>> live from London, England. It's the queue covering a ws summat. London twenty nineteen Brought to you by Amazon Web services. >> Thiss really is huge, >> isn't it? David >> London is my co star today on the Cube. We're going to be extracting the signal from the noise and there is a lot of noise. Just trying to register. Here was an event in itself, and one guy in the queue with me earlier said, You know, this is like an army of young technologist backing one particular platform, and we've had the main keynote speeches already in the conference hall. There are breakout sessions going on as well as we speak. And in those keynote speeches, it really wants the focus again on Hey I and machine learning and a huge array of services that eight of us now provide. Because, of course, every tech company, every company is a tech company these days. Where do you work in transportation or defense or retail? Let's talk >> about Dave a little bit about a ws and the exponential growth that it's seen over the past two years because it just keeps on getting bigger and you could see testament really out there just so many people here. >> You know, Susannah, when a WS announced its first service in two thousand six, very quietly announced E C, too, which is a computer service. Nobody really paid much attention. But a devious has permanently changed the landscape of the of the technology business. And we're here in London twelve thousand people at a one day summit. I mean, that's his large as many or or larger than most U. S based three day conferences. >> And there are many thousands more watching the life streaming as well, >> right? And when you talk to the people here, they're a division. First of them has builders, and it was interesting to hear some of the key knows this morning talking about some of the innovations that occurred in the UK he obviously UK, very prideful country. The first lights in electric lights work the Savoy Theatre, the Colossus, you know, Code breaker and many, many others. Home computing originated in the UK It so a diverse are connecting that invention and that what they call reinvention. Eight of us talks about his differentiation. The number of regions that it has around the world believe they said twenty one regions, sixty for availability zones, which are little, many regions inside of the regions. In case there's a problem, you can fail over fourteen database services. You know what's happening is all the traditional tea, which is eighty percent of the market place, trying to sort of hang on to their legacy install basis. So they're trying to substantially mimic eight of us. The problem is, eight of us moves faster, has more services, and it's just growing at such a phenomenal rate. >> And it's really kind of bottom up. A CZ. Well, it's so got that head start. So it's learning from its current customers and those it's had in the past, really to find out what new services they want that has his wealth of data ofthe gods to build on it, doesn't it? So every it seems every month it's it's another step ahead. >> Well, the data is critical. Amazon. Is it a dogfight? I always say, for your data with Google and Microsoft and Oracle, they all want your data. Why? Because data is the most valuable resource today, right? People talk about data is the new oil. We think data is more valuable than oil. You could put oil in your car. You can put in your house, but you can't put it in. Both data is reusable in a way that we've never seen a natural resource before. So it's extremely powerful applying machine intelligence to data. So Amazon knows if it can get your data into the cloud and do so cost effectively and deliver services that make you happy and delight you that they have a perpetual business model that's really unbeatable. The company now is at a thirty billion dollars run rate, growing at a constant currency rate of forty two percent per year. No people will say, Well, well, Microsoft is going faster. Microsoft is growing at seventy two percent here, but it's a much, much smaller base we're talking about single digit, a few billion versus thirty billion. So Amazon each year is growing at a nine to ten billion dollars incremental rate. Even more importantly, the operating income is phenomenal. I mean, a WS is only twelve percent of Amazon's revenue, but it accounts for fifty percent of its operating income. Hey, Ws is operating income is is in the high twenties, twenty eight twenty nine percent higher than Cisco, higher than AMC when it when he had seen was a public company. And those air very profitable companies the only companies that are more profitable on a percentage basis that that Amazon a pure place, software companies like an oracle. So Amazon, who's an infrastructure company, is as profitable almost as a software company. It's astounding, >> really interesting to see some of the partners that were invited on. It's about the keynote speeches. For example, Saint spreads so real traditional retailer at a prompter state that they'd be in the business for one hundred fifty years and some would say in many