving them in 30 different locations, located in the Carolinas. I serve as chief technology officer bringing in the latest technology and cyber resilient direction for the company. >> Great. And Jim, talk about your role. Is this a new role that was precipitated by COVID or was this something that Dell has had for a while? Certainly relevant. >> It's actually been around for a while, Dave. The organization invested in this space going back about five years, I founded the cyber security and compliance practice. So really, my role is most of the time in the field with our customers, helping them to understand and solve their issues around the cyber resilience and cyber recovery field that we're talking about. But I also, to do that properly, spend a lot of time with organizations that are interested in that space. So it could be with an advisory partner, could be the FBI, might be a regulator, a particular group like Sheltered Harbor that we've worked with frequently. So it's just really, as you point out, taken off first with ransomware a couple of years ago, and then with the recent challenges from work from home in COVID. So we're really helping out a lot of our customers right now. >> Bob, I've talked privately to a number of CIOs and CSOs and many have said to me that when COVID hit that their business continuance was really much too (voice cuts out) Now, you guys actually started your journey way back in 2017. I wonder if you could take us back a few years and what were the trends that you were seeing that precipitated you to go on this journey? >> Well, I think we actually saw the malware, the horizon there. And I'll take you back a little further 'cause I just love that story is, when we looked at the relationship of Dell EMC, we talked to the 1% of the 1%, who is protecting their environment, their data capital, the new critical asset in our environment. And Dell EMC was the top of the line every time. When we looked at the environment and what it required, to put our assets under protection, again, we turned to Dell EMC and said, where do we need to go here? You look at this Mecklenburg County, you look at the city of Atlanta, you look at Boeing and I hate to use the examples, but some very large companies, some really experienced companies were susceptible to this malware attacks that we just knew ourself it was going to change us. So the horizon was moving fast and we had to as well. >> Well, you were in a highly regulated industry as well. How did that factor into the move? Well, you're exactly right. We had on our budget, our capital budget horizon, to do an air gap solution. We were looking at that. So the regulatory requirements were requiring that, the auditors were in every day talking about that. And we just kept framing that in what we were going to do in that environment. We wanted to make sure as we did this purpose built data bunker, that we looked at everything, talk to the experts, whether that was federal state regulation. You mentioned Sheltered Harbor, there's GDPR. All these things are changing how are we going to be able to sustain a forward look as we stand this environment up. And we also stood up a cyber security operations center. So we felt very confident in our Runbooks, in our incident response, that you would think that we would be ready to execute. I'll share with you that we reached out every which way and a friend called me and was actually in a live ransomware event and asked if I wanted to come on to their site to help them through that incident. We had some expertise on our staff that they did not possess at that time. So going into that environment, spending 30 hours of the last 72 hours of an attack we came back changed. We came back changed and went to our board and our executives and said, "We thought we knew what we were doing." But when you see the need to change from one to 10 servers recovery to 300 in 72 hours, we just realized that we had to change our plan. We turned to the investment we had already made and what we had looked at for some time, and said, "Dell EMC, we're ready to look at that "PowerProtect Cyber Recovery solution. "How can you stand this up very quickly?" >> So, Jim, Bob was saying that he looked at the 1% of the 1%, so these guys are early adopters, but anything you can add to that discussion in terms of what you saw precipitate the activity, let's go pre-COVID, certainly ransomware was part of that. Was that the big catalyst that you saw? >> It really was. So when we started the practice, it was following up on the Sony Pictures attack, which only hit Sony in that. But it was unique in that it was trying to destroy an organization as opposed to just steal their data. So we had financial industry really leading the way, the regulators in the financial industry saying, "Gosh, these attacks could happen here "and they would be devastating." So they led the way. And as our practice continued, 2016 became the year of ransomware and became more prevalent, with the attackers getting more sophisticated and being able to monetize their efforts more completely with things like cryptocurrencies. And so as we come around and start talking to Bob, he still was well ahead of the game. People were talking about these issues, starting to grow concerned, but didn't really understand what to do. And Dave, I know we'll get to this a little bit later, but even today, there's quite a bit of disconnect, many times between the business, understanding the risks of the business and then the technology, which really is the business now, but making those pieces fit together and understanding where you need to improve to secure against these risks is a difficult process. >> Well, I think I'd love to come back to Bob and try to understand how you pitch this to the board, if you will, how you made the business case. To Jim's point, the adversaries are highly capable. It's a lucrative business. I always talk to my kids about ROI numerator and denominator. If you can raise the denominator, that's going to lower the value. And that's the business that you're in is making it less attractive for the bad guys. But how did you present this to the board? Was it a board level discussion? >> It was, exactly. We brought Dell EMC PowerProtect Cyber Recovery solution to them and said, not only you're experiencing and seeing in the news daily, these attacks in our regions, but we have actually gone out into an environment and watch that attack play out. Not only that is when we stepped away, and we ran through some tabletops with them and we stepped away. And we said, "Are you okay? "Do you know how it got in? "Are you prepared to protect now and detect that again?" Within 30 days, they were hit again by the same ransomware attacks and hackers. So I hate to say this, but I probably fast forwarded on the business case and in the environment, the horizon around me, players, they made my case for me. So I really appreciated that top down approach. The board invested, the executive invested, they understood what was at risk. They understood that you don't have weeks to recover in the financial institution. You're dealing with hundreds of thousand transactions per second so it made my case. We had studied, we had talked to the experts. We knew what we wanted. We went to Dell EMC and said, "I have six months and here's my spend." And that's from equipment hitting our CoLOS and our data centers, standing it up, standing up the Runbooks and it's fully executed. And I wanted an environment that was not only holistic. We built it out to cover all of our data and that I could stand up the data center within that environment. I didn't need another backup solution. I needed a cyber recovery environment, a lifestyle change, if you would say. It's got to be different than your BCP/DR. While it inherits some of those relationships, we fund it with employees separately. We treated the incident response separately, and it is really benefited. And I think we've really grown. And we continue to stress that to educate ourselves not only at the board level, but a bottom up approach as well with the employees. 'cause they're a part of that human firewall as well. >> I think you've seen this where a lot of organizations, they do a checkbox on backup or as I was saying before, DR. But then in this world of digital, when a problem hits, it's like, "Oh-oh, we're not ready." So I wonder Jim, if we can get into this solution that Bob has been talking about the Dell EMC PowerProtect Cyber Recovery solution, there's a mouthful there. You got the power branding going on. What is that all about? Talk to us about the tech that's behind this. >> It's something that we've developed over time and really added to in our capability. So at its core, PowerProtect Cyber Recovery is going to protect your most critical data and applications so that if there is a cyber attack, a ransomware or destructive attack, they're safe from that attack. And you can take that data and recover the most important components of the business. And to do that, we do a number of things, Dave. The solution itself takes care of all these things. But number one is we isolate the data so that you can't get there from here. If you're a bad actor, even an insider, you can't get to the data because of how we've architected. And so we'll use that to update the critical applications and data. Then we'll lock that data down. People will use terms like immutability or retention lock. So we'll lock it down in that isolated environment, and then we'll analyze it. So it's one thing to be able to protect the data with the solution, it's another, to be able to say that what I have here in my data vault, in my air gapped isolated environment is clean. It's good data. And if there was an attack, I can use that to recover. And then of course over time, we've built out all the capabilities. We've made it easier to deploy, easier to manage. We have very sophisticated services for organizations that need them. And then we can do a much lighter touch for organizations that have a lot of their built in capabilities. At its core, it's a recover capability so that if there was an attack that was unfortunately successful, you don't lose your business. You're not at the mercy of the criminals to pay the ransom. You have this data and you can recover it. >> So Bob, talk to us about your objectives going into this. It's more than a project. It really is a transformation of your resiliency infrastructure, I'll call it. What were your objectives going in? A lot of companies are reacting, and it's like, you don't have time to really think. So what are the objectives? How long did it take? Paint