(upbeat music) >> (Narrator) From around the globe, it's theCUBE. With digital coverage of IBM Think 2021. Brought to you by IBM. >> Hello, welcome back to theCUBE's coverage of IBM Think 2021 virtual. Soon we'll be back in person in real life, but this year again it's a virtual conference. I'm John Furrier, your host of the cube for more cube coverage. We've got a great guest here, Debbie Vavangas, Global Garage Lead for IBM Services. Global Garage, great program. Debbie, great to see you. Thanks for coming on theCUBE. >> Thanks for having me. >> So, we've covered the Garage a lot on theCUBE in the past, and a success, everyone loves the Garage. Things are born in the Garage, entrepreneurship, innovation, has been kind of categorically known for, kind of, the Garage startup. >> Absolutely. >> But also, it's become known for, really, agility, which has been a cloud phenomenon, DevOps. Now we're seeing dev SecOps as a big trend this year with hybrid cloud. So, I've got to ask you, how is Garage doing with the pandemic? Obviously, I can almost imagine people at home kind of disrupted from the office, but maybe more creativity, maybe more energy online? What's going on with the Garage? How has your transformation journey been with COVID? >> Well, John, COVID has been the leveler for us all, right? There isn't a person who hasn't had some challenge or some complexity to And that includes our clients. And I'm incredibly proud to be able to say that IBM Garage, because it is so digitally native, when the COVID pandemic has struck around the world every single one of our Garages was able to switch to being virtual without fail, without a single days lost productivity. And that's hugely beneficial to clients who are on an incredibly time-sensitive journey. And so, we've seen as a result of COVID actually there are a huge acceleration in Garages, for two reasons. So, number one, from a virtualization perspective, actually it's much easier when everybodies together in the same space. So everybody's together virtually in the same space, and we've seen, you know, acceleration in our velocity, in our collaboration, because everybody is really learning how to work in that same space. But two, because of the pandemic, because of the pressure on our client's needs to make decisions fast, know not guess, really be focused on their outcomes, not just doing stuff, the Garage really plays to that objective for them. And so we've seen a huge rise, you know, we've gone from in 2019 to just a few hundred garages, to finishing 2020 with over two and a half thousand garages. And it being embedded across services and with the goal of being the primary way our clients experience it. So COVID has been a big accelerator. >> Sorry, Debbie, can you repeat the numbers again? I just want to capture that, I missed that. >> Sure, sure. >> I did a double take on the numbers. (Debbie laughs) >> So then, we finished 2019 with just under 300 garages, and we finished 2020 with just over two and a half thousand. So, we've had a huge growth, and it isn't just the number of garages, it's the range of garages and what we're serving with our clients, and how we're collaborating with our clients, and the topics we're unpacking that has really broadened. >> Yeah, I mean I covered, and we've reported on the Garage on theCUBE and also on www.siliconangle.com in the past things and through your news coverage, but that's amazing growth. I got to believe the tailwind from COVID and just the energy around it has energized you. I want to get your thoughts on that because, you know, what we've reported on in the past has been about design thinking, human-centered design, all of those beautiful things that come with cloud-scale, right? You know, you're moving faster, you're innovating, and so that's been kind of there. But what you're getting at with this growth is, and with COVID has proven, and again, we've been pointing this out, you're seeing the pattern, it's clear. Companies are either retrenching, okay, which is refactoring, redesigning, doing those things to kind of get ready to come out of COVID with a growth strategy, and you're seeing other companies build net new innovations. So, they're building new capabilities, because COVID's shown them, kind of pulled back the curtain if you will on where the action is. So, this means there's two threads going on. You've got, "Okay, I've got to transform my business, and I got to refactor', or 'Hey, we got net new business models'. These are kind of two different things and not mutually exclusive. What's your comment on that? >> And I think that my comment on it is that is the sweet spot that Garage comes into its own, right? You mentioned lots of things in there. You talked about design thinking, and agility, and, you know, these other buzzwords that are used all the time, and Garage of course is synonymous with those. Of course, Garage uses the best design thinking, and AGILE practices, and all of those things that absolutely call to what we do. DevOps, even through down to DesignOps. You know, we have the whole range depending on what the client objective is. But, I think what is really happening now is that innovation being something separate is no longer how to accelerate your outcomes, and your business outcomes. Regardless of whether that is in refactoring and modernizing your existing estate, or diversifying, creating new ecosystems, new platforms, new offerings. Regardless of what that is, you can't do it separate to your core business. I mean, it's a well known fact, John, right? Like 75% of transformation programs fail to deliver an impact to the business performance, right? And in the same period of time there's been huge cuts in innovation funding, and that's because for the same reason, because they don't deliver the impact to the business performance. And that's why Garage is unique, because it is entirely focused on the outcome, right? We're using user research, through design thinking of course, using agile to deliver it at speed, and all of those other things. But, it's focused on value, on benefits realization and driving to your outcome. And we do that by putting that innovation at the heart of your enterprise in order to drive that transformation, rather than it being something separate. >> Debbie, I saw you gave a talk called 'Innovation is Dead'. Obviously, that's a provocative title, that's an attention-getter. Tell me what you mean by that. Because it seems to be a setup. >> I mean, if the innovation is dead, >> Of course. was it with a question mark? Were you, kind of, trying to highlight that innovation is transformation? >> So, the full title was 'Innovation is dead and transformation is pointless'. And, of course, it's meant to be an eye-catching title so people show up and listen to my pitch rather than somebody else's. But, the reality is I mean it most sincerely, it's back to that stat. 75% of these transformation programs fail to deliver the impact, and I speculate that that is for a few reasons. Because, the idea itself wasn't a good one, or wasn't at the right time. Because, you were unable to understand what the measure of good looked like, and therefore just being able to create that path. And, in order to transform a company, you must transform the individuals within a company. And so that way of working becomes incredibly holistic. And it's those three things, that I think amongst the whole myriad of others, that are the primary reasons why those programs fail. And what Garage does, is it breaks that. By putting innovation at the heart of your enterprise, and by using data-driven value orchestration, that means that we don't guess where the value to be gained is, we know. It's no longer chucking ideas at the wall to see what sticks, it's meaningful research. This is my favorite quote from my dear friend, Courtney Noll, who says, "It's not about searching for the innovation needle in the proverbial haystack, it's using your research in order to de-risk your investment, and drive your innovation to enable your outcomes." And so, if you do innovation without a view to how it's going to yield your business outcomes, I agree, I fundamentally agree that it's pointless. >> Yeah, exactly. And, you know, of course we're on the writing side, we love titles like, 'Innovation is dead, long live innovation'. So, it's classic, you know, to get