>> Live from Las Vegas it's The Cube covering NAB 2017. Brought to you by HGST. >> Welcome back to The Cube. We are live at NAB 2017. I'm Lisa Martin. Very, very excited, kind of geeking out right now to be joined by our next two guests. Sam Blackman, the co-founder and CEO of AWS Elemental, welcome to The Cube. >> Sam: Thank you so much. >> And we have NASA astronaut, Tracy Caldwell Dyson. Both of you, welcome to The Cube. >> Thank you. >> Today has been a very historic day for technology and space. This was the first ever live 4k video stream that happened between you on Earth, Sam, and Doctor Peggy Whitson, aboard the International Space Station. >> Sam: Yes. >> Wow. Tell us about that. >> It was truly amazing to be part of history and the amount of technology that came into play to make this possible. You know, sitting in the conference room in NAB in the middle of Las Vegas, seeing astronauts 250 miles ahead, going around the Earth, 17,000 miles an hour and a seamless, beautiful 4k picture. It was mind blowing. Hard to believe it's happened still. >> I can't even imagine. I'm getting goosebumps for you. Tell us some of the things that Dr. Whitson shared about her experiences. What was the interaction like? >> Well, Commander Whitson and Colonel Fisher was also in the interview and that guy is hilarious, by the way. >> Yeah, he is. >> He is hilarious. They talked about how advanced imaging technology really helps NASA perform experiments and bring experiments that are happening on the space station down to Earth for researchers to use that data and discover how the world works inside the universe. Some of the really interesting examples revolved around some experiments they showed. With thin film technology they had a very small, metallic structure that they could pull water out of and then corral that water, convert it into a spherical shape and in the 4k resolution, you could just see every element of that thin film in a way that looked like it was right next to us. I mean, it was transformative. >> Tracy: Yeah. >> I bet it was. Well, speaking of transformative, this was, I mentioned, a really historic event for a number of reasons. Obviously, for those of us on the ground, for AWS Elemental. But, Tracy, from your perspective, you've been in space for 188... I had it here somewhere, hours. >> Yeah, days. >> You've been on STS118, you've been on the Soyuz to the station on expeditions 23 and 24. What does this capability now mean in the life of an astronaut? >> I think what it does is it helps us bring the experience to everybody here on Earth. It is so hard to capture what we are not just seeing, but experiencing. The richness, the detail, the vividness of the colors and how they're changing are all a part of looking at our beautiful planet. And just from that alone, being able to bring that to the American people, the world, really, is, I think to me a great relief. Because it grieves me to think about how in the world I would describe this beautiful, magnificent view to everybody back home. >> I can imagine. You've done extra-vehicular space walks. >> Tracy: Yes. >> And I can imagine it's indescribable. >> It is. And from the fact you're looking at our planet from 250 miles above, you see the curvature of the Earth, you see it moving at a super high speed, you don't feel the wind in your face, but there's no doubt you're traveling very fast. Just the fact that you are out in the vacuum of space. If you could bring parts of that experience to people back home ... I'm excited to think about how that would transform just the way people think, not to mention the way that they act towards our planet. >> I also think inspiration ... We were talking before we went on that you were about 14 when the Challenger incident happened, we all kind of remember exactly where we were, and that really, a teacher being in space was so inspirational to you. Can you imagine shifting the conversation and what this technology is able to do inspiring the next generation of people that want to be the next Tracy Caldwell Dyson? >> Well, I think what the technology does today, especially in imaging capabilities, is it provides so much more detail than I could even describe. That a young person today watching that, and our generation today is so visual, that they're going to pick up on things that I wouldn't even think to describe to them. And it's going to capture their imagination in ways that are astounding. Compared to I, who, just the sheer knowledge of knowing there was a teacher that was going into space, propelled me to work really hard. I can only imagine what this generation's going to be capable of because of the images that we're bringing to them. >> It's so exciting. Sam, this is really kind of the tip of the iceberg. From AWS Elemental's perspective, first of all, you just had a rebrand. But what does this mean for the future of the video ecosystem? >> Well, I think it really shows you how the technology components came come together to create unbelievable pictures no matter where you are on the planet or in space. We had a live 4k encoder on the space station itself sending down signals to Johnson Space Center, then Johnson Space Center sending redundant links to Las Vegas, here, and the convention center. And then processing the video, the interview with Tracy, here in the space center-- or, here in NAB and then using the cloud to distribute that all over the world. So these 4k images, which take a significant amount of bandwidth, can be created in space, delivered here, produced and delivered anywhere in the world using the power of the cloud and advanced networking technology. And that's pretty amazing, when you think about it. >> Lisa: It really is. I don't think the three of us are smiling big enough. >> I know. It hurts! >> There's so much relief in this face. >> Lisa: I can imagine >> I bet. >> I absolutely can imagine, I think. One of the cool things about-- This is our first time at NAB with The Cube, but we're here: Media, entertainment, Hollywood. What this shows is this transcendence of technology to space. And there's so much interest in space. In fact, Tracy, you were an advisor to Jessica Chastain on "The Martian," which is probably pretty exciting. >> Oh, absolutely. It is. >> But just the transcendence of that and how this technology can be used to power things that everybody can understand, movies and things. But also the future of space exploration, which I can imagine, right now in the era of the space shuttle being retired now, depending