ways a competitive toe. Amazon at marketplace because they sell a vast array of goods and services to the customers. But they talked about how they're using around eighty eight WS services. It's always like a kind of a pic, a mix sweet shop. Or, as you would say, a candy store isn't and I think that's that's some of the benefits that some customers view for A W. S. Some would say, actually, I would prefer all of my product be in one place or the car that access and services in one place. And so is this pick a mix idea that I think really is taking off, isn't it? >> I'm glad you brought up the state's very example because, essentially, in a way, they are in adjacent competitors Teo, eight, of us. And yet they've chosen to put their data. And there's in leverage Amazon services. It's like Netflix. Everybody uses Netflix as the example. I mean, they compete vigorously with with Amazon Prime Video, and yet they choose to run in the age of U. S code. Now this is one of the areas where you heard at the Google Cloud next show a lot of talk about retail companies, you know, considering using Google, because, of course, they're concerned about Amazon eating their lunch. And so it's a hard decision for retail companies to make. Sainsbury obviously has said OK, we can compete. We have a unique advantage with Amazon retail, you know, but it's something worth watching for sure, because, you know, Walmart obviously doesn't wantto run in the eight of us Cloud because it's it's fearful. Ah, at the same time, Amazon would tell you, Auntie Jessie offenses look. There's a brick wall between eight of us and the retail side. We don't share data, so it's just a matter of that. Trade off is the risk of running in a ws er and potentially running at a competitors sight worth the extra value that you get out of the services. And that's what the market has to decide, >> yet certainly does interesting as well. We had the Department of Justice on the UK Department of Justice because they're has beans real concerned about security, about putting all your eggs in one basket effectively put a your data into a club no operated by you. And it does, though seem is, though little by little, some of those security fears are being laid up. Play >> well, there was this. The seminal moment in a WS. His history was in two thousand thirteen, when it won the CIA CIA contract who was more security conscious than the CIA. And they beat Big Blue IBM for that contract way back in two thousand thirteen, and the analysis that came out of that because IBM contested that contract. What came out of that was information that suggested that eight of us said the far superior solution forced IBM to go spend two billion dollars on a company called Software to actually get into the public Cloud does. It couldn't really compete with its own sets of services, and since that, Amazon has only accelerated its lead. IBM, of course, has a public cloud, and it's competitive in its own right. But the point is that the CIA determined that security the cloud was better than it could do on Prem. Now you're seeing the big battle for the Jet I contract Joint Enterprise Defensive Initiative. It's the biggest story in DC Amazon is the front runner. It's down the Amazon and Microsoft. Not surprisingly, Oracle has contested that because the government uses these sources from multiple suppliers and there's contesting it, saying, Hey, that's not fair to use one cloud. When a vendor contests Abid, a lot of information comes out. The General Accountability Office and the D. O. D determined that a single cloud was more secure, more reliable, more cost effective and less complex to run. So this is big debate around multi cloud versus single cloud. And again, Amazon continues to lead in the marketplace and in many many instances, is winning >> on DH. There were a few comments made in certainly one of the key notes today, trying to kind of blow the competition out of the water again knows whether a few specific references, in fact, to Oracle and Microsoft >> were right. And so they called the database freedom they had hashtag database freedom again. As they say, Microsoft, IBM, Oracle, Amazon, they're in a fight for your data. That's why Oracle has launched fourteen database services. Now it's not trivial. So Sainsbury and the Ministry of Justice both talked about moving Oracle databases into the eight of us Cloud. It's not trivial. It's much easier for data warehouse and stateless applications for online transaction processing. Things like banking much, much more difficult to migrate into the clouds. So it's interesting. Sainsbury talked about racquets stands for a really application close. There's a very high end, complicated Oracle database that they migrated to Aurora. The Ministry of Justice talked about moving Oracle in tow. RGS, this is a battle I tweeted today earlier, Susana, you pick up the Wall Street Journal is a quarter page ad on the front page. Cut your Amazon bill in half now, of course, what? Oracle doesn't tell you is that they date to X the price when you're running on or on Amazon versus