your attention. >> Exactly, exactly. And of course, what I really mean is that innovation is a separate entity. >> Totally. >> There's no longer relevance for a company to make sure they achieve their business outcomes. >> Well, this is what I wanted to just double-click on that with you on is that you look at transformation. You guys are essentially saying transformation meets innovation with the Garage philosophy, if I get that right. >> Yep >> And it's interesting, and we've experienced this here with theCUBE, we're theCUBE virtual, we're not at IBM Think, there is no physical game day like some of us normally do. >> Well, as you can see, I'm at my house. (Debbie laughs) And so, I was talking to a CEO and I said, "Hey, you guys are doing really, really good. We had to pivot with the cube", and he goes, "You guys did a good pivot yourself". He goes, "No, John, we did not pivot. We actually put our business on hold because of the pandemic. We actually created a line extension, so, technically, we're going to bring that business back when COVID has gone and come back to real life, so it's technically not a pivot, we're not pivoting our business, we've created new functionality." Through the innovations that they were doing. So, this is kind of like, this is the real deal here. Share your thoughts on that. >> To me, it's about people get so focused on the output that they lose track of the outcome, right? And so, be really clear on what you're doing, and why. And the outcomes can be really broad, so instead of saying, "We're all going to implement a new ERP, or build a new mobile app". That's not an outcome, right? What we should be saying is, "What we're trying to achieve is a 10 percent growth in net promoter score in China, right? In this group." Or whatever it is we were trying to achieve, right? Or, "We want to make a 25% reduction in our operating cost base by simplifying our estate". Whatever those outcomes are, that's the starting point, and then driving that to use as the vehicle for what is the right innovation, what is going to deliver that value, and fast, right? Garage delivers three to five times faster than other models and at a reduced delivery cost, and so it's all about that speed. Speed of decision, speed of insight, speed of culture and training, speed of new skills, and speed to outcomes. >> Well, Debbie, you did a great job, love what you're doing, and Garage has got a great model. Congratulations on the growth, love this intersection, or transformation meets innovation because innovation is transformation, and vice versa, this interplay going on there. >> Exactly. >> I think COVID has proven that. Let me dig into a little bit more about the garage, what's going on. How many practitioners do you guys have there now at IBM? You've got growth, are you adding more people in? Obviously, Virtual First, COVID, is there still centers of design? Take us through what's going on at Garage. >> Certainly, so like, I think I mentioned it right up front. Our goal is to make IBM Garage the primary way our clients experience us. We've proven in that it delivers higher value to our clients and they get a really rich and broad set of outcomes. And so, in order for us to deliver on that promise we have to be enabled across IBM to deliver to it, right? So, over the last 18 months or so we've had a whole range of training programs in Enable, we've had a whole badging and certification program, we have all the skills, and the pathways, and the career pathways to find. But Garage is for everybody, right? And so, it isn't about creating a select group that can do this across IBM. This is about making all of services capable. So, in 2020 we trained over 28,000 people, in all the different skills that are needed, from selling, to execution, to QA, to user research, whatever it is. And this year we're launching our Garage Skills Academy, which will take that across all of services and make it easily available. So, you know, we've got hundreds of thousands. >> And talk about the footprint on the global side, because, again, not to bring up global, but global is what is in your title. >> Yep. >> Companies need to be global, because now with virtual workforces you're seeing much more tapped creativity and ability to execute from global teams. How does that impact you? >> Well, so it's global in two perspectives, right? So, number one, we have Garages all around the world, right? It isn't just the market of, you know, our most developed nations in Americas and Europe, it is everywhere, we see it in all emerging markets. From Latin America, through to all parts of eastern Europe, which are really beginning to come into their own. So, we see all these different Garages at different scales and opportunities. So, definitely global from that image. But, what virtualization has also enabled is truly global teams. Because, it's really easy to go, "Oh, I need one of those. Okay, I need a supply chain expert, and I need an AI expert, and I need somebody who's got industry experience in whatever it is." And you can quickly gather them around the virtual table, you know, faster than you can in a physical table. But, we still leverage the global communities with those physical. >> It's an expert network. You have an expert network there at IBM. >> We have a huge network, yeah. And both within IBM, and of course a growing network of ecosystem partners that we continue to work with. >> Well, Debbie, I'm really excited. Congratulations on the growth. I'm looking forward to partnering with you on your ecosystem as that develops. I can almost imagine you must be getting a lot of outside IBM practitioners and experts coming in to collaborate in a social construct. >> Absolutely. >> It's a great program, thanks for sharing. >> My pleasure, it's been great to be here, thank you. >> Okay, IBM's Global Garage Lead, Debbie Vavangas, who's here on theCUBE with IBM Services. A phenomenon, it's a social construct that's helping companies with digital transformation. Intersecting, with innovation. I'm John Furrier, your host. Thanks for watching. (upbeat music)

>>from around the globe, it's the >>Cube with digital coverage of IBM think 2020 >>one brought to you >>by IBM. Hello, welcome back to the cubes coverage of IBM Think 2021 virtual soon we'll be back in person in real life. But this year again it's a virtual conference. I'm john for your host of the cube for more cube coverage. You got a great guest here Debbie Viviendas Global garage lead for IBM Services Global garage great program. Ah Debbie, great to see you. Thanks for coming on the cube. >>Thanks for having me. >>So we've covered the garage a lot on the cube in the past and the success, Everyone loves the garage things are born in the garage, entrepreneurship innovation has been kind of categorically known for kind of the garage start up um but also it's become um known for really agile agility and which has been a cloud phenomenon, devops and now we're seeing Deb sec apps as a big trend this year with hybrid cloud. So I gotta ask you, how is garage doing with the pandemic? I was I can almost imagine people at home kind of disrupted from the office, but maybe more creativity, maybe more energy online. What's going on with the garage? How has your transformation journey been with Covid? >>Well, don't I mean it's Covid has been the level of for us. All right, there isn't a person who hasn't had some challenge or some complexity to Yeah, and that includes our clients and I'm incredibly proud to be able to say that IBM garage because it is so digitally native. When the covid pandemic has struck around the world, every single one of our garages was able to switch to being virtual without fail without a single days lost productivity. And that I mean that's hugely beneficial to clients who are on an incredible time sensitive journey. And so we've seen as a result of Covid actually there are a huge acceleration in garages from two reasons. The number one from a virtualization perspective. Actually it's much easier when everybody's together in the same space, everybody's together virtually in the same space. And we've seen acceleration in our velocity and our collaboration because everybody is really learning how to work in that century. But to because of the pandemic, because of the pressure on our client's needs to make decisions fast. No, not