on Soyuz rockets to get to the space station as the next vehicle is delivered, this must be quite inspirational for you as an astronaut, as not only is the next vehicle in development, but also, the exploration of Mars. In fact, you were just last month with President Trump. >> Tracy: Yes. >> As they signed a bill. What are your thoughts about that and how do you see imaging technology being an instrumental part of Mars exploration? >> In so many ways, but at the top is the momentum. Like you said, with Hollywood has captured space in some real endearing ways. And the images from NASA, from the human space flight program to Hubble to deep space, it is propelling ... it's momentum. And I think we need that momentum, especially with our young folks because they're going to be the ones, let's face it, who are going to be in the best condition to be on the planet of Mars. So, if we can continue to feed them the images as lifelike as we can, so that they feel they're there, I think we are heading in the right direction to actually being there. >> Wow, fantastic! Congratulations to both of you. Thank you both so much for joining us on The Cube. We can't wait to see what's next. >> Sam: Thank you so much. >> Tracy: Thank you. Thank you. >> Well, for Tracy and Sam, I'm Lisa Martin. You've been watching The Cube live from NAB 2017. Stick around, we'll be right back. (funky music)

>> Announcer: From theCUBE Studios in Palo Alto and Boston, connecting with thought leaders all around the world, this is theCUBE Conversation. >> Hi I'm John Furrier with theCUBE, we're here for a special CUBE Conversation. Obviously we're remote, we're in the studio most of the time but on the weekends I get an opportunity to talk to friends and experts. And here I wanted to really dig in with an awesome case study around AWS Cloud in a use case that I think is game changing for local communities, especially in this time of COVID. You have local communities where local journalism is suffering, but also connectedness. And connected experience is what's going to make the difference as we come out of this pandemic as a societal impact. But there's a real tech story here I want to dig into. We're here with Dan Drew who is the vice president of engineering for Clinical Didja, they make an app called Local BTV which basically takes over the air television and streams it to an app in your local area, enabling access to linear TV and on demand as well for local communities. It's a phenomenal project and it's unique. Somewhat misunderstood right now, but I think it's going to be something that's going to be very important. Dan, thank you for coming on and chatting with me. >> Thanks for having me, appreciate it. >> Okay so I'm a big fan, I've been using the app in San Francisco. I know New York's on the docket, it might even be deployed. You guys have a unique infrastructure capability that's powering this new app location, and this is the focus of this conversation in this CUBE Talk. Amazon is a big part of this. Talk about your local BTV that you are protecting, this platform for broadcast television, it has a unique hybrid cloud architecture. Can you tell us about that? >> Yeah certainly, I mean, one of our challenges, as you know, is that we are local television. So unlike a lot of products on the market, you know like your Hulus or other VMPV products, which primarily service sort of national feeds and things like that. We have to be able to receive over-the-air signals in each market. Many channels that serve local content are still over the air. And that is why you don't see a lot of them on those types of services. They tend to get ignored and unavailable to many users. So that's part of our value proposition is to not only allow more people to get access to these stations, but allow the stations themselves to reach more people. So that means that we have to have a local presence in each market in order to receive those signals. So that sort of forces us to have this hybrid model where we have local data centers, but then we also want to be able to effectively manage those in a central way, and we do that in our cloud platform which is hosted on Amazon and using Amazon services. >> All right let me take a breath here. You have a hybrid architecture on Amazon so since you're using a lot of the plumbing, take us through what the architecture of this ram is on using a variety of their services. Can you unpack that? >> Yeah, so obviously it starts with some of the core services like EC2, S3, RDS, which everybody on the planet uses. We're also very focused on using ECS; we're completely containerized which allows us to more effectively deploy our services and scale them. And one of the benefits on that front that Amazon provides is that because their container service is wired into all the other services like cloudwatch metrics, auto-scaling policies, IM policies, things like that. It means it allows us to manage those things in a much more effective way, and use those services to much more effectively make those things reliable and scalable. We also use a lot of their technologies, for example, for collecting metrics. So we use Kinesis and Redshift to collect realtime metrics from all of our markets across the U.S. That allows us to do that reliably and at scale without having to manage complex ETL systems like Kafka and other things. As well as store it in a large data lake like Redshift and Corid for analytics and things like that. We also use technologies like Media Tailor, so for example, one of the big features that most stations do not have access to is realtime targeted advertising. In the broadcast space, many ads are sold and placed weeks in advance, and not personalized obviously for that reason. Whereas one of the big features we can bring to the table using our system and technologies like Media Tailor is we can provide realtime targeted advertising which is a huge win for these stations. >> What are some of the unique capabilities that you guys can offer broadcast station partners 'cause you're basically going in and partnering with broadcast stations as well. But also you're enabling new broadcasters to jump in as well. What are some of the unique capabilities that you're delivering, what is Amazon bringing to the table there and what are you doing that's unique? >> Well again, it allows us, because we can do things centrally as well as the local reception, it allows us to do some interesting things like if we have channels that are allowed to broadcast even outside their