a picture of the project and what it looked like, some of the high level milestones that you were able to achieve. >> Well, I think several times Dell EMC was able to talk us off the edge, where it really got complicated. The Foundation Services is just one of your more difficult conversations, one of the top three, definitely, patch management, notification, and how you're going to rehydrate that data, keeping that window very small to reduce that risk almost completely as you move. I think other area this apply is that we really wanted to understand our data. And I think we're on a road to achieving that. It was important that if we were going to put it into the vault, it had a purpose. And if we weren't going to put it in a vault, let's see why would we choose to do that? Why would we have this data? Why would we have this laying around? Because that's a story of our members, 225 stories. So their ability to move into financial security, that story is now ours to protect. Not only do we want to serve you in the services and the industry and make sure you achieve what you're trying to, but now we have that story about you that we have to protect just as passionately. And we had that. I think that was two of the biggest things. I think the third is that we wanted to make sure we could be successful moving forward. And I'll share with you that in the history of the credit union, we achieved one of the biggest projects here, in the last two years. That umbrella of the Cyber Recovery solution protection was immediate. We plugged in a significant project of our data capital and it's automatically covered. So I take that out of the vendor of responsibility, which is very difficult to validate, to hold accountable sometimes. And it comes back under our control into this purpose built data security and cyber resilient, business strategy. That's a business strategy for us is to maintain that presence. So everything new, we feel that we're sized, there's not going to be a rip and replace, a huge architectural change because we did have this as an objective at the very beginning. >> Tim, when you go into a project like this, what do you tell customers in terms of things that they really should be focused on to have a successful outcome? >> I'm going to say first that not everybody has a Bob Bender. So we have a lot of these conversations where we have to really start from the beginning and work through it with our customers. If you approach this the right way, it's really about the business. So what are the key processes for your business? It can be different from a bank than from a hospital than from a school point. So what are the key things that you do? And then what's the tech that supports that and underlies those processes? That's what we want to get into the vault. So we'll have those conversations early on. I think we have to help a lot of organizations through the risks too. So understand the risk landscape, why doing one or two little things aren't really going to protect you from the full spectrum of attackers. And then the third piece really is, where do we start? How do we get moving on this process? How do we get victory so that the board can understand and the business can understand, and we can continue to progress along the way? So it's always a bit of a journey, but getting that first step and getting some understanding there on the threat landscape, along with why we're doing this is very important. >> So, Bob, what about any speed bumps that you encountered? What were some of those? No project is ever perfect. What'd you run into? How'd you deal with it? >> Well, I would say the Foundation Services were major part of our time. So it really helped for Dell EMC to come and explain to us and look at that perimeter and how our data is brought into that and size that for us and make sure it's sustainable. So that is definitely, could be a speed bump that we had to overcome. But today, because of those lifts, those efforts invested the Runbooks, the increase in new products, new data as our business organically grows is a non-event. It's very plug and play and that's what we wanted from the start. Again, you go back to that conversation at 1% of the 1%, it's saying, who protects you? We followed that. We stayed with the partner we trusted, the horizon holistically has come back and paid for itself again and again. So speed bumps, we're just enjoying that we were early adapters. I don't want to throw anybody out there, but you look about two weeks ago, there was a major announcement about an attack that was successful. They got them with ransomware and the company paid the ransom. But it wasn't for the ransomware, it was for the data they stole so that they would delete it. That's again, why we wanted this environment is we needed time to react in the case that these malwares are growing much faster than we're capable of understanding how they're attacking. Now it's one, two punch, where's it going to be? Where is it going to end? We're not going to likely be patient zero, but we're also not going to have to be up at night worrying that there's a new strain out there. We have a little time now that we have this secure environment that we know has that air gap solution that was built with the regulatory consideration, with the legal considerations, with the data capital, with the review of malware and such. You can go back in time and say, "Scan to see if I have a problem. So again, the partnership is while we focus on our business, they're focusing on the strategy for the future. And that's what we need. We can't be in both places at once. >> How long did the project take from the point of which you agreed, signed the contract to where you felt like you were getting value out of the solution? >> Six months. >> Really? >> We were adamant. I'd put it off for a year and a half, that's two budget cycles basically is what it felt. And then I had to come back and ask for that money back because we felt so passionate that our data, our critical data didn't need to be at that risk any longer. So it was a very tight timeline. And again, product on prem within six months. And it was a lot of things going on there. So I just wasn't idle during that time. I was having a conversation with Dell EMC about our relationship and our contracts. Let's build that cyber resilience into the contract. Now we've got this, PowerProtect Cyber Recovery environment, let's build it here where you also agree to bring on extra hardware or product if I need that. Let's talk about me being on a technology advisory panel So I can tell you where the pricing of the regulations are going, so you can start to build that in. Let's talk about the executive board reporting of your products and how that can enable us. We're not just talking about cyber and protecting your data. We're talking about back then 60% of your keep the lights on IT person will spend with auditors, talking about how we were failing. This product helped us get ahead of that to now where we're data analytic. We're just analysts that can come back to the business table and say, "We can stand that up very quickly." Not only because of the hardware and the platform solution we have, but it is now covered with a cyber resilience of the the cyber security recovery platform. >> I want to ask you about analytics. Do you feel as though you've been able to go from what is generally viewed as a reactive mode into something that is more anticipatory or proactive using analytics? >> Well, I definitely do. We pull analytics daily and sometimes hourly to make sure we're achieving our KPIs. And looking at the KRIs, we do risk assessments from the industry to make sure if our controls layer of defenses are there, that they will still work what we stood up three years ago. So I definitely think we've gone from an ad hoc rip and replace approach to transformation into a more of a threat hunting type of approach. So our cyber security operation center, for us, is very advanced and is always looking for opportunities not only to improve, to do self-assessments, but we're very active. We're monetizing that with a CUSO arm of the credit union to go out and help others where we're successful, others that may not have that staff. It's very rewarding for us. And I hate to say it sometimes it's at their expense of being in-evolved in the event of a ransomware attack or a malware event. We learned so much the gaps we have, that we could take this back, create Runbooks and make the industry stronger against these types of attacks. >> Well, so Jim, you said earlier, not every company has a Bob Bender. How common is it that you're able to see customers go from that reactive mode into one that is proactive? Is that rare or is it increasingly common? It can't be a 100%, but what are you seeing as trends? >> It's more common now. You think of, again, back to Bob, that's three plus years ago, and he's been a tireless supporter and tireless worker in his industry and in his community, in the cyber area. And efforts like those of Bob's have helped so many other organizations I think, understand the risks and take further action. I think too, Bob talks about some of the challenges with getting started in that three year timeframe, PowerProtect Cyber Recovery has become more productized, our practice is more mature. We have more people, more help. We're still doing things out there that nobody else is touching. And so we've made it easier for organizations that have an interest in this area, to deploy and deploy quickly and to get quick value from their projects. So I think between that some of the ease of use, and then also there's more understanding, I think, of what the bad actors can do and those threats. This isn't about somebody maybe having an outage for a couple of hours. This is about the very existence of a business being threatened. That if you're attacked, you might not come back from it. And there've been some significant example that you might lose hundreds of millions of dollars. So as that awareness has grown, more and more people have come on board and been able to leverage learnings from people like Bob who started much earlier. >> Well, I can see the CFO saying, "Okay, I get it. "I have no choice where we're going to be attacked. "We know that, I got to buy the insurance. You got me." But I can see the CFO saying, "Is there any way we can "get additional value out of this? "Can we use it to improve our processes and cut our costs? "Can we monetize this in some way?" Bob, what's the reality there? Are you able to find other sources of value beyond just an insurance policy? >> Definitely, Dave you're