guess really, be focused on their outcomes, not just doing stuff, the garage really plays to that objective for them. And so we've seen a huge rise. We've gone from 2019 to just a few 100 garages to finishing 2020 with over 2.5 1000 garages and being embedded across services and the goal of being the primary way our clients experiencing COVID has been a big accelerator. >>Sorry Debbie, can you repeat the numbers again? I just want to capture that. I missed that. >>Sure. Sure. So we finished >>training on the numbers. >>Yeah. So that we finished 2019 with just under 300 garages and we finished 2020 with just over 2.5 1000. So we've had a huge growth in the in the rain and it isn't just the number of garages, it's the range of garages and what we're what we're serving with our clients and how we're collaborating with our clients and the topics were unpacking. That is is really broadened. >>Yeah. I mean I I covered and we've reported on the garage on the Cuban also in silicon angle dot com. And the past thinks and through your your news coverage. That's amazing growth. Um I gotta believe the tailwind from Covid and just the energy around it has energized. You wanna get your thoughts on that because you know what we've reported the past, it's been about design, thinking human centered design, all those beautiful things that come with cloud, cloud scale, right? You know, you're moving faster, you're innovating. Um and so that's been kind of there, but what you're getting at with this growth is with and what Covid has proven. And again, we've been pointing this out, you're seeing the pattern, It's clear companies are either retrenching okay. Which is re factoring, redesigning, doing those things to kind of get ready to come out to cope with a growth strategy and you're seeing other companies um build net new innovations so they're building new capabilities because Covid shown them kind of pulled back the curtain if you will on where the action is. So this means there's two threads going on. You got okay, I got to transform my business and I gotta re factor and then, or hey, we got net new business models, these are kind of two different things and not mutually exclusive. What's your comment on that? >>Uh, and I think that my comment on is that is the sweet spot that garage comes into its own right. You mentioned lots of things in that, you talked about design thinking and agility and you know, these other buzzwords that are used all the time and garage of course is synonymous with those of course, you know, it's Gap uses the best design thinking and agile practices and all of those things that absolutely core to what we do, devops, even through down to design up, we have the whole range depending on what the client objective is, but I think what is really happening now is the innovation, you know, being something separate. It is no longer how to accelerate your outcomes and your business outcomes regardless of whether that is in re factoring and modernizing your existing estate or diversifying creating new ecosystems and new platforms and new offerings. Regardless of what that is, you can't do it separate to your, To your core business. I mean it's a well known fact John right, like 75 of transformation programmes failed to deliver an impact on the business performance. Right? And in the same period of time there's been huge cuts in innovation funding and that's because for the same reason because they don't deliver the impact of the business performance and that's why garage is unique because it is entirely focused on the outcome, right? But using user research through design thinking of course using agile to deliver it at speed and all of those other things, but it's focused on value, on benefits, realization and driving to your outcome. And we do that by putting that innovation at the heart of your enterprise in order to drive that transformation rather than it being something separate. >>Debbie, I saw you gave a talk uh called Innovation Is Dead. Um obviously that's a provocative title. That's an attention getter. Um tell me what you mean by that because it seems to be a setup. I mean many mentions dead. Was it with a question mark? What you're kind of trying to highlight that innovation is transformation? Or were you trying >>to do the full title? The full title was Innovation is Dead and transformation is pointless. And of course, it's meant to be an eye catching title. So people show up and listen to my pitch rather than somebody else's. But But the reality is I mean that most sincerely it's back to that step, 75 of these transformation programmes failed to deliver the impact. And I and I speculate that that is for a few reasons because the idea itself wasn't a good one or wasn't at the right time because you were unable to understand what the measure of good looked like and therefore him just be able to create that path. And in order to transform a company, you must transform the individuals within a company. And so that way of working becomes incredibly holistic and it's those three things, I think amongst the whole myriad of others are the primary reasons why those programs fail. And what garage does is it breaks this by putting innovation at the heart of your enterprise and by using data driven value orchestration. That means that we don't no, we don't guess where the value to be gained is. We know it's no longer checking ideas at the wall to see what sticks it's meaningful research. It's not searching. This is my favorite quote from my dear friend Courtney, know, who says it's not about searching for the innovation needle in the proverbial haystack. It's using your research in order to de risk your investment and drive your innovation to enable your outcomes. So if you do innovation without a view to how it's going to yield your business outcomes, I agree. I fundamentally agree that it's pointless. >>Exactly. Of course, we're on the writing side. We love titles like innovation is dead long live innovation, so that's classic. Get your attention. But I think >>Exactly, and of course what I really mean is that innovation is a separate entity, >>totally. >>There is no longer relevant for company to make sure they achieve their business >>outcome. Well, this is what I wanted to just double click on that with you on is that you look at transformation, you guys essentially saying transformation meets innovation with the garage philosophy if I get that right. Um, and, and, and it's interesting I had, and we've experienced here with the cube where the cube virtual, we're not at IBM think there is no physical game day, like >>my house. >>And, and so I was talking to a Ceo and he said, I said, hey you guys are doing really, really good. You know, we had to pivot with the cube and he goes, you guys did a good pivot yourself because no, john we did not pivot, we actually put our business on hold because of the pandemic. We actually created a line extension. So technically we're going to bring that business back when Covid is gone and we come back to real life. So it's technically not a pivot. We're not pivoting our business. We've created new functionality through the innovations that they were doing. So this is kind of like, this is the real deal here. This is like depends proven what's your share your thoughts on that? >>Well, it's just to me it's about people get so focused on the output that they lose track of the outcome, right? And so being really clear on what you're doing and why and the outcomes can be really broad that, you know, so instead of saying, you know, we're all going to implement the new E. R. P. Or build a new mobile app. That's that's that's not an outcome, right? What we should be saying is what we're trying to achieve is a 10% growth in net promoter score in china, Right in this group or whatever it is we were trying to achieve right, we want to make a 25 reduction in our operating cost base by simplifying our estate whatever those outcomes are. I mean that's the starting point and then driving that use to use as the vehicle for what is the right innovation, what is going to deliver that value and fast right garage delivers 3-5 times faster than other models and reduced delivery costs. And so it's all about that speed, speed of decision, speed of insight, speed of culture and training, speed of new skills and speed to outcomes. >>You got a great