market, then we can easily put them in other markets and get them even more viewers that way. We have the ability to even do hyper local or community channels that are not necessarily broadcasting all of the standard antennas, but can get us a feed from whatever zip code in whatever market, and we can give them a way to reach viewers in the entire market, in other markets, or even just in their local area. So consider the case where maybe a high school or a college wants to show games or local content, we provide a platform where they can now do that, and reach more people using our app and our platform very very easily. So that's another area that we want to help expand is not just your typical view of local of what's available in Phoenix, but what's available in a particular city in that area or a local community where they want to reach their community more effectively or even have content that might be interesting to other communities in Phoenix or one of the other markets. >> Now I think, just going on a side tangent here, I talked with your partner, Jim Long, who's the CEO, you guys have an amazing business opportunity. Again, I think it's kind of misunderstood, but it's very clear to me that someone who follows and has huge passion about local journalism, you know you see awesome efforts out there like Charlie Sennott from the Ground Truth Project Report for America, they take a journalism kind of print view, but if you add that Didja business model onto this local journalism, you can enable more video locally. I mean, that's really the killer app, video. And now COVID more than ever, I really want to know things like there's a mural in downtown Palo Alto, Black lives matter, I want to know what's going on with the local summer restaurants, putting people out on the sidewalks. Right now I'm limited to like next door or very laggy media, whether it's the website, so again, I think this is an opportunity for that, plus education. I mean, Amazon educate for instance, you can get a degree on computing by sitting on the couch. So again, this is a paradigm shift from an application standpoint that you're providing essentially linear TV to that. >> Exactly. >> In the local economy. So I just want to give you a shout-out for that because I think it's super important. I think people should get behind this, so congratulations. Okay I'm off on my little rant there. Let's get back down to some of that cloud stuff 'cause I think what's super interesting to me is you guys can stand up infrastructure very quickly, and what you've done here, you've leveraged the benefits of Amazon and the goodness of cloud, you essentially can stand up a metro region pretty quickly and pretty impressive. So I got to ask you, what Amazon services are most important for your business? >> Well like I said, I think for us, it's managing the central services so we sort of talked about managing the software, the APIs, and those are kind of the glue, so for us standing up a new metro is obviously getting the data center contracts and all the other messy stuff you have to deal with, just to have a footprint. But essentially once we have that in place, we can spin up the software in the data center and have it hooked into our central service within hours. And we can be starting channels literally within half a day. So that's the real win for us is having all that central glue and that central management system and the scalability where we can just add another 10, 20, 50, 100 markets and the system is set up to scale centrally where we can start collecting metrics through Cloud watch from those data centers, we're collecting logs and diagnostic information so we can detect health and everything else centrally and monitor and operate all of these things centrally in a way that is sane and not crazy. We don't need a 24/7 knock of a thousand people to do this, you know, and do that in a way that we, as a relatively small company, can still scale and do that in a sensible way, and a cost-effective way, which is obviously very important for us at our size, but at any size, you want to make sure if you're going to go into 200 plus markets that you have a really good cost model and that's one of the things where Amazon has really really helped us is allow us to do some really complex things, and in an efficient, scalable, reliable, and cost-effective way. The cost for us to go into a new metro now is so small relatively speaking that that's really what allows us to do as a business and now we just opened up New York and we're going to keep expanding on that model so that's been a huge win for us is evaluating what Amazon can bring to the table versus other third parties or building our own obviously-- >> So Amazon gives you the knock basically leverage and scale. The data center you're referring to, that's pretty much just to get an origination point in the territory. >> Dan: Exactly, that's right. >> So it's not like it's a super complex data center. You can just go in, making sure that they got all the normal path to recovery and the normal stuff, it's not like a heavy duty buildup. Can you explain that? >> Yeah, so one thing we do do in our data centers is because we are local, we have sort of primary data centers where we do do transcoding and origination of the video so we receive the video locally and then we want to transcode and deliver it locally and that way we're not sending video across the country and back type of thing. So that is sort of the hybrid part of our model. So we stand that up, but then that is all managed by the central service. So we essentially have another container cluster using Kubernetes in this case. But that Kubernetes cluster is essentially told what to do by everything that's running in Amazon. So we essentially stand up the Kubernetes cluster, we wire it up to the central service, and then from then on, we just go into the central service and say stand up these channels and it all pops up. >> Well my final question on the Amazon piece is really about the future capability besides having a CUBE channel which we'd love to have on there, I told my guys we'll get there. But we're just too busy working around the clock as you guys are with COVID-19. (overlapping chatter) I could almost see a slew of new services coming out, just on the Amazon side. If I'm on the Amazon side I'm thinking, okay I'll post this as an opportunity for me. I can see sage making and machine learning coming in and adding value for the user experience. And also enabling their own stuff. They've