exactly right. We're able to go out there and take these Runbooks and really start to educate what cyber resilience means and what air gap means, what are you required to do, and then what is your responsibility to do it. When you take these exercises that are offered and you go through them, and then you change that perspective and go through a live event with other folks that see that after 60 hours of folks being up straight, it really changes your view to understand that there's no finish line here. We're always going to be trying to improve the product and why not pick somebody that you're comfortable with and you trust. And I think that's the biggest win we have from this is that was a Dell EMC partnership with us. It is very comfortable fit. We moved from backup and recovery into cyber resilience and cybersecurity as a business strategy with that partner, with our partner Dell, and it hasn't failed us. It's a very comforting. We're talking about quality of life for the employee. You hear that, keep the lights on. And they've really turned into professionals to really understand what security means differently today and what that quality of data is. Reports, aren't just reports, they're data capital. The new currency today of the value we bring. So how are we going to use that? How are we going to monetize that? It's changing. And then I hate to jump ahead, but we had our perimeters at 1% of our workforce remote and all of a sudden COVID-19 takes on a different challenge. We thought we were doing really good and next, we had to move 50% of our employees out in five days. And because of that Dell EMC, holistic approach, we were protected every step of the way. We didn't lose any time saying, we bought the wrong control, the wrong hardware, the wrong software. It was a very comfortable approach. The Runbooks held us, our security posture stayed solid. It's been a very rewarding. >> Well, Bob, that was my next question, actually is because you've started the journey. >> Sorry. >> No, no, it's okay. Because you started the journey early, were you able to respond to COVID in a more fast sell manner? it sounds like you just went right in. But there's nuance there, because you've got now 50% or more of the workforce working at home, you got endpoint security to worry about. You got identity access management, and it sounds like you were, "No problem. "We've got this covered." Am I getting that right? >> You're exactly right, Dave. We test our endpoints daily. We make sure that we understand what residue of data is where. And when we saw that employee shift to a safe environment, our most consideration at that time, we felt very comfortable that the controls we had in place, again, Dell and their business partners who we are going to hold true and be solid. And we test those metrics daily. I get reports back telling me, what's missing in patch management, what's missing in a backup. I'll go back to keeping BCP and cyber security separate. In the vault, we take approach of recovery and systems daily. And now that goes from maybe a 2% testing rate almost to 100% annually. So again, to your point, COVID was a real setback. We just executed the same Runbooks we had been maturing all along. So it was very comfortable for employees and it was very comfortable for our IT structure. We did not feel any service delays or outages because of that. In a day, when you have to produce that data, secure that data, every minute of every day of every year, it's very comforting to know it's going to happen. You don't push that button and nothing happens. It's executed as planned. >> Jim, did you see a huge spike in demand for your services as a result of COVID and how did you handle it? You guys got a zillion customers, how did you respond and make sure that you were taking care of everybody? >> We really did see a big spike, Dave. I think there were a couple of things going on. As Bob points out, the security posture changes very quickly when you're sending people to work from home or people remotely, you've expanded or obliterated your parameter, you're not ready for it. And so security becomes even more important and more top of mind. So with PowerProtect Cyber Recovery, we can go in and we can protect those most critical applications. So organizations are really looking at their full security posture. What can we do better to detect and protect against these threats? And that's really important. For us, we're focusing on what happens when those fail? And with that extension and people going home, and then the threat actors getting even more active, the possibilities of those failures become more possible and the risks are just in front of everybody. So I think it was a combination of all of those things. Many, many customers came to us very quickly and said, "Tell us more about what you're doing here. "How does it fit into our infrastructure? "What does it protect us against? "How quickly can we deploy?" And so there has been a huge uptake in interest. And we're fortunate in that, as you pointed out early on, Dave, we invested early here. I'm five years into the practice. We've got a lot of people, very mature, very sophisticated in this area, a lot of passion among our team. And we can go take care of all those customers. >> Bob, if you had a mulligan, thinking about this project, what would you do differently if you had a chance to do it over? >> I think I would start earlier. I think that was probably the biggest thing I regret in that realizing you need to understand that you may not have the time you think you do. And luckily, we came to our senses, we executed and I got to say it was with common sense, comfortable products that we already understood. We didn't have to learn a whole new game plan. I don't worry about that. I don't worry about the sizing of the product 'cause we did it, I feel correctly going in and it fits us as we move forward. And we're growing at an increased rate that we may not expect. It's plug and play. Again, I would just say, stay involved, get involved, know that what we know today about malware and these attacks are only going to get more complicated. And that's where I need to spend my time, my group become experts there. Why I really cherish the Dell EMC relationship is from the very beginning, they've always been very passionate on delivering products that recover and protect and now are cyber resilient. I don't have to challenge that, you pay for what you get for. And I just got to say, I don't think there's much other than I would have started earlier. So start today, don't put it off. >> So you said earlier though, you're never done, you never are, in this industry. So what's your roadmap look like? Where do you want to go from here with this capability? >> I definitely want to keep educating my staff, keep training them, keep working with Dell. Again, I tell you they're such forward thinking as a company. They saved me that investment. So if you're looking at part of the investment, it's got to be, are you with a partner that's forward thinking? So we definitely want to mature this, challenge it, keep challenging, keep working with Dell and their products to deliver more. Again, we go to the federal and state regulatory requirements. You go to the Sheltered Harbor, the ACET testing from the NCUA regulators, just software asset management. You can keep on going down the line. This product, I hate to say it, it's like the iPhone. You think about how many products the iPhone has now made not relevant. I don't even own a flashlight, I don't think. This is what the Dell product line brings to me is that I can trust they're going to keep me relevant so I can stay at the business table and design products that help our members today. >> Jim, how about from Dell's perspective, the roadmap, without giving away any confidential information, where do you want to take this? We talk about air gaps. I remember watching that documentary Zero Days and hearing them say, "We got through an air gap. "No problem." So analytics obviously plays a role in this machine intelligence, machine learning, AI. Where does Dell want to take this capability? Where do you see that going? >> We've got some things in mind and then we're always going to listen to our customers and see where the regulations are going to. And thus far, we've been ahead of those with the help of people like Bob. I think where we have a huge advantage, Dave is with PowerProtect Cyber Recovery. It's a product. So we've got people who are dedicated to this full time. We have a maturity in the organization, in the field to deliver it and to service it. And having something as a product like that really enables us to have roadmaps and support and things that customers need to really make this effective for them. So as we look out on the product, and thanks for your reminder, I don't want to risk saying anything here I'm going to get in trouble for. We look at things in three paths. One is we want to increase the ability for our customers to consume the product. So they want it in different forms. They might want it in appliances, in the Cloud, virtual, all of those things are things that we've developed and continue to develop. They want more capabilities. So they want the product to do more things. They want it to be more secure, and keeping up. As you mentioned, machine learning with the analytics is a big key for us. Even more mundane things like operational information makes it easier to keep the vault secure and understand what's going on there without having to get into it all the time. So those are really valuable. And then our third point, really, we can't do everything. And so we have great partners, whether they're doing delivery, offering cyber recovery as a service or providing secure capabilities, like our relationship with Unisys. They have a stealth product that is a zero knowledge, zero trust product that helps us to secure some of the connections to the vault. We'll keep iterating on all of those things and being innovative in this space, working with the regulators, doing things. Bob's mentioned a couple of times, Sheltered Harbor. We've been working with them for two years to have our product endorsed to their specification. Something that nobody else is even touching. So we'll continue along all those paths, but really following our customer's lead in addition to maybe going some places that they haven't thought about before. >> It's great guys. I have to fear that when you talk to SecOps pros, you ask them what their biggest challenge is, and they'll say lack of talent, lack of skills. And so this is a great example, Jim, you're mentioning it, you've productized this. This is a great example of a technology company translating, IT labor costs into R&D. And removing those so customers can spend time running their business. Bob and Jim, thanks so much for coming on the CUBE. Great story. Really appreciate your time. >> Thank you, Dave. >> Thank you, Dave. >> Thanks, Bob. >> All right. And thank you everybody for watching. This is Dave Vellante for the CUBE. We'll see you next time. (instrumental music)