job, love what you're doing in Karaj got a great model, congratulations on the growth. Love this intersection or transformation meets innovation because innovation is transformation advice versus interplay going on there I think has proven that. Let me dig into a little bit more about the garage. What's going on? How many practitioners you guys have there now at IBM? Um, you've got growth. Are you adding more people in? I'll see virtual first. Covid. Is there still centers of design take us through what's going on at garage? >>Certainly. So I think I mentioned it right up front. Right. So our goal is to make IBM guards the primary way our clients experiences. We've proven that it delivers higher value to our clients and they get really rich and broad set of outcomes. And so in order for us to deliver on that promise, we have to be unable to cross IBM to deliver to it. Right? So over the last 18 months or so we've had a whole range of training programs and enable we have a whole badging and certification program. We have all the skills and the pathways and the career pathways to find. But garages for everybody. Right? And so it isn't about creating a selected group that can do this across IBM, this is about making all of services capable. So in 2020 we we trained over 28,000 people right? In in all the different skills that are needed from selling to execution to QA to use a research, whatever it is. And this year we're launching our garage skills academy which will take that across all of services and make it easily available. So we will, you've got to >>talk about the footprint of the global side because again, not to bring up global, but global is what yours in your title companies need to be global because now with virtual workforce is you're seeing much more tapped creativity and execution ability to execute from global teams. How does that impact you? >>Well, so garages as in its global in two perspectives. Right, So number one, we have garages all around the world. Right? It isn't it isn't just the market of you are most developed nations in the Americas and europe. It is everywhere. We see it in all emerging markets, from latin America through to you all parts of eastern europe which are really beginning to come into their own. So we see all these different garages of different different scales and opportunity. So definitely global from that image. But what what what virtualization has also enabled these truly global teams because it's really easy to go, I need one of those. Okay, I need a supply chain expert and I need an Ai expert and I need somebody who's got industry experience in whatever it is and you can quickly gather them around the virtual table faster than you can in a physical table. But we still leverage the global community >>for the network. You have an expert network there at IBM. >>You have a huge network. Yeah. And both both within IBM and of course a growing network of ecosystem partners that we continue to work >>with. Debbie. I'm really excited. Congratulations. Growth. I'm looking forward to partnering with you on your ecosystem as that develops. I can almost imagine you must be getting a lot of outside IBM practitioners and experts coming in to collaborate. It is a social construct. It's a great program. Thanks for sharing >>my pleasure. It's been great to be here. Thank >>you. Okay, IBM's global garage. Lee Debbie Vegas who's here on the queue with IBM services, a phenomenon. This is social construct is helping companies with digital transformation intersecting with innovation. I'm john for your host. Thanks for watching

>> live from Las Vegas. It's the queue covering del Technologies. World twenty nineteen. Brought to you by Del Technologies and its ecosystem partners. >> Welcome back to Las Vegas. Lisa Martin with John Ferrier. You're watching the Cube live at Del Technologies World twenty nineteen. This is our second full day of Double Cube set coverage. We've got a couple of we're gonna really cool conversation coming up for you. We've got Robbie Pender County, one of our alumni on the cue back as VP product management server solutions. Robbie, Welcome back. >> Thank you, Lisa. Much appreciated. >> And you brought some Hollywood? Yes. Glenn Glenn ER, president of Sony Innovation Studios. Glenn and welcome to the Cube. >> Thank you very much. It's great to be here. >> So you are love this intersection of Hollywood and technology. But you're a filmmaker. >> Yeah. I have been filming movies for many years. Uh, I started off making motion pictures for many years. Executive produced him and over so production for them at one of our movie labels called Screen Gems, which is part of Sony Pictures. >> Wait a tremendous amount of evolution of the creative process being really fueled by technology and vice versa. Sony Innovation Studios is not quite one year old. This is a really exciting venture. Tell us about that and and what the the impetus was to start this company. >> You know that the genesis for it was based out of necessity because I looked at a nice Well, you know, I love making movies were doing it for a long time. And the challenge of making good pictures is resource is and you never get enough money believing not you never get enough money and never get enough time. That's everybody's issue, particularly time management. And I thought, Well, you know, we got a pretty good technology company behind us. What if we looked inward towards technology to help us find solutions? And so innovation studios is born out of that idea on what was exciting about it was to know that we had, uh, invited partners to the game right here with Del so that we could make movies and television shows and commercials and even enterprise solutions leaning into state of the art and cutting edge technology. >> And what some of the work prize and you guys envision coming out this mission you mentioned commercials. TV is it going to be like an artist's studio actor? Ackerson Ball is Take us through what this is going to look like. How does it get billed out? >> I lean into my career as a producer. To answer that one and say is going to enable that's one of the greatest things about being a producer is enabling stories, uh, inspiring ideas to be Greenland. That may not have been able to be done so before. And there's a key reason why we can't do that, because one of our key technologies is what we call the volumetric image acquisition. That's a lot of words. You probably say. What the heck is that? But a volumetric image acquisition is our ability to capture a real world, this analog world and digitize it, bring it into our servers using the power of Del and then live in that new environment, which is now a virtual sets. And that virtual set is made out of billions and trillions in quadrillions of points, much like the matter around us. And it's a difference because many people use pixels, which is interpretation of like worry, using points which is representative of the world around us, so it's a whole revolutionary way of looking at it. But what it allows us to do is actually film in it in a thirty K moving volume. >> It's like a monster green screen for the world. Been away >> in a way, your your your your action around it because you have peril X so these cameras could be photographing us. And for all you know, we may not be here. Could be at stage seven at Innovation Studios and not physically here, but you couldn't tell it. If >> this is like cloud computing, we talking check world, you don't the provisional these resource is you just get what you want. This is Hollywood looking at the artistry, enabling faster, more agile storytelling. You don't need to go set up a town and go get the permit. All the all the heavy lifting you're shooting in this new digital realm. >> That's right. Exactly. Now I love going on location on. There's a lot to celebrate about going on location, but we can always get to that location. Think of all the locations that we want to be in that air >> base off limits. Both space, the one I >> haven't been, uh, but but on said I've been I've walked on virtual moons and I've walked on set moons. But what if we did a volumetric image acquisition of someone set off the moon? Now we have that, and then we can walk around it. Or what if there's a great club, a nightclub? This says guys want you shoot here, but we have performances Monday