got a ton of stuff with Prime and moving people around and delivering things. I mean the headroom for Amazon in this thing is off the charts. But that being said, that's Amazon, I could see them winning with this. I know certainly I know you're using Elemental as well, but for you guys on the consumer side, what features and what new things do you see on the roadmap or what you might envision the future looking like? >> Well, I think part of it I think there's two parts. One of it is what are we going to deliver ourselves so we talked about adding community content and continuing to evolve the local BTV product. But we also see ourselves primarily as a local TV platform. For example, you mentioned Prime and a lot of people are now realizing, especially with COVID and what's going on, the importance of local television and so we're in discussions on a lot of fronts with people to see how we can be the provider of that local TV content. And that's really a lot of stations are super excited about that too 'cause you know, again, looking to expand their own footprint and their own reach, we're basically the way that we can join those two things together between the stations, the other video platforms, and distribution mechanisms, and the viewers obviously at the end of the day, we want to make sure local viewers can get more local content and stuff that's interesting to them. Like you said with the news, it is not uncommon that you may have your Bay area stations but the news is still maybe very focused on LA or San Francisco or whatever. And so being able to enable the smaller regional outlets to reach people in that area in a more local fashion is definitely a big way that we can facilitate that from the platform and viewer perspective. So we're hoping to do that in any way we can. Our main focus is make local great and get the broadcast world out there and that's not going anywhere especially with things like HSE3 on the front, and we just want to make sure those people are successful and enrich people and make revenue. >> Yeah, you got a lot of (mumbles) but I think one of the things that's interesting about your project that I find is a classic case of people who focus in on just current market value investing, versus kind of the game-changing shifts is that you guys are horizontally enabling in the sense that there's so many different use cases I was pointing out from my perspective, journalism, and I look at that and I'm like, okay that's a huge opportunity just there, changing the game on societal impact on journalism, huge education opportunity for court cutters. You're talking about a whole nother thing around TV so I got to ask ya, pretend I'm an idiot for a minute. Pretend, let's make it, I am an idiot. I don't understand, isn't this just TV? What are you doing different because it's only local. I can't watch San Francisco if I'm in Chicago and I can't watch Chicago if I'm in San Francisco, I get that. But why is this important? Isn't this just TV? Can't I just get it on YouTube, TikTok, what is this? >> Yes and no. There's TV and then there's TV as you know. If you look at the TV landscape, it's pretty fractured but typically when you're talking about YouTube or Hulu, you're talking about sort of cable TV channels. You know, you're going to get your A&E, you're going to get some of your local through ABC and whatnot, but you're not really getting local content. So for example, in our Los Angeles market, there are about 100 and something over-the-air channels. If you look at the cross section of which of those channels you can get on your other big name products like your Hulus or your YouTube TV, you're talking about maybe half a dozen or a dozen. So we're talking about 90 plus channels that are local to LA that you can only get through an antenna. And those are hitting the type of demographics that, quite frankly, some of these other players just don't see as important. >> Under different minorities or immigrants, the each entrepreneurs of our country. >> Yes exactly, so we might see a lot of Korean channels or Spanish channels or other minority channels that you just won't get over your cable channels or your typical online video providers. So that's, again, why we feel like we've got something that is really unique and that is really under-served as far as on a television standpoint. The other side that we bring to the table is that a lot of these broadcast channels are under served themselves in terms of technology. If you look at ad insertion and a lot of the technical discussions about how to do live TV and how to get live TV out there, it's very focused on the OTT market, so again, going back to the Hulus and the YouTubes. >> OTT, over-the-top you mean. >> Over the top, yeah. And so this broadcast market basically had no real evolution on that front in a while and I sort of mentioned the way ad buying works. It's still sort of the traditional ad buying that happens a couple weeks in front, not a lot of targeted or anything ability. And even when we get to HSE3, you're now relying on having an HES3 TV and you're still tied to an antenna, etc, etc, which is, again, a good move forward, but still not covering the spectrum of what these guys really want to reach and do. So that's where we kind of fill in the gaps using technology and filling in the gap of receiving a signal and bringing these technologies to not only the ad insertion and the stuff we can do for the livestream, but providing analytics and other tools to the stations that they really don't have right now unless you're willing to shell out a lot of money for Nielsen, which a lot of local small stations don't do. So we can provide a lot of analytics on viewership and targeting and things like that that they're really looking forward to and really excited about. >> All right, I got to ask you, put you on the spot here, 'cause I always see Andy Jassy at (mumbles) hopefully I'll see him this year if they do an in-person event. He's really dynamic and you should send him an email; he tends to read his emails a lot, and if you're a customer and I know you are, but I've got to ask you, if you bumped into Andy Jassy on the elevator and he's like, hey why should I pay attention to Didja? Why is it important for Amazon and why is it important for the world? How does it raise the bar on society? >> Well I think part of what Amazon's goal, especially if you get into their work in public sector and education, that's really where we see we're focusing with the community and local