>> live from Las Vegas. It's the queue covering del Technologies. World twenty nineteen. Brought to you by Del Technologies and its ecosystem partners. >> Welcome back to Las Vegas. Lisa Martin with John Ferrier. You're watching the Cube live at Del Technologies World twenty nineteen. This is our second full day of Double Cube set coverage. We've got a couple of we're gonna really cool conversation coming up for you. We've got Robbie Pender County, one of our alumni on the cue back as VP product management server solutions. Robbie, Welcome back. >> Thank you, Lisa. Much appreciated. >> And you brought some Hollywood? Yes. Glenn Glenn ER, president of Sony Innovation Studios. Glenn and welcome to the Cube. >> Thank you very much. It's great to be here. >> So you are love this intersection of Hollywood and technology. But you're a filmmaker. >> Yeah. I have been filming movies for many years. Uh, I started off making motion pictures for many years. Executive produced him and over so production for them at one of our movie labels called Screen Gems, which is part of Sony Pictures. >> Wait a tremendous amount of evolution of the creative process being really fueled by technology and vice versa. Sony Innovation Studios is not quite one year old. This is a really exciting venture. Tell us about that and and what the the impetus was to start this company. >> You know that the genesis for it was based out of necessity because I looked at a nice Well, you know, I love making movies were doing it for a long time. And the challenge of making good pictures is resource is and you never get enough money believing not you never get enough money and never get enough time. That's everybody's issue, particularly time management. And I thought, Well, you know, we got a pretty good technology company behind us. What if we looked inward towards technology to help us find solutions? And so innovation studios is born out of that idea on what was exciting about it was to know that we had, uh, invited partners to the game right here with Del so that we could make movies and television shows and commercials and even enterprise solutions leaning into state of the art and cutting edge technology. >> And what some of the work prize and you guys envision coming out this mission you mentioned commercials. TV is it going to be like an artist's studio actor? Ackerson Ball is Take us through what this is going to look like. How does it get billed out? >> I lean into my career as a producer. To answer that one and say is going to enable that's one of the greatest things about being a producer is enabling stories, uh, inspiring ideas to be Greenland. That may not have been able to be done so before. And there's a key reason why we can't do that, because one of our key technologies is what we call the volumetric image acquisition. That's a lot of words. You probably say. What the heck is that? But a volumetric image acquisition is our ability to capture a real world, this analog world and digitize it, bring it into our servers using the power of Del and then live in that new environment, which is now a virtual sets. And that virtual set is made out of billions and trillions in quadrillions of points, much like the matter around us. And it's a difference because many people use pixels, which is interpretation of like worry, using points which is representative of the world around us, so it's a whole revolutionary way of looking at it. But what it allows us to do is actually film in it in a thirty K moving volume. >> It's like a monster green screen for the world. Been away >> in a way, your your your your action around it because you have peril X so these cameras could be photographing us. And for all you know, we may not be here. Could be at stage seven at Innovation Studios and not physically here, but you couldn't tell it. If >> this is like cloud computing, we talking check world, you don't the provisional these resource is you just get what you want. This is Hollywood looking at the artistry, enabling faster, more agile storytelling. You don't need to go set up a town and go get the permit. All the all the heavy lifting you're shooting in this new digital realm. >> That's right. Exactly. Now I love going on location on. There's a lot to celebrate about going on location, but we can always get to that location. Think of all the locations that we want to be in that air >> base off limits. Both space, the one I >> haven't been, uh, but but on said I've been I've walked on virtual moons and I've walked on set moons. But what if we did a volumetric image acquisition of someone set off the moon? Now we have that, and then we can walk around it. Or what if there's a great club, a nightclub? This says guys want you shoot here, but we have performances Monday night, Tuesday night, Wednesday night there. You know they have a job. What if we grab that image, acquired it, and then you could be there anytime you want. >> Robbie, we could go for an hour here. This is just a great comic. I >> completely agree with you. >> The Cube. You could. You could sponsor a cube in this new world. We could run the Q twenty four seven. That's absolutely >> right. And we don't even have >> to talk about the relationship with Dale because on Del Technologies, because you're enabling new capabilities. New kind of artistry was just totally cool. Want to get back to the second? But you guys were involved. What's your role? How do you get involved? Tell the story about your >> John. I mean, first and foremost one of things that didn't Glendon mention is he's actually got about fifty movies to his credit. So the guy actually knows this stuff, so which is absolutely fantastic. So we said, How do you go take average to the next level? So what else is better than trying to work something out, wherein we together between what Glenn and Esteem does at the Sony Innovation Labs for Studio Sorry. And as in Dead Technologies could do is to try and actually stretch the boundaries of our technology to a next tent that when he talks about kazillion bytes of data right one followed the harmony of our zeros way have to be able to process the data quickly. We have to be able to go out and do their rendering. We probably have to go out and do whatever is needed to make a high quality movie, and that, I think, in a way, is actually giving us an opportunity to go back and test the boundaries of their technology. They're building, which we believe this is the first of its kind in the media industry. If we can go learn together from this experience, we can actually go ahead and do other things in other industries. To maybe, and we were just talking about how we could also take this. He's got his labs here in Los Angeles, were thinking maybe one of the next things we do based on the learnings we get, we probably could take it to other parts of the world. And if we are successful, we might even take it to other industries. What if we could go do something to help in this field of medicine? >> It's just thinking that, right? Yes. >> Think about it. Lisa, John. I mean, it's phenomenal. I mean, this is something Michael always talks about is how do we as del technologies help in progress in the human kind? And if this is something that we can learn from, I think it's going to be phenomenal. >> I think I think that's so interesting. Not only is that a good angle for Del Technologies, the thing that strikes me is the access toe artist trees, voices, new voices that may be missed in the prop the vetting process the old way. But, you know, you got to know where we're going. No, in the Venture Capital way seen this with democratization of seed labs and incubators, where, if you can create access to the story, tells on the artists we're gonna have one more exposure to people might have missed. But also as things change, like whether it's Ray Ray beaming and streaming, we saw in the gaming side to pull a metric or volumetric things. You're gonna have a better canvas, more paint brushes on the creative side and more. Artist. Is that the mission to get AC, get those artists in there? Is it? Is that part of the core mission submission? Because you're going to be essentially incubating new opportunities really fast. >> It's, uh, it's very important to me. Personally. I know it speaks of the values of both Sony and L. I like to call it the democratization of storytelling. You know, I've been very blessed again, a Hollywood producer, and we maybe curate a certain kind of movie, a certain kind of experience. But there's so many voices around the world that need to be hurt, and there are so many stories that otherwise can't be enabled. Imagine a story that perhaps is a unique >> special voice but requires distance. It requires five disparate locations Perhaps it's in London, Piccadilly Circus and in Times Square. And perhaps it's overto Abu Dhabi on DH Libya somewhere because that's part of the story. We can now collapse geography and bring those locations to a central place and allow a story to be told that may not otherwise have been able to be created. And that's vital to the fabric of storytelling worldwide's >> going change the creative process to you don't have to have that waterfall kind of mentality like we don't talk about intact. You're totally distributed content, decentralized, potentially the creative process going change with all the tools and also the visual tools. >> That's right. It's >> almost becoming unlimited. >> You wanted to be unlimited. You want the human spirit to be unlimited. You want to be able to elevate people on. That's the great thing about what we're trying to achieve and will achieve. >> It is your right. I mean, it is interesting, you know, we were just talking about this, too. Uh, we're in, you know, as an example. Shock tank. Yes, right. I mean, they obviously did it. The filming and stuff, and then they don't have the access. Let's say to the right studio. But the fact is, they had all this done. Andi, you know, they had all the rendering they had captured. Already done. You could now go out and do your chute without having all the space you needed. >> That's right. In the case of Shark Tank, which shoots a Sony Pictures studios, they