night, Tuesday night, Wednesday night there. You know they have a job. What if we grab that image, acquired it, and then you could be there anytime you want. >> Robbie, we could go for an hour here. This is just a great comic. I >> completely agree with you. >> The Cube. You could. You could sponsor a cube in this new world. We could run the Q twenty four seven. That's absolutely >> right. And we don't even have >> to talk about the relationship with Dale because on Del Technologies, because you're enabling new capabilities. New kind of artistry was just totally cool. Want to get back to the second? But you guys were involved. What's your role? How do you get involved? Tell the story about your >> John. I mean, first and foremost one of things that didn't Glendon mention is he's actually got about fifty movies to his credit. So the guy actually knows this stuff, so which is absolutely fantastic. So we said, How do you go take average to the next level? So what else is better than trying to work something out, wherein we together between what Glenn and Esteem does at the Sony Innovation Labs for Studio Sorry. And as in Dead Technologies could do is to try and actually stretch the boundaries of our technology to a next tent that when he talks about kazillion bytes of data right one followed the harmony of our zeros way have to be able to process the data quickly. We have to be able to go out and do their rendering. We probably have to go out and do whatever is needed to make a high quality movie, and that, I think, in a way, is actually giving us an opportunity to go back and test the boundaries of their technology. They're building, which we believe this is the first of its kind in the media industry. If we can go learn together from this experience, we can actually go ahead and do other things in other industries. To maybe, and we were just talking about how we could also take this. He's got his labs here in Los Angeles, were thinking maybe one of the next things we do based on the learnings we get, we probably could take it to other parts of the world. And if we are successful, we might even take it to other industries. What if we could go do something to help in this field of medicine? >> It's just thinking that, right? Yes. >> Think about it. Lisa, John. I mean, it's phenomenal. I mean, this is something Michael always talks about is how do we as del technologies help in progress in the human kind? And if this is something that we can learn from, I think it's going to be phenomenal. >> I think I think that's so interesting. Not only is that a good angle for Del Technologies, the thing that strikes me is the access toe artist trees, voices, new voices that may be missed in the prop the vetting process the old way. But, you know, you got to know where we're going. No, in the Venture Capital way seen this with democratization of seed labs and incubators, where, if you can create access to the story, tells on the artists we're gonna have one more exposure to people might have missed. But also as things change, like whether it's Ray Ray beaming and streaming, we saw in the gaming side to pull a metric or volumetric things. You're gonna have a better canvas, more paint brushes on the creative side and more. Artist. Is that the mission to get AC, get those artists in there? Is it? Is that part of the core mission submission? Because you're going to be essentially incubating new opportunities really fast. >> It's, uh, it's very important to me. Personally. I know it speaks of the values of both Sony and L. I like to call it the democratization of storytelling. You know, I've been very blessed again, a Hollywood producer, and we maybe curate a certain kind of movie, a certain kind of experience. But there's so many voices around the world that need to be hurt, and there are so many stories that otherwise can't be enabled. Imagine a story that perhaps is a unique >> special voice but requires distance. It requires five disparate locations Perhaps it's in London, Piccadilly Circus and in Times Square. And perhaps it's overto Abu Dhabi on DH Libya somewhere because that's part of the story. We can now collapse geography and bring those locations to a central place and allow a story to be told that may not otherwise have been able to be created. And that's vital to the fabric of storytelling worldwide's >> going change the creative process to you don't have to have that waterfall kind of mentality like we don't talk about intact. You're totally distributed content, decentralized, potentially the creative process going change with all the tools and also the visual tools. >> That's right. It's >> almost becoming unlimited. >> You wanted to be unlimited. You want the human spirit to be unlimited. You want to be able to elevate people on. That's the great thing about what we're trying to achieve and will achieve. >> It is your right. I mean, it is interesting, you know, we were just talking about this, too. Uh, we're in, you know, as an example. Shock tank. Yes, right. I mean, they obviously did it. The filming and stuff, and then they don't have the access. Let's say to the right studio. But the fact is, they had all this done. Andi, you know, they had all the rendering they had captured. Already done. You could now go out and do your chute without having all the space you needed. >> That's right. In the case of Shark Tank, which shoots a Sony Pictures studios, they knew they had a real estate issue. The fact of the matter is, there's a limited amount of sound stages around the world. They needed to sound stages and only had access to one. So we went in and we did a volumetric image acquisition of their exit interview stage. They're set. And then when it came time to shoot the second half a season ten, one hundred contestants went into a virtual set and were filmed in that set. And the funny thing is, one of the guys in the truck you know how you have the camera trucks and, you know, off offstage, he leaned into the mike. Is that you guys, could you move that plant a couple inches to the left and somebody said, Uh, I don't think we can do it right now, he said, We're on a movie lot. You could move a plant. They said No, it's physically not there. We're on innovation studios goes Oh, that's right. It's virtual mind. >> So he was fooled. >> He was pulled. In a way, we're >> being hashing it out within a team. When we heard about some of the things you know Glenn and Team are doing is think about this. If you have to teach people when we are running short of doctors, right? Yeah, if you could. With this technology and the learnings that come from here, if you could go have an expert surgeon do surgery once you're captured, it would be nice. Just imagine, to take that learning, go to the new surgeons of the future and trained them and so they can get into the act without actually doing it. So my point and all this is this is where I think we can take technology, that next level where we can not only learn from one specific industry, but we could potentially put it to human good in terms of what we could to and not only preparing the next of doctors, but also take it to the next level. >> This was a great theme to Michael Dell put out there about these new kinds of use case is that the time is now to do before. Maybe you could get there technology, but maybe aspirational. Hey, let's do it. I could see that, Glenn, I want to ask you specifically. The time is now. This is all kind of coming together. Timing's pretty good. It's only gonna get better. It's gonna be good Tech, Tech mojo Coming for the creative side. Where were we before? Because I can almost imagine this is not a new vision for you. Probably seen it now that this house here now what was it like before for, um and compare contrast where you were a few years ago, maybe decades. Now what's different? Why? Why is this so important >> for me? There's a fundamental change in how we can create content and how we can tell stories. It used to be the two most expensive words in the movie TV industry were what if today that the most important words to me or what if Because what if we could collapse geography? What if we could empower a new story? Technology is at a place where, if we can dream it. Chances are we can make it a reality. We're changing the dynamics of how we may content. He used to be lights, action camera. I think