television and enabling new types of local television. So I think there's a lot of advantage and I hate the word synergy, but I'm going to use the word synergy. As far as our goals in those areas around really helping, one of the terms flying around now is the double bottom line where it's not just about revenue, it's about how do we help people in communities be better as well? So there's a bottom line in terms of people, benefit, and revenue in that way, not just financial revenue. And that's very important to us as a business as well is that's why we're focused on local TV and we're not just doing another Fubo where it's really easy to get an IP national fee. It's really important to us to enable the local community and the local broadcasters and the local channels and the local viewers to get the content that they're missing out on right now. So I think there's a, I hate it but I'm going to use it, synergy on that front as far as-- >> Synergy and the new normal. >> Synergy and the new normal? I think COVID and some of the other things that have been happening in the news with the Black Lives Matter and a lot of the things going around where local and community has been in the spotlight and getting the word out and having really local things versus I'm just seeing this thing from three counties away which I don't really care about and it's not telling me what's happening down the street like you said. And that's really what we want to help improve and support. >> Yeah it's a great mission, and it's one we care a lot about theCUBE. We've seen the data: content drives community engagement, and community's where the truth is. So in an era when we need more transparency and more truth, you get more cameras on the street, you're going to start to see things. That's what we're seeing a lot of things. And as more data's exposed, as you turn the lights on, so to speak, that kind of data will only help communities grow, heal, and thrive. So to me, big believer in what you guys are doing. Local BTV has a great mission. I wish you guys well and thanks for explaining the infrastructure on Amazon. I think you guys have a really killer use case technically. I mean to me, I think the technical superiority of what you've done give ability to stand up to these kinds of network with massive number of potential reach out of the gate, that's pretty impressive, congratulations. >> Great, thank you very much and thanks for taking the time. (upbeat music)

>> From the Amazon Meeting Center, in downtown Seattle, it's theCUBE. Covering Imagine a Better World, a global education conference, sponsored by Amazon Web Services. >> Hey welcome back, everybody, Jeff Frick here with theCUBE. We're in downtown Seattle at AWS Imagine Education. About 900 people from 20 countries really coming together for the first ever AWS summit from public sector group, really focused just on education. We've got a little bit of a twist here, our next guest really coming from more of the artsy side of the house, which is always great to hear from. We've got Linda Drew, she's the Vice Chancellor, and Andy Cook, the Chief Operations Officer, both from Ravensbourne University in London. Welcome. >> We're really pleased >> Thank you. to be here, really excited. >> For the people that aren't familiar with Ravensbourne, give us a little overview of the school. >> We're in the center of London in Greenwich, which is right by the river. We have about two-and-a-half-thousand students and about 250 faculty. We specialize in design, media, and technology, and the interaction, and all that kind of stuff. >> Pretty fun space to be right now. >> Absolutely gorgeous place to be. >> There's so much talk about IT and the tech and IT in operations, but there's so much neat stuff happening really more on the creative side and in the arts. Leveraging technology in all different, new ways. >> Absolutely, it's kind of hand and glove, really. All the innovation that's happening is happening with the way that tech is disrupting what's happening in the creative workspace, and vice versa really. The two things are effecting each other. >> The channels of distribution now, being so open, there's no greater time to be an artist, a creator, because your path to publishing, your path to your audience is really, really short and direct, assuming you can get their attention. >> Absolutely, I think we recognize there's a huge opportunity there for us in terms of developing a competitive advantage in the sector using new, emerging technologies to forge a new path for the institution and help educate and bridge the skills gap for industry. >> What are the things you guys do, one of the classes is broadcast production, and we were talking to all of our guys behind the cameras that nobody can see, and that again is an evolving space and you guys, it's kind of an interesting play, on one hand you're talking about Shakespearian plays, on the other hand you're looking at the newest, latest, greatest way to get that out to consumers, to viewers, to schools, while training the people in the middle with the latest and greatest tools. You guys have started a AWS Elemental Experiment. I wonder if you can give us a little bit of color on that project. >> I can start, and I'll tell you about the impact that it has, and Andy might be able to follow up on some of the technical stuff. We've had a project going with the Royal Shakespeare Company in England, and it's one of their education programs where what we do is a three-way relationship between them, their plays being shot in Stratford-upon-Avon or in London, and one aspect of what happens is that what we do is host the live program that is shot in our TV production studio and jointly the recorded program and the live action is streamed to schools, several hundred schools at a time. Some of our recent shows have been reaching upwards of 85,000 school students at a time. >> 85,000? >> Absolutely. >> That is great reach. We'd been using the more traditional technology before and that was having some issues with school teachers and others that were saying they weren't getting a great service out of the live stream, and our students were a bit frustrated with what they were learning about the streaming technologies. Since having moved to AWS Elemental, that's really increased the satisfaction both of what our students are learning but also in what they're delivering in terms of the live streamed program and because they're streaming more than one thing, because we know that they're also streaming