knew they had a real estate issue. The fact of the matter is, there's a limited amount of sound stages around the world. They needed to sound stages and only had access to one. So we went in and we did a volumetric image acquisition of their exit interview stage. They're set. And then when it came time to shoot the second half a season ten, one hundred contestants went into a virtual set and were filmed in that set. And the funny thing is, one of the guys in the truck you know how you have the camera trucks and, you know, off offstage, he leaned into the mike. Is that you guys, could you move that plant a couple inches to the left and somebody said, Uh, I don't think we can do it right now, he said, We're on a movie lot. You could move a plant. They said No, it's physically not there. We're on innovation studios goes Oh, that's right. It's virtual mind. >> So he was fooled. >> He was pulled. In a way, we're >> being hashing it out within a team. When we heard about some of the things you know Glenn and Team are doing is think about this. If you have to teach people when we are running short of doctors, right? Yeah, if you could. With this technology and the learnings that come from here, if you could go have an expert surgeon do surgery once you're captured, it would be nice. Just imagine, to take that learning, go to the new surgeons of the future and trained them and so they can get into the act without actually doing it. So my point and all this is this is where I think we can take technology, that next level where we can not only learn from one specific industry, but we could potentially put it to human good in terms of what we could to and not only preparing the next of doctors, but also take it to the next level. >> This was a great theme to Michael Dell put out there about these new kinds of use case is that the time is now to do before. Maybe you could get there technology, but maybe aspirational. Hey, let's do it. I could see that, Glenn, I want to ask you specifically. The time is now. This is all kind of coming together. Timing's pretty good. It's only gonna get better. It's gonna be good Tech, Tech mojo Coming for the creative side. Where were we before? Because I can almost imagine this is not a new vision for you. Probably seen it now that this house here now what was it like before for, um and compare contrast where you were a few years ago, maybe decades. Now what's different? Why? Why is this so important >> for me? There's a fundamental change in how we can create content and how we can tell stories. It used to be the two most expensive words in the movie TV industry were what if today that the most important words to me or what if Because what if we could collapse geography? What if we could empower a new story? Technology is at a place where, if we can dream it. Chances are we can make it a reality. We're changing the dynamics of how we may content. He used to be lights, action camera. I think it's now lights, action, compute power action, you know, is that kind of difference. >> That is an amazing vision. I think society now has opportunities to kind of take that from distance learning to distance connections, the distance sharing experiences, whether it's immersion, virtual analog face, the face could really be powerful. Yeah, >> and this is not even a year old. >> That's right. >> So if you look at your your launch, you said, I think let june fourth twenty eighteen. What? Where do you go from here? I mean, like we said, this is like, unlimited possibilities. But besides putting Robbie in the movie, naturally, Yes, of course I have >> a star here >> who? E. >> So I got to say he's got star power. >> What's what's next year? Exactly? >> Very exciting. I will say we have shark tank Thie Advanced Imaging Society gives an award for being the first volume met you set ever put out on the airwaves. Uh, for that television show is a great honor. We have already captured uh, men in black. We captured a fifty thousand square foot stage that had the men in black headquarters has been used for commercials to market the film that comes out this June. We have captured sets where television shows >> and in hopes, that they got a second season and one television show called up and said, Guys, we got the second season so they don't have to go back to what was a very expensive set and a beautiful set >> way captured that set. It reminds me of a story of productions and a friend of mine said, which is every year. The greatest gift I have is building a beautiful set and and to me, the biggest challenges. When I say, remember that sent you built four years ago? I need that again. Now you can go >> toe. It's hard to replicate the exact set. You capture it digitally. It lives. >> That's exactly it. >> And this is amazing. I mean, I'd love to do a cube set into do ah, like a simulcast. Virtually. >> So. This is the next thing John and Lisa. You guys could be sitting anywhere going forward >> way. You don't have to be really sitting here >> you could be doing. What do you have to do? And, you know, you got everything rendered >> captured. We don't have to come to Vegas twenty times a year. >> We billed upset once. You >> know you want to see you here believing that So I'LL take that >> visual is a really beautiful thing. So if we can with hologram just seeing people doing conscious with Hollywood. Frank Zappa just did a concert hologram concert, but bringing real people and from communities around the world where the localization diversity right into a content mixture is just so powerful. >> Actually, you said something very interesting, John, which is one of the other teams to which is, if you have a globally connected society and he wanted try and personalize it to that particular nation ethnicity group. You can do that easily now because you can probably pop in actors from the local area with the same. Yeah, think about it. >> It's surely right. >> There's a cascade of transformations that that this is going Teo to generate. I mean just thinking of how different even acting schools and drama schools will be well, teaching people how to behave in these virtual environments, right? >> How to immerse themselves in these environments. And we have tricks up our sleeves that Khun put the actor in that moment through projection mapping and the other techniques that allow filmmakers and actors to actually understand the world. They're about to stepped in rather than a green screen and saying, OK, there's going to be a creature over here is gonna be blue Water falls over there will actually be able to see that environment because that environment will exist before they step on the stage. >> Well, great job the Del Partnership. On my final question, Glenn, free since you're awesome and got a great vision so smart, experienced, I've been really thinking a lot about how visualization and artistry are coming together and how disciplines silo disciplines like music. They do great music, but they're not translating to the graphics. It was just some about Ray tracing and the impact with GP use for an immersive experiences, which we're seeing on the client side of the house. It del So you got the back and stuff you metrics. And so, as artist trees, the next generation come up. This is now a link between the visual that audio the storytelling. It's not a siloed. >> It is not >> your I want to get your vision on. How do you see this playing out and your advice for young artists? That might be, you know, looked as country. What do you know? That's not how we do it. >> Well, the beautiful thing is that there are new ways to tell stories. You know, Hollywood has evolved over the last century. If you look at the studios and still exist, they have all evolved, and that's why they do exist. Great storytellers evolved. We tell stories differently, so long as we can emotionally relate to the story that's being told. I say, Do it in your own voice. The cinematic power is among us. We're blessed that when we look back, we have that shared experience, whether it's animate from Japan or traditional animation from Walt Disney everybody, she shares a similar history. Now it's opportunity to author our new stories, and we can do that and physical assets and volumetric assets and weaken blend the real and the unreal. With the compute power. The world is our oyster. >> Wow, >> What a nice >> trap right there. >> Exactly. That isn't my job. The transformation of of Hollywood. What it's really like the tip of the iceberg. Unlimited story potential. Thank you, Glenn. Thank you. This has been a fascinating cannot wait to hear, See and feel and touch What's next for Sony Animation studios With your technology power, we appreciate your time. >> Thank you. Thank you both. Which of >> our pleasure for John Carrier? I'm Lisa Martin. You're watching the Cube lie from Del Technologies World twenty nineteen We've just wrapped up Day two we'LL see you tomorrow.

>> Live from Las Vegas. It's the queue covering del Technologies. World twenty nineteen. Brought to you by Del Technologies and its ecosystem partners. >> Welcome back to Las Vegas. Lisa Martin with John Ferrier. You're watching the Cube live at Del Technologies World twenty nineteen. This is our second full day of Double Cube set coverage. We've got a couple of we got a really cool conversation coming up for you. We've got Robbie Pender County, one of our alumni on the cue back as VP product management server solutions. Robbie, Welcome back. >> Thank you, Lisa. Much appreciated. >> And you brought some Hollywood? Yes, Glenn Glenn er, president of Sony Innovation Studios. Glenn and welcome to the Cube. >> Thank you very much. It's great to be here. >> So you are love this intersection of Hollywood and technology. But you're a filmmaker. >> Yeah, I have been filming movies for many years. I started off making motion pictures for many years. Executive produced him and oversaw production for them at one of our movie labels called Screen Gems, which is part of Sony Pictures. >> Wait a tremendous amount of evolution of the creative process being really fueled by technology and vice versa. Sony Innovation Studios is not quite one year old. This is a really exciting venture. Tell us about that and and what the The impetus was to start this company. >> You know that the genesis for it was based out of necessity because I looked at a nice Well, you know, I love making movies were doing it for a long time. And the challenge of making good pictures is resource is and you never get enough money. Believe or not, you never get enough money and never get enough time. That's everybody's issue, particularly time management. And