it's now lights, action, compute power action, you know, is that kind of difference. >> That is an amazing vision. I think society now has opportunities to kind of take that from distance learning to distance connections, the distance sharing experiences, whether it's immersion, virtual analog face, the face could really be powerful. Yeah, >> and this is not even a year old. >> That's right. >> So if you look at your your launch, you said, I think let june fourth twenty eighteen. What? Where do you go from here? I mean, like we said, this is like, unlimited possibilities. But besides putting Robbie in the movie, naturally, Yes, of course I have >> a star here >> who? E. >> So I got to say he's got star power. >> What's what's next year? Exactly? >> Very exciting. I will say we have shark tank Thie Advanced Imaging Society gives an award for being the first volume met you set ever put out on the airwaves. Uh, for that television show is a great honor. We have already captured uh, men in black. We captured a fifty thousand square foot stage that had the men in black headquarters has been used for commercials to market the film that comes out this June. We have captured sets where television shows >> and in hopes, that they got a second season and one television show called up and said, Guys, we got the second season so they don't have to go back to what was a very expensive set and a beautiful set >> way captured that set. It reminds me of a story of productions and a friend of mine said, which is every year. The greatest gift I have is building a beautiful set and and to me, the biggest challenges. When I say, remember that sent you built four years ago? I need that again. Now you can go >> toe. It's hard to replicate the exact set. You capture it digitally. It lives. >> That's exactly it. >> And this is amazing. I mean, I'd love to do a cube set into do ah, like a simulcast. Virtually. >> So. This is the next thing John and Lisa. You guys could be sitting anywhere going forward >> way. You don't have to be really sitting here >> you could be doing. What do you have to do? And, you know, you got everything rendered >> captured. We don't have to come to Vegas twenty times a year. >> We billed upset once. You >> know you want to see you here believing that So I'LL take that >> visual is a really beautiful thing. So if we can with hologram just seeing people doing conscious with Hollywood. Frank Zappa just did a concert hologram concert, but bringing real people and from communities around the world where the localization diversity right into a content mixture is just so powerful. >> Actually, you said something very interesting, John, which is one of the other teams to which is, if you have a globally connected society and he wanted try and personalize it to that particular nation ethnicity group. You can do that easily now because you can probably pop in actors from the local area with the same. Yeah, think about it. >> It's surely right. >> There's a cascade of transformations that that this is going Teo to generate. I mean just thinking of how different even acting schools and drama schools will be well, teaching people how to behave in these virtual environments, right? >> How to immerse themselves in these environments. And we have tricks up our sleeves that Khun put the actor in that moment through projection mapping and the other techniques that allow filmmakers and actors to actually understand the world. They're about to stepped in rather than a green screen and saying, OK, there's going to be a creature over here is gonna be blue Water falls over there will actually be able to see that environment because that environment will exist before they step on the stage. >> Well, great job the Del Partnership. On my final question, Glenn, free since you're awesome and got a great vision so smart, experienced, I've been really thinking a lot about how visualization and artistry are coming together and how disciplines silo disciplines like music. They do great music, but they're not translating to the graphics. It was just some about Ray tracing and the impact with GP use for an immersive experiences, which we're seeing on the client side of the house. It del So you got the back and stuff you metrics. And so, as artist trees, the next generation come up. This is now a link between the visual that audio the storytelling. It's not a siloed. >> It is not >> your I want to get your vision on. How do you see this playing out and your advice for young artists? That might be, you know, looked as country. What do you know? That's not how we do it. >> Well, the beautiful thing is that there are new ways to tell stories. You know, Hollywood has evolved over the last century. If you look at the studios and still exist, they have all evolved, and that's why they do exist. Great storytellers evolved. We tell stories differently, so long as we can emotionally relate to the story that's being told. I say, Do it in your own voice. The cinematic power is among us. We're blessed that when we look back, we have that shared experience, whether it's animate from Japan or traditional animation from Walt Disney everybody, she shares a similar history. Now it's opportunity to author our new stories, and we can do that and physical assets and volumetric assets and weaken blend the real and the unreal. With the compute power. The world is our oyster. >> Wow, >> What a nice >> trap right there. >> Exactly. That isn't my job. The transformation of of Hollywood. What it's really like the tip of the iceberg. Unlimited story potential. Thank you, Glenn. Thank you. This has been a fascinating cannot wait to hear, See and feel and touch What's next for Sony Animation studios With your technology power, we appreciate your time. >> Thank you. Thank you both. Which of >> our pleasure for John Carrier? I'm Lisa Martin. You're watching the Cube lie from Del Technologies World twenty nineteen We've just wrapped up Day two we'LL see you tomorrow.

>> Live from Las Vegas. It's the queue covering del Technologies. World twenty nineteen. Brought to you by Del Technologies and its ecosystem partners. >> Welcome back to Las Vegas. Lisa Martin with John Ferrier. You're watching the Cube live at Del Technologies World twenty nineteen. This is our second full day of Double Cube set coverage. We've got a couple of we got a really cool conversation coming up for you. We've got Robbie Pender County, one of our alumni on the cue back as VP product management server solutions. Robbie, Welcome back. >> Thank you, Lisa. Much appreciated. >> And you brought some Hollywood? Yes, Glenn Glenn er, president of Sony Innovation Studios. Glenn and welcome to the Cube. >> Thank you very much. It's great to be here. >> So you are love this intersection of Hollywood and technology. But you're a filmmaker. >> Yeah, I have been filming movies for many years. I started off making motion pictures for many years. Executive produced him and oversaw production for them at one of our movie labels called Screen Gems, which is part of Sony Pictures. >> Wait a tremendous amount of evolution of the creative process being really fueled by technology and vice versa. Sony Innovation Studios is not quite one year old. This is a really exciting venture. Tell us about that and and what the The impetus was to start this company. >> You know that the genesis for it was based out of necessity because I looked at a nice Well, you know, I love making movies were doing it for a long time. And the challenge of making good pictures is resource is and you never get enough money. Believe or not, you never get enough money and never get enough time. That's everybody's issue, particularly time management. And I thought, Well, you know, we got a pretty good technology company behind us. What if we looked inward towards technology to help us find solutions? And so innovation studios is born out of that idea on what was exciting about it was to know that we had, uh, invited partners to the game right here with Del so that we could make movies and television shows and commercials and even enterprise solutions leaning into state of the art and cutting edge technology. >> And what some of the work private you guys envision coming out this mission you mentioned commercials TV. Is it going to be like an artist's studio actor actress in ball is take us through what this