not just the content but also the British sign language. They're also streaming signed content as well. >> Great, great. Andy, you're on the hook for actually getting these systems up and working, right? >> (laughs) Well, I'm not sure about that, but I think Linda said it all, I think the previous stack of technology that we were using in this area were not reliable, we were getting a lot of jump outs with the streams, lots of complaints from our schools. This shift to Elemental has been transformational. Lots of really complimentary feedback from the schools that are taking part in this exercise. It's been really good. >> That's good, the story over and over with cloud basically anything is that the amount of scale and resources and expertise and hardware and software that Amazon can bring to bear on your behalf compared to what you can do on you own, it's just not the same and you're a relatively small school. It's that same scale delta whether it's a medium-size company, a big company, or multi-national. These guys have that massive scale across so many customers, and you get that delivered to your doorstep. >> As you well know, there's a massive shift taking place in the broadcast industry away from the, towards IP-driven technologies, so we see this as a real opportunity to develop our curriculum, add cloud technologies in to our existing courses and go on that journey away from the more traditional technologies to a cloud-based approach. >> I'm just curious if you've adopted cloud stuff in more your standard IT practices, or where are you on that journey? Or was the client satisfaction issue on these broadcasts what accelerated that adoption faster than your normal stuff? >> I think it's been quite closely related, in some ways. It's a bit kind of chicken and egg. We were already looking at ways of enhancing our infrastructure and this kind of stuff came along at the same time, so we just say how quickly can we get to move some of this stuff for our standard operational focus. >> I think most universities are in some sort of hybrid state running on premise services with some, putting their feet gently into the water of cloud technologies, but I think we're looking at really accelerating that journey towards AWS now for our infrastructure. >> I'm curious, were you here for the keynote this morning? >> Yeah, definitely. >> Did you see the Alexa movie with the kids in the dorm room? >> Yeah. >> Really exciting. Very exciting. >> I think one of the slides really sums up our journey and thoughts around working with Amazon. It's the IT transformation piece, then there's a adoption of machine learning in terms of improving the student experience, and then there's adopting cloud courses into our curriculum, so those three areas are really where we're looking to build a relationship with Amazon. >> It's interesting to see what defines this new education experience, because the kids have different expectations, they've all grown up with apps and mobile. To your point on the attention, if something's not working, they're used to flipping to another channel, switching to another input, so if it doesn't work, you only have their attention for a short period of time. I think it is really interesting to rethink what are the actual activities that define this new engagement and this new student experience while they're in your institution, and I thought that was a really pretty slick demo. >> That was a great example, really good demo. Some of the really exciting things that have come out of us adopting this technology thus far includes some students coming to us with ideas of setting up our very own television channel that we can broadcast on campus using this technology and a way of streaming it to students' phones and tablets so that they've got content about the university and it's activities on a regular basis. >> The ROI calculation for you to execute that when it's cloud-based is very, very different, right? >> Absolutely, yes >> It's pretty simple. (all laughing) Just buy a new rack of servers and the whole to-do. I'll give you the last word, what are you hoping to get out of these couple days here, what have you seen so far, any hallway conversations that are really getting your attention? >> Hopefully, not just a deeper relationship with AWS, but the traction to help us work towards innovating on creativity and technology into the future. >> Great. >> Brilliant. >> Andy goes I'm going to go with the Chancellor, smart man. (all laughing) >> Absolutely. >> Linda and Andy, thanks again for taking a few minutes-- >> Thank you very much. >> Absolute pleasure. and hope you enjoy the rest of your time here. >> Thank you. >> (mumbles) thank you. >> She's Linda, he's Andy, I'm Jeff, you're watching theCUBE, we're at AWS Imagine Education in downtown Seattle. Thanks for watching. (electronic tones)

>> Voiceover: Live from Las Vegas it's The Cube, covering NAB 2017, brought to you by HGST. (lively music) >> Good morning, welcome to The Cube I'm Lisa Martin, and we are live at day three of the NAB Show in Las Vegas. Very excited to introduce you to our first guest this morning, Michael Harbin, the VP of Pac-12 Networks. Good morning Michael, welcome to the cube. >> Good morning, how are you today? >> Very good, very energized. >> Oh good (laughter) >> Day three. So Michael, tell us about Pac-12 Networks, The content arm of the Pac-12 Conference. >> Sure, we have a six regional sports networks in the western US, and then one national feed, we also have digital properties and some over-the-top services on Twitter and Facebook Live, so we're involved as we can be in all forms of distribution. We're located in San Francisco, the conference itself is over 100 years old; it was 100 last year. The networks launched four years ago, this will be our fifth season coming up in August. We're very proud, very happy of our distribution, and our student athletes, and our partnership schools, and it's a great place. >> So you are the first and only sports media company that is owned by its 12 universities. >> That's right, so the SEC is partnered with ESPN, and the Big 10 Networks are partnered with Fox, so we're on our own, we stand on our own, and we do the best we can with what we have. >> Give us an idea of the genesis of the network. >> It started with the new commissioner, Larry Scott on the Pac-12 side, he came in and had a vision for helping the Pac-12 realize what it could be, as opposed to... Being on the West Coast has its disadvantages; our audience size isn't that