Oracle. So they're playing pricing games. Having said that organism very good database, the best database in the industry, the most reliable. So for mission critical applications, Oracle continues to be the leader. However, Oracle, strong arms people, they'LL, they'LL raise prices, they'LL get you in a headlock and do audits. And that's what Amazon was referring today about Microsoft and Oracle will do out. It's so they position. They tried a D position Oracle as an evil company. The Oracle, of course, so way add value. We have the best database, and they're trying to add value for the customers. Build their own cloud. So it's quite a battle that's going on, and you see the instance. Creation of that battle manifest itself in the general contract. >> Absolutely interesting is well, what we heard from really both states bruise on the Ministry of Justice, really talking about the end users and how they're so different. So for public sector organizations, this isn't about making more money making profit. It's about the experience for the user. But in fact, that came up from Sainsbury's as well, making sure that the right products are with the right part of the store. And that's how a I could help them do that and efficient, usable data they currently have. >> I think every enterprise really wants to have a consumer app like experience, and very few do. I mean, we all know used these enterprise APS from large, you know, brands, and they're often times not that great. So what, you're seeing a closing of the Gap? People see what's happening with Facebook and Instagram and Whatsapp and so forth and say we should be able to have apse that run that simply and so you're seeing that gap clothes. I don't see how you could do that without some kind of public cloud infrastructure because of the massive scale that's required. It's so companies like Saintsbury are moving in that direction. Mobile has been critical for the last decade, and so that's what the consumer wants. That's what the cloud can provide. >> Is that what every consumer wants? Because increasingly, we're hearing a lot more concerned about privacy, that people not wanting to give all of her data across to private companies and do you think this could be dist sticking point ready going forward and could actually hold back the growth all they ws and its competitors >> a great point because you have a problem. Wonder problems. You have this app creep. I can tell you have dozens and dozens and dozens of app on my phone. I don't know if I trust them with the data. So having said that, one way to simplify that is to eliminate the need to do heavy lifting and patching of your infrastructure. Let us take care of that and build value up the stack by focusing re shifting your resource is on on value added services. Could it be a problem? I think no question. When Snowden came out in the U. S. People in Europe for sure. As you know, we're concerned about putting their data in the cloud that seems to have attenuated. I don't hear much about that anymore, you know. But if the NSA can come in and demand access to my data, well, that could be problematic. That's why I ws is putting so much or one reason why they're putting so much emphasis on setting up regions. It not just eight of us, Amazon and Google and Microsoft as well for many reasons. Privacy. GPR compliance on of course, Leighton. See the laws of physics? >> Absolutely. Okay, Dave Melody, thank you very much for being with me here at the age of us. That summit here >> in London at the XL Center there is still so much going on here. Lots of breakout sessions, many more kind of individual keynotes taking place with the various different subsections. Although the A W s business and also its partners. So we will be keeping across all of those on the Cube. Thanks for watching.

Zay California in the heart of Silicon Valley. It's the cube covering Hadoop summit 2016 brought to you by Hortonworks. Here's your host, John furrier. >>Okay, we'll come back here and we are here live in Silicon Valley for the cube. This is our flagship program. We go out to the events and extract the cylinders. Of course. We're here at the big data event. Hadoop summit 2016 have a special guest celebrity now, author of the bestselling book magical at Virginia Heffernan magic and loss rising on the bestseller lists. Welcome to the cube. Thanks in our show, you are my internet friend and now you're my real life friend. You're my favorite Facebook friend that I just now met for the first time. Great to meet you. We had never met and now we, but we know each other of course intimately through the interwebs. So I've been following your writing your time. Send you do some stuff on medium and then you, you kind of advertise. You're doing this book. I saw you do the Google glasses experiment in. >>It was Brooklyn and it might, it was so into Google glass and I will admit it, I fought for everything. I fell for VR and all its incarnations and um, and the Google last year, it was like that thing that was supposed to put the internet all voice activated, just put