is going to look like. How does it get billed out? >> I lean into my career as a producer. To answer that one and say is going to enable that's one of the greatest things about being a producer is enabling stories, uh, inspiring ideas to be green lit that may not have been able to be done so before. And there's a key reason why we can't do that, because one of our key technologies is what we call the volumetric image acquisition. That's a lot of words. You probably say. What the heck is that? But a volumetric image acquisition is our ability to capture a real world, this analog world and digitize it, bring it into our servers using the power of Del and then live in that new environment, which is now a virtual sets. And that virtual set is made out of billions and trillions in quadrillions of points, much like the matter around us. And that's a difference because many people use pixels, which is interpretation of like we're using points which is representative of the world around us, so it's a whole revolutionary way of looking at it. But what it allows us to do is actually film in it in a thirty K moving volume. >> It's like a monster green screen for the world. Been away >> in a way, you're you're you're interaction around it because you have peril X, so these cameras could be photographing us. And for all you know, we may not be here. Could be at stage seven at Innovation Studios and not physically here, but you couldn't tell the >> difference. This is like cloud computing. We talking check world, you don't the provisional these resource is you just get what you want. This is Hollywood looking at the artistry, enabling faster, more agile storytelling. You don't need to go set up a town and go get the permit. All the all the heavy lifting you're shooting in this new digital realm. >> That's right. Exactly. Now I love going on location on There's a lot to celebrate about going on location, but we can always get to that location. Think of all the locations that we want to be in that air >> base off limits. Both space, the one I >> haven't been, uh, but but on said I've been I've walked on virtual moons and I've walked on set moons. But what if we did a volumetric image acquisition of someone set off the moon? Now we have that, and then we can walk around it. Or what if there's a great club, a nightclub? This says guys and wanted to shoot here. But we have performances Monday night, Tuesday night, Wednesday night there. You know they have a job. What? We grabbed that image acquired it. And then you could be there anytime you want. >> Robbie, we could go for an hour here. This is just a great comic. I >> completely agree with >> you. The Cube. You could You could sponsor a cube in this new world. We could run the Q twenty four seven is absolutely >> right. And we don't even have >> to talk about the relationship with Dale because on Del Technologies, because you're enabling new capabilities. New kind of artistry, just totally cool. Want to get back to the second? But you guys were involved. What's your role? How do you get involved? Tell the story about your >> John. I mean, first and foremost one of the things didn't Glendon mention is he's actually got about fifty movies to his credit. So the guy actually knows this stuff. So which is absolutely fantastic. So we said, How do you go take coverage to the next level? So what else is better than trying to work something out, wherein we together between what Glenn and Esteem does at the Sony Innovation Labs for Studio Sorry. And as in Dead Technologies could do is to try and actually stretch the boundaries of our technology to a next tent that when he talks about kazillion bytes of data right one followed by harmony, our zeros. We have to be able to process the data quickly. We have to be able to go out and do their rendering. We probably have to go out and do whatever is needed to make a high quality movie, and that, I think, in a way, is actually giving us an opportunity to go back and test the boundaries of their technology. They're building, which we believe this is the first of its kind in the media industry. If we can go learn together from this experience, we can actually go ahead and do other things in other industries do. Maybe. And we were just talking about how we could also take this. He's got his labs here in Los Angeles, were thinking maybe one of the next things we do based on the learning to get. We probably could take it to other parts of the world. And if we are successful, we might even take it to other industries. What if we could go do something to help in this field of medicine? >> It's just thinking that, right? Yes. Think >> about it. Lisa, John. I mean, it's phenomenal. I mean, this is something Michael always talks about is how do we as del technologies help in progress in the human kind? And if this is something that we can learn from, I think it's going to be phenomenal. >> I think I think that's so interesting. Not only is that a good angle for Del Technologies, the thing that strikes me is the access to artist trees, voices, new voices that may be missed in the prop the vetting process the old way. But, you know, you got to know where we're going. No, in the venture, cobble way seen this with democratization of seed labs and incubators where, if you can create access to the story, tells on the artists we're gonna have one more exposure to people might have missed. But also as things change, like whether it's Ray Ray beaming and streaming we saw in the gaming side to volumetric or volumetric things, you're gonna have a better canvas, more paint brushes on the creative side and more action. Is that the mission to get AC Get those artists in there? Is it? Is that part of the core mission submission? Because you're going to be essentially incubating new opportunities really fast. >> It's, uh, it's very important to me. Personally. I know it speaks of the values of both Sony and L. I like to call it the democratization of storytelling. You know, I've been very blessed again, a Hollywood producer, and we maybe curate a certain kind of movie, a certain kind of experience. But there's so many voices around the world that need to be hurt, and there are so many stories that otherwise can't be enabled. Imagine a story that perhaps is >> a unique special voice but requires distance. It requires five disparate locations. Perhaps it's in London Piccadilly Circus and in Times Square. And perhaps it's overto Abu Dhabi on DH Libya somewhere because that's part of the story. We can now collapse geography and bring those locations to a central place and allow a story to be told that may not otherwise have been able to be created. And that's vital to the fabric of storytelling. Worldwide >> is going to change the creative process to You don't have to have that waterfall kind of mentality like we don't talk about intact. You're totally distributed content, decentralized, potentially the creative process going change with all the tools and also the visual tools. >> That's right. It's >> almost becoming unlimited. >> You want it to be unlimited. You want the human spirit to be unlimited. You want to be able to elevate people on. That's the great thing about what we're trying to achieve and will achieve. >> It is your right. I mean, it is interesting, you know, we were just talking about this too. We're in, you know, as an example, shock tank. Yes, right. I mean, they obviously did it the filming and stuff, and then they don't have the access, let's say to the right studio, but The fact is, there had all this done on DH. No, they had all the rendering. They had the captured already done. You could now go out and do your chute without having all the space you needed. >> That's right. In the case of Shark Tank, which shoots a Sony Pictures studios, they knew they had a real estate issue. The fact of the matter is, there's a limited amount of sound stages around the world. They needed to sound stages and only had access to one. So we went in and we did a volumetric image acquisition of their exit interview stage. They're set. And then when it came time to shoot the second half a season ten, one hundred contestants went into a virtual set and were filmed in that set. And the funny thing is, one of the guys in the truck you know how you have the camera trucks and, you know, off offstage, he leaned into the mike. Is that