big, our games start when the East Coast is going to sleep sometimes, so he wanted to get rid of an East Coast bias that existed in collegiate sports, and really make Pac-12 what it should be. We have the best geography, we have the best schools, we have land in... Tech and entrainment, so we have a lot going for us, and I think he brought those things to the forefront, and helped position Pac-12 in a much stronger position than it had been. In the world of liscencing content, we leapfrogged at the time the rest of the conferences in our deal with ESPN and Fox for our football and basketball games. With the games that weren't sold to Fox and ESPN, commissioner Scott thought to create a media company that we would own and control, and that would distribute the rest of our collegiate and athletic events that we have that are controlled by the Pac-12. >> So you mentioned basketball, football, you do big events, but you also do small events. Give us an idea of what it's like to produce a big event in the fall; a big football event, versus some of the smaller Olympic sports like field hockey? >> Sure. We have our three seasons; fall, winter, and spring, so obviously winter, the mostly indoor sports, but in the fall we kickoff big with our football season, and there's 12 or 13 weeks, and we have a championship game in early December which is a big event. That's one of the reasons the Pac-10 went to the Pac-12; the NCA says if you have 12 football teams, you can have a championship game. >> Okay. >> If you have less than 12, whoever has the best record is the winner, so we added two schools, and we have a champ game; those media rights were sold to Fox and ESPN, so it was a nice deal for us. So we start off with football; those are more traditional productions that everybody's used to. Big 53-foot truck pulls up, we do our production compliment with seven, eight or nine cameras depending on the game, depending on the market, depending on the week, the time of broadcast. We usually get- we choose our games after Fox and ESPN chooses theirs, so sometimes we get good games, sometimes we don't. They're all good; they're all Pac-12 games, so they're all good. But those are very traditional productions that are done in very traditional methodologies that everyone would see. As we start getting into basketball, those two are typical productions, but the volume of basketball games is such that we found a new way to do those games a little bit less expensively than the others. >> So less resources? >> Yeah. And then of course the spring sports where you're into baseball and softball, track and field. Track and field is a very expensive sport to produce because there's a lot going on at any one time. In that way, we've gotten away from video as a means of transmission and done IP transmission, which saved us a lot of money, and as we've got that IP path between our schools and ourselves, we've learned to do new things with it. We're doing content sharing back and forth, advanced production techniques, multiple camera paths that we normally wouldn't have on a production of that size. All of our shows, no matter where they are or what sport they are are produced in surround sound 5.0, so we think we lend a lot to the smaller sports that get smaller audiences, but we think we put a lot of production value to them to do the athletes and the sport justice. >> Talk to us about the underlying technologies that are necessary to support going from video to IP so that you can really open up the types of content and where it's distributed. >> Right, so one of the difficulties- we have around 100 venues in the 12 schools that we have to be able to broadcast from. Depends on the university; at Standford, those soccer and lacrosse fields could be way out. They call the campus 'the farm' for a reason. There's a lot of acreage there to cover. And some of our venues aren't even on campus. UCLA football is at the Rose Bowl, USC is at the Coliseum, so we had to find a way to get away from video which is just a single path and costs a lot. We needed more bidirectional service, we needed something that was secure and had really low latency so that when we did our productions we did the coaches interviews afterwards, it's basically like a phone call. We also provided internet services to the production, which everybody needs internet connectivity. The Chyron people, whomever. The crew itself, just for checking in and their report times and things like that, and we also provide four-digit extension dialing for our in-house phone systems. It's a very efficient and cost-effective way for us to do our production out there, and provide this suite of services that if I was just using a video circuit, I wouldn't have access to unless I paid extra for it. >> So presumably, creating a ton of content, how do you maintain all this content and be able to retrieve things, be able to livestream, have things on demand, that's that underlying archival storage strategy? >> So we produce 850 events throughout a year, and that's just to give you an idea, I think Big 10 and SCC are around 400, 450. We have a lot of volume going on, and we do a very good job, I think, of archiving that, logging those games, adding metadata, as much metadata as we possibly can to it. Including repurposing the closed caption files, we attach that as data, we get articles, stills, whatever we can gather about that particular game, we add it as metadata, and then we archive that. We keep it on very fast, short-term storage in our building on spinning disk, and after it ages, after about the second season, we push it into Amazon Cloud. It goes right into Glacier if it's that old, but immediately when we do a game, we push it up to S3 in Amazon, where we share and monetize our content at that point, and then from there it just goes to Glacier, so we have, we think, a very efficient workflow, it's highly automated, we have a great media management department that does a terrific job with very few people, very scarce resources, they do what I think is one of the best jobs in the industry in terms of saving that content in an effort to monetize it in the future. So if you can find it and search through it and get clips from it, it's going to be that much more valuable for us. >> So one of the prevailing things that we've been hearing all week, and not just here, is the democratization of content. The audience, we're very much empowered, right? As a viewer of anything we want; we're binge-watching, we're streaming, we're time-shifting, we're