the internet always in front of your face. So I started to wear it around in Brooklyn, my prototype. I thought everyone would stop me and say how cool it was. In fact they didn't think it was pull it off new Yorkers. That's how you would, how they really feel. Got a problem with that. Um, your book magic and loss is fantastic and I think it really is good because uh, Dan Lyons wrote, disrupted, loved, which was fantastic. Dan lies big fan of him and his work, but it really, it wasn't a parody of civil rights for Silicon Valley. >>The show that's kinda taken that culture and made it mainstream. I had people call me up and say, Hey, you live in Callow Alto. My God, do you live near the house? Something like it's on Newell, which is one of my cross streets. But the point is tech culture now is kind of in a native, my youngest is 13 and you know, we're in an iPad generation for the youth and we're from the generation where there was no cell phones. And Mike, I remember when pages were the big innovation and internet. But I think, I think when I'm telling you, I think, I know I'm talking to a fellow traveler when I say that there was digital culture before the advent of the worldwide web in the early nineties you know, I, I'm sure you did too. Got electronic games like crazy. I would get any Merlin or Simon or whatever that they, they introduced. >>And then I also dialed into a mainframe in the late seventies and the early eighties to play the computer as we call it. We didn't even call it the internet. And the thing about the culture too was email was very, you know, monochrome screens, but again, clunky but still connected. Right? So we were that generation of, you know, putting that first training wheels on and now exposed to you. So in the book, your premise is, um, there's magical things happening in the internet and art countering the whole trolling. Uh, yeah, the Internet's bad. And we know recently someone asked me, how can the internet be art when Twitter is so angry? What do you think art is? You know, this is an art. Art is emotional. Artists know powerful >>emotions represented in tranquility and this is, you know, what you see on the internet all the time. Of course the aid of course are human. It needs a place to live and call it Twitter. For now it used to be YouTube comments. So, but we are always taking the measure of something we've lost. Um, I get the word loss from lossy compression, you know, the engineering term that, how does, how MP3 takes that big broad music signal and flattens it out. And something about listening to music on MP3, at least for me, made me feel a sense that I was grieving for something. It was missing something from my analog life. On the other hand, more than counterbalanced by the magic that I think we all experienced on the internet. We wouldn't have a friendship if it weren't for social media and all kinds of other things. And strange serendipity happens not to mention artistic expression in the form of photography, film, design of poetry and music, which are the five chapters of the book. >>So the book is fantastic. The convergence and connection of people, concepts, life with the internet digitally is interesting, right? So there's some laws with the MP3. Great example, but have you found post book new examples? I'm sure the internet culture, geese like Mia, like wow, this is so awesome. There's a cultural aspect of it is the digital experience and we see it on dating sites. Obviously you see, you know Snapchat, you know, dating sites like Tinder and other hookups apps and the real estate, everything being Uberized. What's the new things that you've, that's coming out and you must have some >>well this may be controversial, but one thing I see happening is anti digital culture. Partly as an epi phenomenon of side effect of digitization. We have a whole world of people who really want to immerse themselves in things like live music maker culture, things made by hand, vinyl records, vinyl records, which are selling more than ever in the days of the rolling stones. Gimme shelter less they sold less than than they do now. The rolling stones makes $1 billion touring a year. Would we ever have thought that in the, in the, you know, at the Genesis of the iPod when it seemed like, you know, recorded music represented music in that MP3 thing that floated through our, our phones was all we needed. No, we want to look in the faces of the rolling stones, get as close as we can to the way the music is actually made and you know, almost defiantly, and this is how the culture works. This is how youth culture works. Um, reject, create experiences that cannot be digitized. >>This is really more of a counter culture movement on the overt saturation of digital. >>Yes. Yes. You see the first people to scale down from, you know, high powered iPhones, um, when we're youth going to flip phones. You know, it's like the greatest like greatest punk, punk, punk tech. Exactly. It's like, yeah, I'm going to use these instruments, but like if I break a string, who cares on a PDs? The simplest one, right? >>My