you guys, could you move that plant a couple inches to the left and somebody said, Uh, I don't think we can do it right now, he said. We're on a movie lot. You could move a plant. They said, No, it's physically not there. We're on innovation studios goes Oh, that's right. It's virtual mind. >> So he was fooled. >> He was pulled. In a way, we're >> being hashing it out within a team. When we heard about some of the things you know Glenn and Team are doing is think about this. If you have to teach people when we are running short of doctors, right? Yeah, if you could. With this technology and the learnings that come from here, if you could go have an expert surgeon do surgery once you're captured, it would be nice. Just imagine, to take that learning, go to the new surgeons of the future and trained them and so they can get into the act without actually doing it. So my point in all this is this is where I think we can take technology, that next level where we can not only learn from one specific industry, but we could potentially put it to human good in terms of what we could to and not only preparing the next of doctors, but also take it to the next level. >> This was a great theme to Michael Dell put out there about these new kinds of use case is that the time is now to do before. Maybe you couldn't get there with technology, but maybe aspirational, eh? Let's do it. I could see that. Glenn, I want to ask you specifically. The time is now. This is all kind of coming together. Timing's pretty good. It's only gonna get better. It's gonna be good. Tech, Tech mojo Coming for the creative side. Where were we before? Because I could almost imagine this is not a new vision for you. Probably seen it now that this house here now what was it like before for, um and compare contrast where you were a few years ago, maybe decades. Now what's different? Why? Why is this so important? >> You know, for me, there's a fundamental change in how we can create content and how we can tell stories. It used to be the two most expensive words in the movie TV industry were what if today that the most important words to me or what if Because what if we could collapse geography? What if we could empower a new story? Technology is at a place where if we can dream it. Chances are we can make it a reality. We're changing the dynamics of how we may content. He used to be lights, action, camera. I think it's now lights, action, compute power action, you know, is that kind of difference. >> That is an amazing vision. I think society now has opportunities to kind of take that from distance learning to distance connections, the distance sharing experiences, whether it's immersion, virtual analog face the face. I could really be powerful. Yeah, >> and this is not even a year old. >> That's right. >> So if you look at your your launch, you said, I think let june fourth twenty eighteen. What? Where do you go from here? I mean, like we said, this is like, unlimited possibilities. But besides putting Robbie in the movie, naturally, Yes, of course I have >> a star here >> who video. >> So I got to say he's got star power. >> What's what. The next year? Exactly. >> Very exciting. I will say we have shark tank Thie Advanced Imaging Society gives an award for being the first volume metric set ever put out on the airwaves. Uh, for that television show was a great honor. Uh, we have already captured, uh, men in black. We captured a fifty thousand square foot stage that had the men in black headquarters has been used for commercials to market the film that comes out this June. We have captured sets where television >> shows and in the in hopes that they got a second season and one television show called up and said, Guys, we got the second season so they don't have to go back to what was a very expensive set and a beautiful set >> Way captured that set. It reminds me of a story of productions and a friend of mine said, which is every year. The greatest gift I have is building a beautiful set and and to me, the biggest challenges. When I say, remember that sent you built four years ago. I need that again. Now you can go >> toe hard, replicate the exact set, you capture it digitally. It lives. >> That's exactly it. >> And this is amazing. I mean, I'd love to do a cube set into do ah, like a simulcasts. Virtually. >> So. This is the next thing John and Lisa. You guys could be sitting anywhere going forward. We don't have to be really sitting here you could be doing. What do you have to do? And, you know, you got everything rendered >> captured. We don't have to come to Vegas twenty times a year. >> We billed upset once >> You want to see you here believing that So I'LL take that >> visual is a really beautiful thing. So if we can with hologram just seeing people doing conscious. But Hollywood Frank Zappa just did a concert hologram concert, but bringing real people and from communities around the world where the localization diversity right into a content mixture is just so powerful. >> Actually, you said something very interesting, John, which is one of the other teams to which is, if you have a globally connected society and he wanted try and personalize it to that particular nation ethnicity group. You can do that easily now because you can probably pop in actors from the local area with the same city. Yeah, think about it. >> It's surely right. >> There's a cascade of transformations that that this is going Teo to generate. I mean just thinking of how different even acting schools and drama schools will be well, teaching people how to behave in these virtual environments, right? >> How to immerse themselves in these environments. And we have tricks up our sleeves that Khun put the actor in that moment through projection mapping and the other techniques that allow filmmakers and actors to actually understand the world. They're about to stepped in rather than a green screen and saying, OK, there's going to be a creature over here is gonna be blue Water Falls over there will actually be able to see that environment because that environment will exist before they step on the stage. >> Well, great job the Dale Partnership On my final question, Glenn free since you're awesome and got a great vision so smart, experienced, I've been really thinking a lot about how visualization and artistry are coming together and how disciplines silo disciplines like music. They do great music, but they're not translating to the graphics. It was just some about Ray tracing and the impact with GP use for immersive experiences, which was seeing on the client side of the house. It del So you got the back and stuff, but you metrics. And so, as artist trees, the next generation come up. This is now a link between the visual that audio, the storytelling. It's not a siloed. >> It is not >> your I want to get your vision on. How do you see this playing out and your advice for young artists? That might be, you know, looked as country. What do you know? That's not how we do it. >> Well, the beautiful thing is that there are new ways to tell stories. You know, Hollywood has evolved over the last century. If you look at the studios and still exist, they have all evolved, and that's why they do exist. Great storytellers evolved. We tell stories differently, so long as we can emotionally relate to the story that's being told. I say Do it in your own voice. The cinematic power is among us. We're blessed that when we look back, we have that shared experience, whether it's animate from Japan or traditional animation from Walt Disney, everybody shares a similar history. Now it's opportunity to author our new stories and we can do that and physical assets and volumetric assets and weakened blend the real and the unreal. With the compute power. The world is our oyster. >> Wow, >> What a nice >> trap right there. >> Exactly that is, um I dropped the transformation of Hollywood. What? And it's really think the tip of the iceberg. Unlimited story potential. Thank you, Glenn. Thank you. This has been a fascinating cannot wait to hear, See and feel and touch What's next for Sony Animation studios With your technology power We appreciate your time. >> Yeah, Thank you. Thank you both of >> our pleasure for John Farrier. I'm Lisa Martin. You're watching the Cube lie from Del Technologies World twenty nineteen We've just wrapped up Day two we'LL see you tomorrow.