sharing it on social media. What is the process that Pac-12 Networks goes through to understand your audience as well as you can to deliver them the experience that you think they want? >> We have the data that comes back from our TV Everywhere product, there are OTT platforms that we can gather up and sift through. We've undertaken a fan engagement project to work with our universities about the type of people and who attend their football games, or their sporting events, and a way of better understanding who our audience is and tailoring our program to that. Understanding who they are, what their preferences are, it will help us, I think, to fine-tune the kind of content we put in front of them. Everybody loves a winning team, and you have no problem filling seats or getting an audience when your team is winning, so we understand that; we just want to be better during those times where the team might not be undefeated, so we'd like to get people in there anyway. It's a challenge for us, it really is. >> What about this concept of original content? You're now producing original content. There are three shows? >> Yes. We have some anthology shows; The Drive, and All Access during football and basketball season that give a behind-the-scenes look akin to the HBO shows on the professional side that look at professional sports. We go behind the scenes, and the stories for some of our athletes and some of our teams are quite compelling, and it makes good television. That gets also supported by our shoulder programming for our live events; pre and post-game SportsCenter-type shows that we do, and we try to do live halftimes that are topical for every one of our sports events that are played, so that's a lot of volume, a lot of churn that goes through a small studio in a small facility. We think it helps the live events look better, I mean, live events are what people are tuning in to watch. You can't fast-forward through a sporting event which advertisers just love, you kind of have to consume it in the moment, unless you can keep yourself away from the internet or your phone for a few hours until you get a chance to watch the game. We think being in live sports is a really special place to be, because you can't fast-forward through it. Any support that we give those live events, that's really what the other original content is geared to, is to build interest in those teams and those events, and attract people to them. >> So you have this concept of TV everywhere. Original content, traditional content, how is the cloud helping the Pac-12 Network to really collaborate across all the content, all of the connected fans and wherever they are? >> Sure. Just to make a distinction, we have the TV Everywhere which is the authenticated platforms that our cable providers use, and we have our own digital properties as well that still need to be authenticated, and then there's the over the top platforms like Facebook Live that are everything but the 850 events that go on the air. So behind the scenes, sideline reporters in the locker rooms, whatever else we could produce, pep rallies, that we think could be compelling content for Facebook Live we do. On Twitter, we've licensed out the 851st event and beyond, so we do some very limited productions, but still quality, that gets distributed on Twitter. So that's kind of this thing. TV Everywhere is basically the high-end product, and then these kind of ancillary second-screen experience, whatever you want to call them that don't need to be authenticated, that anybody can pick up and watch. That's how we make that distinction. I'm sorry, what was the second part of that question? >> How does cloud help collaboration? >> So we were really early adopters of producing those streams ourselves, so with Elemental Technologies who is a wonderful vendor and partner of ours, they're now owned by AWS, I point over there, they're somewhere in the building. >> (laughs) >> We're a big early adopter of their technology, we've really tried to strive for a business partnership with our vendors, rather than just a check-writer, check-casher relationship, which doesn't do us well, we don't think. We developed this relationship with them, and they helped us deliver our mezzanine streams to Occami and distribute from there, but we do that encoding in-house on their equipment. Eventually I think we'll move that to the cloud and get it all virtualized, but for right now we run their servers in our house, and they understand that we would like to get it out as quickly as we can as some point, but we're working on emptying our CER as fast we can; I don't want any blinking lights in my CER if I could get there someday, but that's a dream. >> So last question, we just have about thirty seconds left, you're in San Fancisco, >> Yep. >> With a really cool opportunity; sports entertainment technology. When you're looking for young talent who could potentially be swayed by the big Googles of the world and Facebook, what is really unique and cool about working with Pac-12 Network? >> For us, it's a two-edged sword. We love being in San Francisco; it gives us access to young people, a new way of thinking, different technology companies that are more IP/IT centric than TV centric. So we think that gives us a real advantage. The other edge of the sword is that we lose a lot of network engineering especially, systems engineers to the tech companies; they would prefer to work at Uber or LinkedIn, something like that. TV's kind of a dying tech, you have to jazz it up a little bit to gain their interest. >> But it's evolving based on what you're talking about-- It is. It's very much that skillset for being an old-time TV engineer is becoming less and less important than network engineering or systems engineering skillsets; that's what we really look for. If somebody has a Cisco certification, he gets our- or she gets our interest, rather than just 'I've worked in television for 20 years,' because we know which direction we're going in. >> One of the things that you articulate as we wrap things up here is that every company this day and age is a tech company, so we wish you the best of luck. You've said you've been at this show for 30 years >> 30 years. >> I can't even imaging all the things that you've seen. Michael Harbin, thank you so much for joining us on The Cube. >> Thank you very much, it was a pleasure being here. >> We want to thank you for watching, we are live from NAB in Las Vegas. I'm Lisa Martin, stick around, we'll be right back. (techno music)