I thought, Well, you know, we got a pretty good technology company behind us. What if we looked inward towards technology to help us find solutions? And so innovation studios is born out of that idea on what was exciting about it was to know that we had, uh, invited partners to the game right here with Del so that we could make movies and television shows and commercials and even enterprise solutions leaning into state of the art and cutting edge technology. >> And what some of the work private you guys envision coming out this mission you mentioned commercials TV. Is it going to be like an artist's studio actor actress in ball is take us through what this is going to look like. How does it get billed out? >> I lean into my career as a producer. To answer that one and say is going to enable that's one of the greatest things about being a producer is enabling stories, uh, inspiring ideas to be green lit that may not have been able to be done so before. And there's a key reason why we can't do that, because one of our key technologies is what we call the volumetric image acquisition. That's a lot of words. You probably say. What the heck is that? But a volumetric image acquisition is our ability to capture a real world, this analog world and digitize it, bring it into our servers using the power of Del and then live in that new environment, which is now a virtual sets. And that virtual set is made out of billions and trillions in quadrillions of points, much like the matter around us. And that's a difference because many people use pixels, which is interpretation of like we're using points which is representative of the world around us, so it's a whole revolutionary way of looking at it. But what it allows us to do is actually film in it in a thirty K moving volume. >> It's like a monster green screen for the world. Been away >> in a way, you're you're you're interaction around it because you have peril X, so these cameras could be photographing us. And for all you know, we may not be here. Could be at stage seven at Innovation Studios and not physically here, but you couldn't tell the >> difference. This is like cloud computing. We talking check world, you don't the provisional these resource is you just get what you want. This is Hollywood looking at the artistry, enabling faster, more agile storytelling. You don't need to go set up a town and go get the permit. All the all the heavy lifting you're shooting in this new digital realm. >> That's right. Exactly. Now I love going on location on There's a lot to celebrate about going on location, but we can always get to that location. Think of all the locations that we want to be in that air >> base off limits. Both space, the one I >> haven't been, uh, but but on said I've been I've walked on virtual moons and I've walked on set moons. But what if we did a volumetric image acquisition of someone set off the moon? Now we have that, and then we can walk around it. Or what if there's a great club, a nightclub? This says guys and wanted to shoot here. But we have performances Monday night, Tuesday night, Wednesday night there. You know they have a job. What? We grabbed that image acquired it. And then you could be there anytime you want. >> Robbie, we could go for an hour here. This is just a great comic. I >> completely agree with >> you. The Cube. You could You could sponsor a cube in this new world. We could run the Q twenty four seven is absolutely >> right. And we don't even have >> to talk about the relationship with Dale because on Del Technologies, because you're enabling new capabilities. New kind of artistry, just totally cool. Want to get back to the second? But you guys were involved. What's your role? How do you get involved? Tell the story about your >> John. I mean, first and foremost one of the things didn't Glendon mention is he's actually got about fifty movies to his credit. So the guy actually knows this stuff. So which is absolutely fantastic. So we said, How do you go take coverage to the next level? So what else is better than trying to work something out, wherein we together between what Glenn and Esteem does at the Sony Innovation Labs for Studio Sorry. And as in Dead Technologies could do is to try and actually stretch the boundaries of our technology to a next tent that when he talks about kazillion bytes of data right one followed by harmony, our zeros. We have to be able to process the data quickly. We have to be able to go out and do their rendering. We probably have to go out and do whatever is needed to make a high quality movie, and that, I think, in a way, is actually giving us an opportunity to go back and test the boundaries of their technology. They're building, which we believe this is the first of its kind in the media industry. If we can go learn together from this experience, we can actually go ahead and do other things in other industries do. Maybe. And we were just talking about how we could also take this. He's got his labs here in Los Angeles, were thinking maybe one of the next things we do based on the learning to get. We probably could take it to other parts of the world. And if we are successful, we might even take it to other industries. What if we could go do something to help in this field of medicine? >> It's just thinking that, right? Yes. Think >> about it. Lisa, John. I mean, it's phenomenal. I mean, this is something Michael always talks about is how do we as del technologies help in progress in the human kind? And if this is something that we can learn from, I think it's going to be phenomenal. >> I think I think that's so interesting. Not only is that a good angle for Del Technologies, the thing that strikes me is the access to artist trees, voices, new voices that may be missed in the prop the vetting process the old way. But, you know, you got to know where we're going. No, in the venture, cobble way seen this with democratization of seed labs and incubators where, if you can create access to the story, tells on the artists we're gonna have one more exposure to people might have missed. But also as things change, like whether it's Ray Ray beaming and streaming we saw in the gaming side to volumetric or volumetric things, you're gonna have a better canvas, more paint brushes on the creative side and more action. Is that the mission to get AC Get those artists in there? Is it? Is that part of the core mission submission? Because you're going to be essentially incubating new opportunities really fast. >> It's, uh, it's very important to me. Personally. I know it speaks of the values of both Sony and L. I like to call it the democratization of storytelling. You know, I've been very blessed again, a Hollywood producer, and we maybe curate a certain kind of movie, a certain kind of experience. But there's so many voices around the world that need to be hurt, and there are so many stories that otherwise can't be enabled. Imagine a story that perhaps is >> a unique special voice but requires distance. It requires five disparate locations. Perhaps it's in London Piccadilly Circus and in Times Square. And perhaps it's overto Abu Dhabi on DH Libya somewhere because that's part of the story. We can now collapse geography and bring those locations to a central place and allow a story to be told that may not otherwise have been able to be created. And that's vital to the fabric of storytelling. Worldwide >> is going to change the creative process to You don't have to have that waterfall kind of mentality like we don't talk about intact. You're totally distributed content, decentralized, potentially the creative process going change with all the tools and also the visual tools. >> That's right. It's >> almost becoming unlimited. >> You want it to be unlimited. You want the human spirit to be unlimited. You want to be able to elevate people on. That's the great thing about what we're trying to achieve and will achieve. >> It is your right. I mean, it is interesting, you know, we were just talking about this too. We're in, you know, as an example, shock tank. Yes, right. I mean, they obviously did it the filming and stuff, and then they don't have the access, let's say to the right studio, but The fact is, there had all this done on DH. No, they had all the rendering. They had the captured already done. You could now go out and do your chute without having all the space you needed. >> That's right. In the case of Shark Tank, which shoots a Sony Pictures studios, they knew they had a real estate issue. The fact of the matter is, there's a limited amount of sound stages around the world. They needed to sound stages and only had access to one. So we went in and we did a volumetric image acquisition of their exit interview stage. They're set. And then when it came time to shoot the second half a season ten, one hundred contestants went into a virtual set and were filmed in that set. And the funny thing is, one of the guys in the truck you know how you have the camera trucks and, you know, off offstage, he leaned into the mike. Is that you guys, could you move that plant a couple inches to the left and somebody said, Uh, I don't think we can do it right now, he said. We're on a movie lot. You could move a plant. They said, No, it's physically not there. We're on innovation studios goes Oh, that's right. It's virtual mind. >> So he was fooled. >> He was pulled. In a way, we're >> being hashing it out within a team. When we heard about some of the things you know Glenn and Team are doing is think about this. If you have to teach people when we are running short of doctors, right? Yeah, if you could. With this technology and the learnings that come from here, if you could go have an expert surgeon do surgery once you're captured, it would be nice. Just imagine, to take that learning, go to the new surgeons of the future and trained them and so they can get into the act without actually doing it. So my point in all this is this is where I think we can take technology, that next level where we can not only learn from one specific industry, but we could potentially put it to human good in terms of what we could to and not only preparing the next of doctors, but also take it to the next level. >> This was a great theme to Michael Dell put out there about these new kinds of use case is that the time is now to do before. Maybe you couldn't get there with technology, but maybe aspirational, eh? Let's do it. I could see that. Glenn, I want to ask you specifically. The time is now. This is all kind of coming together. Timing's pretty good. It's only gonna get better. It's gonna be good. Tech, Tech mojo Coming for the creative side. Where were we