mom made me use my iPhone. Are we going to, how are we going to have that? it'd >>be like, Oh, look at you with your basic iPhone over there. And I've got my just like hack down, downscale, whatever. And you know what, I don't spend the weekends, don't pick up my phone on the weekends. But you know, there are interesting markets there. And interesting. I mean, for instance, the, you know, the live phenomenon, I know that, you know, there's this new company by one of the founders of Netflix movie pass, which um, for a $30 subscription you've seen movies in the theater as much as you want and the theaters are beautiful. And what instead of Netflix and chill, you know, the, the, the contemporary, you know, standard date, it's dinner and movie. You're out again. You're eating food, which can't be digitized with in-company, which can't be digitized. And then sitting in a theater, you know, a public experience, which is, um, a pretty extraordinary way that the culture and business pushes back on digital. >>Remember I was a comma on my undergraduate days in computer science in the 80s. And before when it was nerdy and eh, and there was a sociology class at Hubba computers and social change. And the big thing was we're going to lose social interactions because of email. And if you think about what you're talking about here is that the face to face presence, commitment of being with somebody right now is a scarce resource. You have an abundance of connections. >>I mean, take the fact what has happened is digital culture has jacked up the value of undigital culture. So for instance, you know, I've, I've met on Facebook, we talk on Facebook messenger, we notice that we're, you know, like kindred spirits in a certain way and we like each other's posts and so forth. Then we have an, a more extensive talk in messenger when we meet in person for the first time. Both of us are East coast people, but we hugged tele because it's like, Oh wow, like you in the flesh. You know it's something exciting. >>Connection virtually. That's right. There's a synchronous connection presence, but we're not really, we haven't met face to face. >>Yeah, there's this great as a great little experiment going on, set group of kids and Silicon Valley have decided they're too addicted to their phones and Facebook. Now I am not recommending for your viewers and listeners that anybody do what these kids sounds good, are ready. Go. Hey, all right, so what they do is take an LSD breakfast. Now I don't take drugs. I think you can do this without the LSD, but they put a little bit of a hallucinogen under their skin in the morning and what they find is they lost interest in the boring interface in their phones because people on the bus suddenly looked so fascinating to them. The human face is an ratable interface. It can't be reproduced anywhere, Steve. You know, Johnny ive can't make it. They can't make it at Google. And that I think is something we will see young markets doing, which is this renewed appreciation for nature and analog for humans and for analog culture. >>That's right. The Navy is going to sextants and compasses. You may have seen training, they're training sailors on those devices because of the fear that GPS might be hacked. So you know, the young kids probably don't even know what a cup is is, well, I bought myself a compass recently because I suddenly was like, you know, we talk a lot about digital technology, but what the heck, this thing you can point toward the poles, right in my hands. You know, I was suddenly like, we are this floating ball with these poles with different magnetic charges. And I think it's time. I appreciate it. >>Okay, so I've got to ask the, um, the, the feedback that you've gotten from the book, um, again, we hear that every Geneva magic and loss, great, great book. Go by. It's fantastic and open your mind up. It's a, it's a thought provoking, but really specific good use cases. I got a think that, you know, when you talk at Google and when you talk to some of the groups that you're talking to, certainly book clubs and other online that there must be like, Oh my God, you hit the cultural nerve. What have you heard from some of these, um, folks from my age 50 down to the 20 something year olds? Have you had any aha moments where you said, Oh my God, I hit a nerve here. >>Did not want to, I mean, I didn't want to write one of those books. That's like the one thing you need to know to get your startup to succeed or whatever. You know, I was at the airport and every single one of them is like, pop the only thing you need to do to save this or whatever. And they, they do take a very short view. Now if you're thinking about, you know, whether if you're thinking about your quarterly return or your, you know, what you're going to do this quarter and when you're going to be profitable or user acquisition, those books are good manuals. But if you're going to buy a hardcover book and you're going to really invest in reading every page, not just the bolded part, not just the put, you know, the two points that you have to know. I really