before? Because I could almost imagine this is not a new vision for you. Probably seen it now that this house here now what was it like before for, um and compare contrast where you were a few years ago, maybe decades. Now what's different? Why? Why is this so important? >> You know, for me, there's a fundamental change in how we can create content and how we can tell stories. It used to be the two most expensive words in the movie TV industry were what if today that the most important words to me or what if Because what if we could collapse geography? What if we could empower a new story? Technology is at a place where if we can dream it. Chances are we can make it a reality. We're changing the dynamics of how we may content. He used to be lights, action, camera. I think it's now lights, action, compute power action, you know, is that kind of difference. >> That is an amazing vision. I think society now has opportunities to kind of take that from distance learning to distance connections, the distance sharing experiences, whether it's immersion, virtual analog face the face. I could really be powerful. Yeah, >> and this is not even a year old. >> That's right. >> So if you look at your your launch, you said, I think let june fourth twenty eighteen. What? Where do you go from here? I mean, like we said, this is like, unlimited possibilities. But besides putting Robbie in the movie, naturally, Yes, of course I have >> a star here >> who video. >> So I got to say he's got star power. >> What's what. The next year? Exactly. >> Very exciting. I will say we have shark tank Thie Advanced Imaging Society gives an award for being the first volume metric set ever put out on the airwaves. Uh, for that television show was a great honor. Uh, we have already captured, uh, men in black. We captured a fifty thousand square foot stage that had the men in black headquarters has been used for commercials to market the film that comes out this June. We have captured sets where television >> shows and in the in hopes that they got a second season and one television show called up and said, Guys, we got the second season so they don't have to go back to what was a very expensive set and a beautiful set >> Way captured that set. It reminds me of a story of productions and a friend of mine said, which is every year. The greatest gift I have is building a beautiful set and and to me, the biggest challenges. When I say, remember that sent you built four years ago. I need that again. Now you can go >> toe hard, replicate the exact set, you capture it digitally. It lives. >> That's exactly it. >> And this is amazing. I mean, I'd love to do a cube set into do ah, like a simulcasts. Virtually. >> So. This is the next thing John and Lisa. You guys could be sitting anywhere going forward. We don't have to be really sitting here you could be doing. What do you have to do? And, you know, you got everything rendered >> captured. We don't have to come to Vegas twenty times a year. >> We billed upset once >> You want to see you here believing that So I'LL take that >> visual is a really beautiful thing. So if we can with hologram just seeing people doing conscious. But Hollywood Frank Zappa just did a concert hologram concert, but bringing real people and from communities around the world where the localization diversity right into a content mixture is just so powerful. >> Actually, you said something very interesting, John, which is one of the other teams to which is, if you have a globally connected society and he wanted try and personalize it to that particular nation ethnicity group. You can do that easily now because you can probably pop in actors from the local area with the same city. Yeah, think about it. >> It's surely right. >> There's a cascade of transformations that that this is going Teo to generate. I mean just thinking of how different even acting schools and drama schools will be well, teaching people how to behave in these virtual environments, right? >> How to immerse themselves in these environments. And we have tricks up our sleeves that Khun put the actor in that moment through projection mapping and the other techniques that allow filmmakers and actors to actually understand the world. They're about to stepped in rather than a green screen and saying, OK, there's going to be a creature over here is gonna be blue Water Falls over there will actually be able to see that environment because that environment will exist before they step on the stage. >> Well, great job the Dale Partnership On my final question, Glenn free since you're awesome and got a great vision so smart, experienced, I've been really thinking a lot about how visualization and artistry are coming together and how disciplines silo disciplines like music. They do great music, but they're not translating to the graphics. It was just some about Ray tracing and the impact with GP use for immersive experiences, which was seeing on the client side of the house. It del So you got the back and stuff, but you metrics. And so, as artist trees, the next generation come up. This is now a link between the visual that audio, the storytelling. It's not a siloed. >> It is not >> your I want to get your vision on. How do you see this playing out and your advice for young artists? That might be, you know, looked as country. What do you know? That's not how we do it. >> Well, the beautiful thing is that there are new ways to tell stories. You know, Hollywood has evolved over the last century. If you look at the studios and still exist, they have all evolved, and that's why they do exist. Great storytellers evolved. We tell stories differently, so long as we can emotionally relate to the story that's being told. I say Do it in your own voice. The cinematic power is among us. We're blessed that when we look back, we have that shared experience, whether it's animate from Japan or traditional animation from Walt Disney, everybody shares a similar history. Now it's opportunity to author our new stories and we can do that and physical assets and volumetric assets and weakened blend the real and the unreal. With the compute power. The world is our oyster. >> Wow, >> What a nice >> trap right there. >> Exactly that is, um I dropped the transformation of Hollywood. What? And it's really think the tip of the iceberg. Unlimited story potential. Thank you, Glenn. Thank you. This has been a fascinating cannot wait to hear, See and feel and touch What's next for Sony Animation studios With your technology power We appreciate your time. >> Yeah, Thank you. Thank you both of >> our pleasure for John Farrier. I'm Lisa Martin. You're watching the Cube lie from Del Technologies World twenty nineteen We've just wrapped up Day two we'LL see you tomorrow.

[Announcer] Live from Las Vegas. It's the Cube, covering NAB 2017. Brought to you by HGST. >> Welcome back to the Cube. We are live in Las Vegas at the very exciting NAB show 2017. And I'm very excited to introduce you to our next guest, Andy Shenkler. Andy is the EVP, Chief Solutions and Technology Officer, for Sony DADC New Media Solutions. Andy, welcome to the Cube. Thank you very much for having me. You are a veteran, not only of the media and entertainment industry, but of NAB with this year's theme of the M.E.T Effect. That's the convergence of media entertainment technology. What are some of your initial thoughts about the show this year. >> Well, I haven't had a lot of time to visit the whole show yet, it's only opening day. (laughs) I think that over the last 20 years, of even attending these events, it's been heavily focused on kind of cameras and the backend production technology. And over the last several years, we've seen cloud technology, software driven, IP, interaction take place. Even with the thematic change of it being M.E.T., that's clearly coalescing even more. It's no longer a this is a thing that's coming. It's here. And how do people really take advantage of that as they kind of move forward. >> I'd love to get your perspective as you were saying, you've been in the media and entertainment space for about 20 years. >> Yup. >> Around the time of Nabster. Which is like we were saying before, it's hard to believe that was 20 years ago. I'd love to just get, a high level picture of, You must have seen massive evolution in media and entertainment. Tell us a little about that, some of things that really stood out to you. Over those two decades, as milestones. >> There's clearly the ones that we all as consumers know, right. The iPods and iTunes and the advent of Netflix and Amazon Video and things of that nature. And I think those are the very tangible ones. From behind the scenes, I think it's the challenges that the businesses had to go through, right. How do you actually deal with rights problems that are global in nature, right. You suddenly have a world that's portable. You suddenly have problems where I downloaded something or I want to consume a piece of content that I really enjoy, I get on a plane and I'm suddenly in a territory where I no longer have the right to watch that. Those are significant challenges that have to be overcome. And it's not always just technology, right. There's huge legal issues and things like that. And so there's a real striation between what we as consumers expect to find and what the business needs to do to change to accommodate that ever growing, that consumption rate that people want. >> Absolutely. So tell us about the supply chain solutions that Sony DADC is delivering for the media and entertainment industry. >> Sure. So, we started about nine years ago, and it's not that certainly supply chain solutions aren't nine years old. And I think our perspective on it was one where we were fortunate to start with a white piece of paper, rather than transform a legacy business. And when we did that, we said what does the solution five years from now need to look like? And so we run full supply chain offerings for companies like Sony Pictures, BBC Worldwide, Village Roadshow, PlayStation, Funimation, things of that nature. And we're talking about distribution of content to roughly 15 hundred endpoints globally. So that's multiple languages, multiple versions, trying to keep all of that stuff on track. And really the way we approached the problem was, I know it sounds terrible but, really to get human out of the mix from the perspective of what's actually not good for people to do. Looking at millions of permutations of data is not really a strong suit for people. It's a good strong suit for a computer. It had up to that point in time being relegated to Excel spreadsheets and emails. And we tried to eliminate a lot