wanted readers and at what I had found on the internet, people like you, we have an interest in a long view. You know what, I need a really long view >>in a prose that's not for listicle or you know, shorts. It's like it's just a thought provoker but somebody can go, Hey, you know, at the beach on the weekend say, Hey wow, this is really cool. What F you know, we went analog for awhile or what if, what's best for my kids to let my kids play multiplayer games more Zika simulate life. That was my, so these are the kinds of questions that the digital parents are asked. >>Yeah. So you know, like let's take the parents question, which is, is, you know, a, surprisingly to me it's a surprisingly pressing question. I am a parent, but my kids' digital habits are not, you know, of obsessive interest to me. Sometimes I think the worry about our kids is a proxy for how we worry about ourselves. You know, it's funny because they're the, you know, the model of the parent saying my kid has attention deficit order, zero order. My kid has attention deficit disorder. The kids over here, the parents here, you know, who has the attention deficit disorder. But in any case I have realized that parents are talking about uh, computers on the internet as though something kids have to have a very ambivalent relationship with and a very wary relationship with. So limit the time, and it sounds a little bit like the abstinence movement around sexuality that like, you know, you only dip in, it's very, you know, they're only date, right, right, right. >>Instead of joining sides with their kids and helping to create a durable, powerful, interesting online avatar, which is what kids want to do. And it's also what we want to do. So like in your Facebook profile, there are all kinds of strategic groups you can make as a creator of that profile. We know it as adults. Like, do you, some people put up pictures of their kids, some people don't vacation pictures. Some people promote the heck out of themselves. Some people don't do so much of that. Um, do you put up a lot of photographs? Do whatever. Those are the decisions we started to make when went on Facebook at kitchen making the two small armor to have on their gaming profile. That's kind of how they want to play, you know, play for you, going to wear feathers. These are important things. Um, but the uh, you know, small questions like talking to your kids and I don't mean a touchy feely conversation, but literally during the write in all lower case commit, you know, Brighton, all lower case, you're cute and you're this and that means a certain thing and you should get it and you're going to write in all caps and you're going to talk about white nationalist ideology. >>Well that also has a set of consequences. What have you learned in terms of the virtual space? Actually augmented reality, virtual reality, these promise to be virtual spaces. What, what is one of them? They always hope to replicate the real world. The mean, yes. Will there be any parallels of the kind of commitment in the moment? Gives you one thing. I say kids that, you know, the subtitle of the book is the internet as art, magic and loss. The internet is art and the kind of art, the internet is, is what I think of as real estate art. It purports to be reality. You know, every technology pick a photography film says or think of even the introduction of a third dimension in painting, you know, in Renaissance painting perspective for ports to represent reality better than it's been represented before. And if you're right in sync with the technology, you're typically fooled by it. >>I mean, this is a seductive representation of reality. You know, people watching us now believe they're seeing us flush of let us talk. You know, they don't think they're seeing pixels that are designed in certain ways and certainly it's your ways. So trying to sort out the incredibly interesting immersive, artful experience of being online that has some dangers and has some emotions to do it from real life is a really important thing. And you know, for us to learn first and then a model for our kids. So I had a horrible day on Twitter one day, eight 2012 213 worst day ever on Twitter. It was a great day for me. I spent the day at the beach, my Twitter avatar took sniper fire for me all day. People called her an idiot separated amount. I separated them out. And anyone who like likes roleplay and games knows that like I'm not a high priestess in Dentons and dragons. >>You know, I'm a much smaller person than that. And in, in, you know, in the case of this Twitter battle, I'm a less embattled person than the one that takes your armor from me on Twitter. That's my art. Your armor. So let's talk about poetry. Twitter, you mentioned poetry, Twitter, 140 characters. I did 40 characters is a lot. If like a lot of internet users your to have pictographic language like Chinese. So 140 characters is a novel by, well not a novel, but it's a short story for, you know, a writer of short form, short form Chinese aphorisms like Confucius. So one of the things I wanted to say is there's nothing about it being short that makes it low culture. You know, there's, I mean it takes a second to take, to take an a sculpture or to take an a painting and yet like the amount of craft that went into that might be much more good tweeting and you're excellent at it, um, is not easy. You know, I know that times I've been like, I tagged the wrong person and then I have to delete it. Like, because the name didn't come up or you know, I get the hashtags wrong and then I'm like, Oh, it would have been better this other way or I don't have a smart enough interject >>it's like playing sports. Twitter's like, you know, firing under the tennis ball baseline rallies with people. I mean, it's like, it's like there's a cultural thing. And this is the thing that I love about your book is you really bring in the metaphors around art and the cultural aspect. Have you had any, have you found that there's one art period that we represent right now? That it could be a comparison? >>I mean, you know, it's always tempting to care everything to the Renaissance. But you know, obviously in the Italian Renaissance there was so much technological innovation and so much, um, and so much, uh, so much artistic innovation. But, um, you know, the other thing are the Dawn of it's might be bigger than that, which it sounds grounds grandiose, but we're talking about something that nearly 6 billion people use and have access to. So we're talking about something bigger than we've ever seen is the Donovan civilization. So like, we pay a lot of attention to the Aqua docks and Rome and, and you know, later pay to touch it to the frescoes. I attend in this book to the frescoes, to the sculpture, to the music, to the art. So instead of talking about frescoes as an art historian, might I talk about Instagram? Yeah. >>And you, and this thing's all weave together cause we can back to the global fabric. If you look at the civilization as you know you're not to use the world is flat kind of metaphor. But that book kind of brings out that notion of okay if you just say a one global fabric, yes you have poetry, you have photography of soiling with a Johnny Susana ad in London. He says, you know, cricket is a sport in England, a bug and a delicacy depending on where in the world you are. >>Love that is that, I wonder if that's the HSBC had time to actually a beautiful HSBC job has done a beautiful campaign. I should find out who did it about perspective. And that is also a wonderful way to think about the internet because you know, I know a lot of people who don't like Twitter, who don't like YouTube comments. I do like them because I am perpetually surprised at what people bring to their interpretation. Insights in the comments can be revealing. You know, you know, you don't wanna get your feelings hurt. Sometimes you don't want that much exposure to the micro flora and fauna of ideas that could be frightening. But you know, when you're up for it, it's a really nice test of your immune system, you know. All right. So what's next for you? Virginia Heffernan magic and last great book. I think I will continue to write the tech criticism, which is just this growing field. I at Sarah Watson had a wonderful piece today in the Columbia journalism review about how we really need to bring all our faculties to treat, treating to tech criticism meant and treating tech with, um, with Karen, with proper off. Um, and the next book is on anti digital culture. Um, I will continue writing journalism and you'll see little previews of that book in the next work. >>Super inspirational. And I think the culture needs this kind of rallying cry because you know, there is art and science and all this beautiful beauty in the internet and it's not about mutually exclusive analog world. You can look and take, can come offline. So it's interesting case study of this, this revolution I think, and I think the counter culture, if you'd go back and Southern John Markoff about this, when he wrote his first book, the Dormouse wander about the counter culture in Silicon Valley is what's your grade book? And counter cultures usually create a another wave of innovation. So the question that comes out of this one is there could, this could be a seminal moment in history. I mean, I think it absolutely is. You know, in some ways, every moment is a great moment if you know what to make of it. But I am just tired of people telling us that we're ruining our brands and that this is the end of innovation and that we're at some low period. >>I think we will look back and think of this as an incredibly fertile time for our imaginations. If we don't lose hope, if we keep our creativity fired and if we commit to this incredible period we're in Virginia. Thanks for spending the time here in the queue. Really appreciate where you're live at. Silicon Valley is the cube with author Virginia Heffernan magic. And loss. Great book. Get it. If you don't have it, hard copies still available, get it. We'll be right back with more live coverage here. This is the cube. I'm John furry right back with more if the short break.