of that by putting systemic decision-making in place. And that's really what's allowed us to scale at a fairly aggressive pace. >> So are we talking about artificial intelligence, machine learning? >> I wouldn't go so far as to say that. >> Okay. >> Much more rules-based engines, logic around it. So let's take an example. Maybe you have a motion picture, we'll say like a Spider-Man. Spider-Man is made and it's available in 15 countries. Each one of those countries have different compliance and rules, cultural rules. Maybe you can't show certain imagery or you can't have somebody drinking in Saudi Arabia or something like that. So now you've left, you've left customer service reps to have a conversation that a I need you to send this to all of these places. How are they suppose to know all of the possible combinations of things. Then on top of that, not just knowing it, how are they suppose to interrogate a library of millions of assets and say, oh yeah, I figured out all the different combinations of things to make that happen. And do so within the timeline, >> Right, yup. >> to hit a business goal. That worked great in the beginning, when it was, we're going to get 50 titles out. Now we deliver 60, 70, 80 thousand titles a month. Suddenly, that is no longer sustainable for a human project. You couldn't get enough people in this building to go through that much content. >> Got it. So it's really kind of rules-based. So you've got users of the Sony technology, film studios, broadcasters, music labels. Give us an example of say, on the broadcast side, about what they're looking to do with managing assets to meet consumer demand and ensure that it's with this multi-channel distribution model, they're meeting consumer demands, wherever those consumers are. >> So I think from a broadcast perspective, which even in that world, that's blending, there is no traditional broadcaster as we know it anymore, even a broadcaster has VOD services, they might have some sort of mobile provisioning, OTT. And so therein lies there challenge, right. They've put in large infrastructure over many years, They continue to reinvest in that. Along come a Netflix of Google, whomever, with global licensing, the ability to move incredibly rapidly. And so they're looking at it and and saying, how do I compete, how do I stay relevant in this space. Market share as we know, is starting to move away from the broadcast side, linear television per se. And so where we come into play is, we say, we've already got massive amount of content available, you've licensed it already. Let us make that available, let us run that infrastructure for you. Your focus should not be on, how do I make sure that the power plant stays up. But rather, how do I market, how do I differentiate, how do I create a compelling proposition to consumers, so that I can effectively compete as this grows. >> Okay, so you're really helping them to scale on ways that they would never would have been able to do on their own. >> I think we're just helping them get there sooner. It's not to say that they could never do it. I think that's a lot of ego, a lot of hubris. It's very much that we've leveraged kind of our position as Sony, as what we have done for a lot of partners in this space. And we've said, there's a reasonable way to kind of level the playing field. >> Right. >> Right. A supply chain should not be the level of differentiation, right. We don't simply say, oh well, here's a really good manufacturing supply chain, there's only one company who should use it. It should be leveraged by many, many facilities. And so we take that same view from a digital perspective. Traditionally, we've been sending content out all around the world. We've now moved to a model that says, why don't we just host it all singularly, in any format that you want. Your choice, any spec, any DRM, but it's centralized. So for one of our customers in fact, They aired something in Japan, and 24 minutes later, it's available everywhere else. >> Wow. >> That couldn't be done if I also had last mile bandwidth considerations to take into account. And we believe that that 24 minutes is sawed by about half. We think we can get that down to under 10 minutes. >> Question for you. And the speed theme, >> Umhmm. >> Has come up a number of times today, >> Sure. >> with different folks that we've talked about. If we look at a Netflix, as you have brought up for example, from an audience perspective, the audience is so empowered, and we have access to anything we wanted, whenever we want it, bing watching, streaming, we're time shifting. >> Right. >> So you think, wow, Netflix has a great advantage because they know so much about the audience. At the same time, until they started creating unique content, they couldn't really change the content. Versus on the flip side in the film industry, They haven't really historically known their audience. >> Umhmm. >> It's been more of, probably, qualitative data and decisions, at the same time, they can change content. So, do you work with the streaming services, as well as the traditional film studios. Do they have a similar challenge that can be solved by using media as a service? >> So for ones who want to use everything that we offer end to end, again, that level playing field, we give everybody visibility. We believe data transparency is pretty important. We recognize that people hold on to data as kind of the the keys to the kingdom at this point. Certainly Netflix does and they're leveraging it quite well, right. It's hard to find fault with what they're doing from a business perspective. At the same time, as a consumer, you really don't want to have to be potentially loyal to a particular brand, right. That's not how capitalism works, but that's a different problem. But people who run on our platform, we think that there is a good balance. And both sides should have visibility to a lot of that data because it should help each other. They should really, a rising tide should float all boats, and not just create this imbalance. Because it becomes difficult to amortize costs if there's one and only one solution in the market. And that's really how we try and approach that problem. >> So in terms of, what kind of volume of content are we talking about here? >> So we store today, just over 20 petabytes of content, roughly a million hours worth of. This is premium content, so this is not user generated. This is not like youTube clips of somebody's cat. There's probably a couple. There's probably a couple in there. >> (Lisa laughs) >> No grumpy cat in there? >> There might be a few in there but that's not primarily what's what it is. We're talking about high end premium content. And in about 23 languages. So the variations that we have are very high. Now, a lot of times, people will say well, it's easy to get to a million hours because people do bad data. And so they'll store something, they'll store something like Spider-Man with a hypen in the middle or a space or all together. We're actually very, very focused on not having that. So these are all unique assets. So it's a very large library when you look on it on a global scale. >> So how can a a linear network versus a streaming network access a million hours of content. >> We actually don't differentiate between a linear and a streaming network. Because at the end of the day, we're a complete IP solution. The ability to uplink through satellite is fine, it's just another method of transport. But really all they do is, they come to us with their licenses and then we provision the assets for them in their specifications. And we make it available to them anywhere. It's pretty straight forward. We try and take a lot of the heavy lifting off their plate, reduce their infrastructure costs, reduce the team sizes from a scaling perspective so they don't have to grow so much. We really and try to flat rate a lot of this to make it easy and predictable. >> Fantastic. Last question since we're running out of time here. >> Sure. >> I know that you guys have really migrated the media supply chain to the cloud, going all in with AWS. You had mentioned that that had started about a year ago. Tell us about what you're doing with AWS and how has that influenced the genesis of media as a service? >> So I think what I should tell you first is that, when I went to the team to talk about this, I borrowed a line from The Hunt for Red October, where they said Cortez reached a new world and burned his new ship so that his men could not go back. (Lisa laughs) >> We got rid of our data centers first and then told the team we're going AWS. So there was no going back. We were making this move, there wasn't going to be hesitation and an all in model is the only model that worked for us. They hybrid model is just not cost-effective. We had to embrace something that was future proof and seemed like the right one. Where we've benefited from it is, clearly, there is economic advantages. But some of the other advantages, are like what I was talking about before, 24 minute time from receipt to availability everywhere, would have been unthinkable in a completely contained environment, where I had to have huge lead time for scalability. I had to know in advance that I would need more storage or more transporting capacity or more bandwidth. I no longer need to have that level of information upfront. I live in a world of unpredictability. People come in with requests all the time, that I didn't know an hour ago was going to be asked for. I'm finally in a position to be able to offer a solution to all of them that says, go ahead, do whatever you like, our system will manage it and we have confidence in the AWS infrastructure to be able to support that. >> Well sounds like a fantastic partnership that's going to be-- >> It's very good, we're very happy with it. >> Really enabling a lot of, more content creation, more uses of this content in the future. >> And we really want to see that. We want to see people create differentiated solutions for consumers without having to worry about how the sausage gets made. >> Exactly. Nobody wants to know that. >> Nobody wants to know that. (Lisa laughs) >> Well Andy, thank you so much for joining us on the Cube. >> Thank you. >> And sharing your insight. I know you just got to the show not too long ago so we wish you and your feet healthy next few days. >> Thank you very much. >> And we look forward to seeing you back on the Cube sometime soon. >> I appreciate it. Look forward to being with you. >> Alright, we want to thank you for watching. Again, Lisa Martin, live at NAB in Las Vegas. Stick around, we'll be right back. (techno music)